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THURS: A Writer's Wit | Hillary Rodham Clinton FRI: My Book World | Alexander Chee, The Queen of the Night MY BOOK WORLDFitzgerald. F. Scott. The Crack-Up, ed. Edmund Wilson. With Letters to Fitzgerald from Gertrude Stein, Edith Wharton, T. S. Eliot, Thomas Wolfe, and John Dos Passos. And essays and Poems by Paul Rosenfeld, Glenway Wescott, John Dos Passos, John Peal Bishop and Edmund Wilson. New York: New Directions, 1956 (1931). There is much to admire about this collection of essays and varied materials, some written by Fitzgerald and some penned by other contemporaneous literati. The title is derived from the author’s essay by the same name, in which he rather portrays his demise as a writer. It is a bit self-flagellating, if not a bit inaccurate. The weakest part of this tome may be “The Notebooks,” in which, by category (Anecdotes, Descriptions of Humanity, Karacters, to name a few), Fitzgerald displays journal entry after journal entry. I’ve seen this done to great effect by the likes of David Sedaris in his journals (which have been carefully edited) and John Cheever’s, as well. But here, this section contains around 150 pages of material that should probably have remained private. Some entries are so fragmented as to be nonsensical (except to the author); others seem overwritten and therefore of little value to the reader. In a strange aside, I must say a number of these entries seem to speak to Fitzgerald’s preoccupation/fascination with “homosexuals”: “I really loved him, but of course it wore out like a love affair. The fairies have spoiled all that”(99). “Fairies?” Really? “Fairy who fell for a wax dummy” (155). “He had once been a pederast and he had perfected a trick of writing about all his affairs as if his boy friends had been girls, thus achieving feminine types of a certain spurious originality” (166). Is “he” Fitzgerald himself? “When I like men I want to be like them—I want to lose the outer qualities that give me my individuality and be like them. I don’t want the man; I want to absorb into myself all the qualities that make him attractive and leave him out. I cling to my own innards. When I like women I want to own them, to dominate them, to have them admire me” (169). Honestly sounds as if the man has an identity problem. “Fairy can only stand young girls on stage, where they’re speaking other people’s lines” (201). “Fairies: Nature’s attempt to get rid of soft boys by sterilizing them” (205). “The two young men could only groan and play sentimental music on the phonograph, but presently they departed; the fire leaped up, day went out behind the window and Forrest had rum in his tea” (214). “to Gerald and Sara Murphy Honey—that goes for Sara too…” (282). A nice, jocular greeting in a letter. Ha ha. As I said, a strange preoccupation this man seems to have with gay men. He can’t decide whether he admires them or deplores them, and could he possibly be one himself? In all, however, I wish I had read this collection while I was teaching The Great Gatsby and a few of Fitzgerald’s short stories to high school AP students years ago. Doing so might have informed my pedagogy in a superior manner. Coming Next: TUES: A Writer's Wit | Gore Vidal WEDS: A Writer's Wit | Heidi Hayes Jacobs THURS: A Writer's Wit | Caroline Gordon FRI: My Book World | Barbara Kingsolver, Demon Copperhead: A Novel I meant to observe this website's 10th anniversary in 2021, but the Covid pandemic seemed to put the kibosh on that for a number of reasons. If you have time, feel free to browse the six tabs or pages by clicking on the links below. Each one sports a new look and updated information.
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My Book WorldTóibín, Colm. The Magician: A Novel. New York: Scribner, 2021. There aren’t enough superlatives that can be ascribed to this novel, the author of which has published twenty-four other books. This fictionalized story of literary giant, Thomas Mann, is both riveting and sobering. The young Mann writes poetry exalting his also young lovers, all male. But in his Germany he cannot get out of marrying. And in fact, he does marry a woman he loves, and they produce quite a family. The novel traces their lives as they unfold in pre-World War II Europe, and as their lives extend to America, where the Mann’s take up residence. The book as well traces the processes or problems he incurs in writing some of his important works, including Death in Venice. It seems that Tóibín utilizes only the most important details or facts, or otherwise, his five hundred page novel might be twice the journey. A joy to read if you care about world literature and its important authors. Coming Next: TUES: A Writer's Wit | Lillian Hellman WEDS: A Writer's Wit | Ian McEwan THURS: A Writer's Wit | Adam Schiff FRI: My Book World | Pat Conroy, The Great Santini |
AUTHOR
Richard Jespers is a writer living in Lubbock, Texas, USA. See my profile at Author Central:
http://amazon.com/author/rjespers Archives
September 2024
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