www.richardjespers.com - Blog

Chee Conquers His Autobiography

7/19/2019

A WRITER'S WIT
Everybody has parents. As a dramatist, whenever you write a character, you must write their parents as well, even if the parents aren't there.
Mark O’Donnell
Born July 19, 1954

M. O'Donnell

My Book World

Chee, Alexander. How to Write an Autobiographical
Novel: Essays. Boston: Houghton, 2018.

This collection of essays is a staggering one. In the way that fiction writers link short stories, Chee links essays to explicate how he works as a fiction writer. His metaphors are simple yet profound. His advice is wrenched from the heart, and yet at no time does he allow sentimentality to interfere with his message. The entire collection—like a group of short stories, like a novel—possesses a narrative arc that is subtle, inching readers toward the climax, easing into a quiet denouement. The book seems nonlinear, but Chee glides readers from a few youthful months spent in Mexico becoming fluent in Spanish, to his older youth in college with Annie Dillard as a professor, to his maturation into an astute, caring professor of creative writing, to the publication of his first novel and how it explores and ultimately exposes the biggest secret of his life.

The Publishing Triangle, a long-established organization for LGBTQ writers based in New York, recently awarded this work the Randy Shilts Award for Gay Nonfiction. I hope, as a tour de force, it will win even more accolades in the coming months or years. Chee is a remarkable writer, and anyone who takes a seminar from him ought to feel fortunate.

NEXT TIME: My Journey of States-41 Nevada

A Writer's Wit

7/18/2019

There are two kinds of marriages—where the husband quotes the wife and where the wife quotes the husband.
Clifford Odets
Born July 18, 1906

C. Odets

NEXT TIME: My Book World | Alexander Chee, How to Write an Autobiographical Novel

My Journey of States-40 Idaho

7/17/2019

A WRITER'S WIT
Nothing written for pay is worth printing. Only what has been written against the market.
Ezra Pound
Born October 30, 1885 Hailey, Idaho
Died November 1, 1972 Venice, Italy

E. Pound

MY JOURNEY OF STATES is a series in which I relate my sixty-year quest to visit all fifty states in the U.S. In each post I tell of my relationship to that state, whether brief or long, highlighting personal events. I include the year of each state's entry into the union and related celebrations. I hope you enjoy my journey as much as I have. This is the fortieth post of fifty.

Idaho (2008, 2010, 2015)

Some places you visit because you know people who live there. In teaching graduate students at Texas Tech summer school, my partner Ken introduced one of his female students to a young English professor who was teaching creative writing at the same time (I believe this to be true). The couple later married, and the professor was instrumental in getting me into the MA program at TTU. Before I could finish my degree, Ann and Daryl moved to Boise, and years later, after Ken and I retired, we visited them at their home, once in summer and once in autumn.

Boise is a well-kept secret, with a fine university. A river running through it (couldn't resist), in fact, a cultivated green belt for athletes, zoo-goers, museum attendees, and fresh-air breathers of all kinds. A great center for cinema, especially the Egyptian Theatre. A breeding ground for writers and authors. Most of all, a humane population. One night, after the four of us had attended a play at the Idaho Shakespeare Festival Amphitheater, the crowd strolled toward a huge parking lot. I figured, as in Texas, that there would be a huge push—cars streaming in all directions—to scramble to the closest exit. I was astounded when, as we reached a certain nexus, a four-way stop, each line of drivers took his or her turn heading for the exit. Ken and I asked if that was normal, and our friends quietly insisted it was. A state that uses a saying like “Drive Friendly” could sure learn something from that genteel bunch of Idahoans. Ken and I confessed that if we’d only encountered the place ten years earlier, we might have retired there. Of course, it just could have been a bunch of talk.

Idaho was the forty-third state to be admitted into the Union on July 3, 1890. Its state bird is the Mountain Bluebird, and it boasts a population of 1.7 million people.

HISTORIC POSTCARDS AND TRUNK DECALS

If you missed earlier My Journey of States posts, please click on a link:
1-Kansas   13. New Jersey 25. Michigan 37. N. Hampshire
2-Oklahoma   14. Delaware 26. Wisconsin 38. Maine
3-Texas     15. New York   27. Minnesota 39. Rhode Island
4-Louisiana     16. Connecticut 28. Iowa
5-Missouri 17. Colorado 29. Hawaii
6-Illinois 18. Arkansas   30. Georgia
7-Indiana   19. California 31. S. Carolina
8-Ohio 20. Florida     32. N. Carolina
9-Pennsylvania   21. Mississippi   33. Alabama
10-West VA   22. New Mexico 34. Kentucky
11-Maryland 23. Tennessee   35. Massachusetts
12. Virginia   24. Arizona   36. Vermont

NEXT TIME: My Book World | Alexander Chee's How to Write an Autobiographical Novel

A Writer's Wit

7/16/2019

I find writing very difficult. It's hard and it hurts sometimes, and it's scary because of the fear of failure and the very unpleasant feeling that you may have reached the limit of your abilities.
Tony Kushner
Born July 16, 1956

T. Kushner

NEXT TIME: My Journey of States-40 Idaho

Anna Burns's 'Milkman' Is Stunning Novel

7/12/2019

A WRITER'S WIT
Imagine a world in which no writer has written a literary novel in sixty years. Imagine a place where not a single person has read a book that is truly about the character at its center.
Adam Johnson
Born July 12, 1967

A. Johnson

My Book World

Burns , Anna. Milkman. Minneapolis: Graywolf, 2018.

This winner of the UK’s Man Booker Prize is a stunning read. From the outset, one is struck by this Irish writer’s Joycean style or even point of view. The novel is ostensibly set in Northern Ireland of the 1970s. Her stream-of-consciousness prose includes the practice of keeping her characters anonymous. The narrator calls herself middle sister, one of several female siblings, and refers to them as First Sister and so forth. Other characters include Milkman, the real milkman, and Somebody McSomebody. Such a practice paints a society of strict norms, in which everyone is judged by whom they associate with or don’t associate with, why one isn’t married to a particular man by a certain age. The practice keeps the reader at a distance, viewing this particular time period of strife with as much objectivity as possible. The novel might have been reduced by pages if the author had chosen real names instead of hyphenated characters like maybe-boyfriend being repeated hundreds of times, yet after establishing its own pace, the prose swoops in and snatches the reader up. At times you cannot put down the book. The narrator is her own Stephen Daedalus, striving to know her world, but also afraid to find out too much. Finding out too much might get her killed. A must read for 2019 and always.

NEXT TIME: My Journey of States-40 Idaho

A Writer's Wit

7/11/2019

One of the most time-consuming things is to have an enemy.
E. B. White
Born July 11, 1899

NEXT TIME: My Book World | Milkman by Anna Burns

My Journey of States-39 Rhode Island

7/10/2019

A WRITER'S WIT
To me, poetry is somebody standing up, so to speak, and saying, with as little concealment as possible, what it is for him or her to be on earth at this moment.
Galway Kinnell
Born February 1, 1927
Providence, Rhode Island
Died October 28, 2014
Sheffield, Vermont

G. Kinnell

MY JOURNEY OF STATES is a series in which I relate my sixty-year quest to visit all fifty states in the U.S. In each post I tell of my relationship to that state, whether brief or long, highlighting personal events. I include the year of each state's entry into the union and related celebrations. I hope you enjoy my journey as much as I have. This is the thirty-ninth post of fifty.

Rhode Island (2003)

I must admit that Rhode Island is one of the fifty states through which I made one of those pass-through visits, as I did with Delaware. However, I feel a literary connection with the state because of one writer, Edith Wharton. If Ken and I had had time, we most surely would have visited her former residence, Land’s End, located in Newport and portrayed in her novel, The Age of Innocence. I visited her other home, The Mount, in Lenox, Massachusetts three times over the period of a decade, and so, upon my return to the state Newport shall be my first stop.

Rhode Island became thirteenth of the original thirteen states, in 1790, and its official name is Rhode Island and Providence Plantations.

Historical Postcards

If you missed earlier My Journey of States posts, please click on a link:
1-Kansas   13. New Jersey 25. Michigan 37. N. Hampshire
2-Oklahoma   14. Delaware 26. Wisconsin 38. Maine
3-Texas     15. New York   27. Minnesota
4-Louisiana     16. Connecticut 28. Iowa
5-Missouri 17. Colorado 29. Hawaii
6-Illinois 18. Arkansas   30. Georgia
7-Indiana   19. California 31. S. Carolina
8-Ohio 20. Florida     32. N. Carolina
9-Pennsylvania   21. Mississippi   33. Alabama
10-West VA   22. New Mexico 34. Kentucky
11-Maryland 23. Tennessee   35. Massachusetts
12. Virginia   24. Arizona   36. Vermont

NEXT TIME: My Book World | Milkman by Anna Burns, Booker Prize Winner

A Writer's Wit

7/9/2019

The first function of poetry is to tell the truth, to learn how to do that, to find out what you really feel and what you really think.
June Jordan
Born July 9, 1936

NEXT TIME: My Journey of States-39 Rhode Island

Back in the Saddle

7/8/2019

A WRITER'S WIT
In brief, I spend half my time trying to learn the secrets of other writers—to apply them to the expression of my own thoughts.
Shirley Ann Grau
Born July 8, 1929

This and That

THIS: I haven't posted for over five months for the reasons I stated at the end of January. First, my longtime partner of forty-three years, Ken Dixon, was diagnosed with a BIG spur on his C5 vertebra which was crowding his spinal cord in a BIG way. In order to knock it off in the least invasive way, the surgeon came in from the front, and removed C6 to get at the spur and screwed in a spacer between 5 and 7, filling it with bone debris that has and will continue to make new bone material. The surgery and recovery went well, but being in charge of everything made me a very busy boy. The procedure, a corpectomy reduced his pain and stabilized his blood pressure, yet he continues to work with other professionals solving the riddle of vertigo. He's back in the studio for limited sessions.

THAT: I spent the entire month of June at a dandy place in the Texas Hill Country known as Hacienda Maria, what I refer to as a mini-villa that one can lease from the Native American Seed company of Junction, Texas. Just rural enough to enjoy the pastoral nature of the country roads, it was also a short six miles into town to buy groceries or mail a letter. ¶ I was able to read ALOUD my 550-page manuscript twice, literally finding my voice for the book. I made and entered in the computer numerous corrections, attempting to smooth out clunky language, as well as other problems which I shall not go into here. Anyway, I probably accomplished four months of work in one, putting me closer to finishing the monster.

MORE THIS: I plan to post regularly again, continuing my Tuesday/Thursday posts of A Writer's Wit, advice other writers have offered either about their work or the writing process in general. On Wednesdays, I shall continue my series, My Journey of States, until I have finished with all fifty! And finally, on Fridays, I offer profiles of new (or vintage) titles in My Book World series.

THE LAST OF THAT: A year ago I deleted my Facebook page primarily because I was disgusted with their cavalier approach to running a business. During that time, their corporate leaders have done even more to make me glad I dropped out. Personally, I believe the organization will have to shut down and do a FB 2.0 to build a more secure Web site from the ground up. Until it's improved at least, I remain a departed client. HOWEVER, I do miss seeing what's happening with family and friends. Drop a line, plee hee heez. ¶ I also deleted my Twitter account. I never was able to garner more than two hundred fifty followers, and, because I'd made the mistake of following some political operatives instead of sticking to purely literary interests, I was having to read a lot of negative stuff. It wasn't my followers' words but those of people "commenting." Negative. Negative. Negative. My only social media presence is now on LinkedIn, and if anyone can tell me how to make the most of THAT, I'd appreciate it. WHEW! I've said more than I wished to. I look forward to seeing and hearing from you as I regain my Internet presence.

NEXT TIME: My Journey of States-39 Rhode Island

A Writer's Wit

7/4/2019

One of the things you hope you've done as a playwright is create roles that can sustain different interpretations.
Tracy Letts
Born July 4, 1965

T. Letts

NEXT TIME: My Book World

A Writer's Wit

7/2/2019

“I have always believed, and I still believe, that whatever good or bad fortune may come our way we can always give it meaning and transform it into something of value.”
From Siddhartha By Herman Hesse
Born July 2, 1877

H. Hesse

NEXT TIME: My Book World

Leave-of-Absence

1/26/2019

Because I am needed to care for a loved one following his surgery, I am suspending my blog activity, hopefully for no more than several months. Also, I MUST finish writing a book I've been working on for over three years. When I've achieved those two things, I'll return to posting three or four times a week. Until then, please feel free to browse through my archives located to the far right. Below you can find links to a few of my favorite posts from the past year. RJ

Sally Field's Memoir Is Powerful
The Two Real Lolitas
Turning Seventy, Yikes!
Bullets to Bells: A Powerful Collection of Poems
Thinking in Twelves
A Handmaid's Tale: Literature of Witness
Defeating A Fib At Last-1
Russian Roulette Is a Hot Read
Life Among the Savages Still Delightful
Shirley Jackson's Haunted Life
Barcelona Photographs

Thanks for stopping by . . . until we meet again, keep reading!

A Dark Room Fills with Light

1/25/2019

A WRITER'S WIT
A bonny lass I will confess,
Is pleasant to the e’e,
But without some better qualities
She’s no a lass for me.
Robert Burns
Born January 25, 1759

R. Burns

My Book World

Faludi, Susan. In the Darkroom. New York: Picador,
2016.

One sign that a book may be spectacularly well written is that the author’s process seems inscrutable. In the case of Susan Faludi, she combines journalistic techniques of conducting interviews, whether recorded or not, along with long months, perhaps years of tedious research of all kinds, but finally she observes and interprets the relationship she has (or has not) with her own father. Yet how she weaves all these together remains a wonderful mystery.

Faludi’s memoir is comprised of many things: history of the tragic past of Hungary and Hungarian Jews, how that history informs her father’s life as Steven Faludi, her more recent life as Stefi Faludi; it is a journal of the author’s relationship with her father over many years, even years in which they neither speak nor see one another; it is a book about identity, how one can shapeshift to obscure oneself, whether it is her father’s masquerading as a young Nazi in order to rescue family members from being executed or whether it his change from male to female, whether it is changing one’s name from Friedman to Faludi. Ultimately, the book portrays the long, fraught journey that father and daughter take together, a journey that, at any time could be cut short, but because of some ephemeral formula, manages to continue until the very end, when Stefi’s very substantial constitution finally fails. This body—lying on a hospital bed in Budapest has sustained parental neglect, physical and emotional battles of war, marriage, and family life, abuse it has both endured and afflicted on her daughter, the physical and emotional rigors of gender reassignment surgery—finally succumbs to death. The author has flown from Portland, Oregon, to be with her father Stefi in Budapest, yet Susan sees that her father is resting, she decides she must get some rest at her father’s apartment. She is awakened by a phone call at six a.m. the next morning:

“Hallo,” the voice in the receiver said. “This is Dr. Molnárné.”
Yes, I said, unsure if I was awake or still in a dream.
“I’m sorry to inform you. Your father is dead.”
“What? How could . . . this be?”
“Some time after five this morning.”
“I see,” I said, now alert—and accusatory. “What was the cause?”
“Nothing special,” the doctor said. “She just died” (458).

As with the entirety of Susan’s relationship with Steven/Stefi, this process has not gone as it should. According to Susan’s thinking, she was to have located a dementia specialist, and that act would perhaps extend his life. At worst, Susan was to have been at Stefi’s side; they were to have had one final word of reconciliation before he parted; one final hand-holding while blood still flowed through both bodies.

An astounding book, where echoing off the title, the author takes the reader through many dark rooms, including photographic darkrooms, but others more sinister, to limn the lives of an extraordinary father and her daughter. A must read.

A Writer's Wit

1/24/2019

The American landscape has no foreground and the American mind no background.
Edith Wharton
Born January 24, 1862

E. Wharton

NEXT TIME: My Book World, Susan Faludi's Memoir, In the Darkroom

My Journey of States-38 Maine

1/23/2019

A WRITER'S WIT
In the life of each of us, I said to myself, there is a place remote and islanded, and given to endless regret or secret happiness; we are each the uncompanioned hermit and recluse of an hour or a day; we understand our fellows of the cell to whatever age of history they may belong.
Sarah Orne Jewett
Born September 3, 1849
South Berwick, Maine
Died June 24, 1909
South Berwick, Maine

S. Jewett

MY JOURNEY OF STATES is a series in which I relate my sixty-year quest to visit all fifty states in the U.S. In each post I tell of my relationship to that state, whether brief or long, highlighting personal events. I include the year of each state's entry into the union and related celebrations. I hope you enjoy my journey as much as I have. This is the thirty-eighth post of fifty.

Maine (2008)

Ken and I drove from our outpost in Massachusetts to Maine in the autumn of 2008, just prior to the election. It seemed like quite a distance, at first. Could we really make a day trip of it? Turned out to be a little over a three-hour drive, what we consider a short jaunt in Texas. A friend from the area had told us we must indulge in a lobster roll or two, so for lunch we stopped at a large establishment that seemed to specialize in it (large lobster sign). Meh. It wasn’t anything to write to Washington about, but we enjoyed it and moved on to the Acadia National Park, where we climbed Cadillac Mountain. And then onto Maine’s magnificent coast and charming lighthouses. We spent the night in a motel, and on our drive back, half the political signs seemed to be for Obama and the other half for McCain, a prescient view of our present situation.

Maine, the twenty-third state admitted to the Union, will celebrate its bicentennial in 2020.

HISTORICAL POSTCARDS & TRUNK DECALS

If you missed earlier My Journey of States posts, please click on a link:
1-Kansas   13. New Jersey 25. Michigan 37. N. Hampshire
2-Oklahoma   14. Delaware 26. Wisconsin
3-Texas     15. New York   27. Minnesota
4-Louisiana     16. Connecticut 28. Iowa
5-Missouri 17. Colorado 29. Hawaii
6-Illinois 18. Arkansas   30. Georgia
7-Indiana   19. California 31. S. Carolina
8-Ohio 20. Florida     32. N. Carolina
9-Pennsylvania   21. Mississippi   33. Alabama
10-West VA   22. New Mexico 34. Kentucky
11-Maryland 23. Tennessee 35. Massachusetts
12. Virginia   24. Arizona 36. Vermont

NEXT TIME: My Book World, Susan Faludi's Memoir, In the Darkroom

A Writer's Wit

1/22/2019

No man,
Til thirty, should perceive there’s a
plain woman.

Lord Byron
Born January 22, 1788

Byron

NEXT TIME: My Journey of States-38 Maine

Parker Posey's Memoir: on Gossamer Wings

1/18/2019

A WRITER'S WIT
A writer wants something more than money for his work: he wants permanence.
A. A. Milne
Born January 18, 1882

A. Milne

My Book World

Posey, Parker. You’re on an Airplane: A Self-Mythologizing Memoir. New York: Blue Rider, 2018.

I must preface my remarks by professing that I am a HUGE Parker Posey fan. I luh, luh, love her work. I can’t say I’ve seen ALL of her films, because sometimes they’re not easy to find, but I have to declare that whether Posey is the kooky character in the Tales of the City series or featured in one of her other roles, she is a brilliant character actress who prefers those parts to leading ones; at least that is the impression she gives. Yet I believe that because of her power as an actor her best roles may yet lie ahead, if she can find the right properties. So say I.

Unlike many actors, who have suffered untold damage in their childhoods, Posey seems to have flourished because of the strong relationships with family members, particularly her parents, who encourage her in her creativity. Yet Posey does not make acting sound easy or even appealing. Rather, she shares in great detail what many of her film shoots are like, the actors and directors with whom she associates herself for weeks or months. The squabbles, insightful observations about the business of making film.

What a fun yet significant read! Part scrapbook, part photo album, part Dear Diary, part tell-all, part recipe book, this memoir reads as if it is a monologue right out of one of her films. At turns, kooky, serious, honest, even a bit mean (in a kind sort of way):

“I also started doing this thing when I drove around, that is completely obnoxious or funny, depending on who you are and how you feel: I’d roll down my window, get a person’s attention on the sidewalk or crossing the street, and call out, ‘Excuse me! Are you a vegan?!’ Or I got the attention of someone in a car at a stop sign and said causally (but a little too loud), ‘I AM A VEGAN.’ This was more fun in the passenger seat, when I’d get to hang out of the car. It was good clean fun—unlike veganism, which is hard work.

I get this from my parents—doing silly, unexpected stuff. One time we went on a trip and my mon wanted to stop at a mall for a shopping fix, so we went into a store called Spencer’s and bought some plastic masks. My dad wore a Nixon one, I remember, and my mom was a pig. They’d put them on as they drove, and we’d see who they could freak out, laughing until we made ourselves tired. It wasn’t cool anymore to drink in the car, so that’s how they replaced their fun. Not really, they still drank in the car, but in moderation” (189).

These passages seems so indicative of Parker Posey’s life: somewhat carefree, devil-may-care-what-happens-to-me, opinionated, fearless. Sort of her generation’s Tallulah Bankhead; in fact, I could so see her playing Bankhead in a biopic. Hey, Parker’s agent, are you reading this? Tallulah Bankhead, you hear!

Yet, Posey reveals what may be her true view of acting:

“It’s an industry (an art, hopefully) full of orphans left to create their own worlds with one another. I don’t feel glamorous, I feel like a possum—the animal born clinging to its mother’s tail, that grows up by falling off it, and probably too soon. Acting is the possum’s defense. Have you ever seen this? When threatened, they play dead—and they’re very convincing at it. They scare themselves so deeply that their eyes roll back into their heads and their little tongues stick out. They’ll even take it so far as to froth at the mouth They’ll go on with the act as long as they’re terrified and its truly ghoulish, because they’ve been known to be buried alive—they’re famous for it” (227).

And Posey doesn’t sugarcoat what an actor’s life can be like:

“A dollar seventy-five in my bank account, isn’t that too much? It doesn’t make sense, right? But all those independent movies I did in the nineties were done on the cheap. I was counting coins, which I’d put in those paper roll-ups to take to the deli so I could buy pasta to make for dinner. I didn’t know anyone else who was famous and broke” (288).

The conceit that formulates this book is that Parker is seated on an airplane and sharing her life with a seatmate. Occasionally, the reader forgets, until once again, Posey throws in a second-person address to this imaginary person. I say imaginary because I believe this person is really dead, or at least never talks back to Parker Posey. The format may or may not work, but Posey’s life is certainly quirky yet profound enough to sustain my interest for over 300 pages!

NEXT TIME: My Journey of States-38 Maine

A Writer's Wit

1/17/2019

All our talents increase in the using, and every faculty, both good and bad, strengthens by exercise: therefore, if you choose to use the bad, or those which tend to evil till they become your masters, and neglect the good till they dwindle away, you have only yourself to blame.
Anne Brontë
Born January 17, 1820

A. Brontë

NEXT TIME: My Book World

My Journey of States-37 New Hampshire

1/16/2019

A WRITER'S WIT
I would no more quarrel with a man because of his religion than I would because of his art.
Mary Baker Eddy
Born July 16, 1821
Bow, New Hampshire
Died December 3, 1910
Newton, Massachusetts

M. Eddy

MY JOURNEY OF STATES is a series in which I relate my sixty-year quest to visit all fifty states in the U.S. In each post I tell of my relationship to that state, whether brief or long, highlighting personal events. I include the year of each state's entry into the union and related celebrations. I hope you enjoy my journey as much as I have. This is the thirty-seventh post of fifty.

New Hampshire (2003, 2008)

What I recall most about New Hampshire is that Ken and I were visiting in Massachusetts and decided to make a daytrip to NH, but a driving rainstorm kept us in the car, mostly. Sad to say that the other time we drove through New Hampshire it was on our way to Maine. NH—the Granite State and tenth least populous—was the ninth state to be admitted to the Union and celebrated its bicentennial in 1988.

Historical Postcards & Trunk Decals

If you missed earlier My Journey of States posts, please click on a link:
1-Kansas   13. New Jersey 25. Michigan
2-Oklahoma   14. Delaware 26. Wisconsin
3-Texas     15. New York   27. Minnesota
4-Louisiana     16. Connecticut 28. Iowa
5-Missouri 17. Colorado 29. Hawaii
6-Illinois 18. Arkansas   30. Georgia
7-Indiana   19. California 31. S. Carolina
8-Ohio 20. Florida     32. N. Carolina
9-Pennsylvania   21. Mississippi   33. Alabama
10-West VA   22. New Mexico 34. Kentucky
11-Maryland 23. Tennessee   35. Massachusetts
12. Virginia   24. Arizona   36. Vermont

NEXT TIME: My Book World, Parker Posey's Memoir

A Writer's Wit

1/15/2019

I just loved jokes so much as a child. I remember wanting to perform at, like . . . age seven by reading from a kids’ joke book, and my parents being like, “That's not what standup comedy is,” and me being like, “Not yet it isn't! I'm going to change the game.”
Josh Gondelman
Born January 15, 1985

J. Gondelman

NEXT TIME: My Journey of States-37 New Hampshire

Sally Field's Memoir Is Powerful

1/11/2019

A WRITER'S WIT
If you donate to a charity and save a few kids, 20 years down the line, there will be more people who exist because of you. In other words, you should consider your actions fully.
Diana Gabaldon
Born January 11, 1952

D. Gabaldon

My Book World

Field, Sally. In Pieces: A Memoir. New York: Grand Central, 2018.

Many celebrity memoirs or autobiographies seem to read as if the author has recorded his or her story and transcribed it word for word—with little benefit of revision or constructive editing. Not so with Sally Field. The arc of her narrative advances from one point of tension to the next until the climax splatters on the page like a scene from one of her films. In making herself vulnerable to all the revealed truths of her life, she encourages readers to acknowledge their own truths, and because of this honesty readers are willing to forgive her her foibles. Even if Field does not possess a degree from an accredited institution (a lifetime regret on her part), she creates prose that stands up to that of any fine writer. Moreover, she does a superb job of connecting the emotional DNA from great-grandmother to grandmother to mother to Sally. She quotes from Jung as her touchstone:

“‘Nothing has a stronger influence psychologically on their environment and especially on their children than the unlived life of the parent’” (29)

That both her mother and stepfather are failed actors (in the sense that they cannot sustain lifelong careers) contributes to how they relate to Sally as the child. The public may be tempted to believe that because one is offered a TV series at age eighteen said actor has it made for the rest of her life. Not so. Field makes plain how actors for many years may live from hand to mouth—without health insurance, without home ownership, sometimes without food for themselves or families. Not only do Sally’s parents experience these pitfalls, but so does she. As the star of Gidget, she is suddenly supporting her parents and siblings, because both her parents are at low points their own careers. And the path never gets easier. One might be paid quite well for one film but then the next project is not in sight, and an actor must stretch that income until something does come along. Moreover, Field has her own children and spouse to support, at times repeating the pattern of living she has grown up with.

But the story of Field’s acting career is only one strand of her memoir. She shares the most intimate parts of her life which help to illuminate who she is as an actor. I am reminded of her titular role in Norma Rae, when she stomps up onto a table and unites laborers where she works, and it is not difficult to believe that Field gains her power from a very real scene transpiring with her stepfather, one of the most dramatic scenes from the book. Sally is fifteen, both her mother and stepfather, Jocko, are drunk, and he picks a fight with Sally, informing her she’s a smart-ass, that he knows her inside and out, and she denies that he knows anything about her:

“The room turned red, bright blazing red. I rose from where I sat perched on the edge of my childhood, rose up through years of fear, fury, and longing, of confusion and love. I stepped onto the coffee table and there we were again, eye-to-eye, nose-to nose.

‘I hate you! YOU’RE the liar! Not ME! And you know NOTHING!’ From my mouth came a voice, but it didn’t belong to me, and from a faraway place I watched as this little person who looked like me stood up until she seemed to tower over this man.

‘You don’t know who I am!” This guttural voice, filled with loathing, vomited forth as she peered into his eyes. But it wasme. I was still there, somewhere. And while she stood, I held my breath—for a minute? An hour? And a stunning realization hit me: He was frightened of her. He was frightened of me” (90).

Jocko throws Field repeatedly against a glass patio door, but even so she realizes she has won. “Somehow, some part of me that wasn’t afraid, that didn’t care if I was loved, or if I lived or died, had beaten him. He knew it too” (91)

Wow. That page and a half stuns me. I suddenly see, perhaps, (for who knows where it emanates from) the power Field draws from to act, to create the memorable characters that she has for decades—the place inside her where she must retreat again and again, mining emotional truth to create honest and vibrant characters. As I said, Wow. Field’s memoir continues at this pace until the very end, in which she reaches resolution about a very key event from her childhood, one through which the reader can view Sally Field as a whole, integrated person, one who has more than earned what one might call happiness.

NEXT TIME: My Journey of States-37 New Hampshire

A writer's Wit

1/10/2019

Money makes people bold and cosmopolitan; if you are poor, you are naturally conservative. It's not easy to be a bohemian when you have to worry about what is going to happen with you and with your next paycheck.
Antonio Muñoz Molina
Born on January 10, 1956

A. Molina

NEXT TIME: My Book World, Sally Field's Memoir, In Pieces

My Journey of States-36 Vermont

1/9/2019

A WRITER'S WIT
The health of the people is of supreme importance. All measures looking to their protection against the spread of contagious diseases and to the increase of our sanitary knowledge for such purposes deserve attention of Congress.
Chester A. Arthur
Born October 5, 1829
Fairfield, Vermont
Died November 18, 1886
Washington DC

C. Arthur

MY JOURNEY OF STATES is a series in which I relate my sixty-year quest to visit all fifty states in the U.S. In each post I tell of my relationship to that state, whether brief or long, highlighting personal events. I include the year of each state's entry into the union and related celebrations. I hope you enjoy my journey as much as I have. This is the thirty-sixth post of fifty.

Vermont (2003)

In 2003, I applied for entrance into the distinguished Bread Loaf Writers’ Conference. In addition to filling out a long form I was asked to include a writing sample. I secured airfare and accommodations immediately to lock in good prices for Ken and myself. Months later, I received the news that I had not been accepted. Ken and I decided to make a vacation of it and go anyway. After all, we were staying in nearby Middlebury, not on the Bread Loaf campus itself. The conference opened its doors each evening to the public for literary events, and we attended a reading by Charles Baxter and one by Sigrid Nunez. I continued to apply to the conference, and I was ultimately accepted in 2006 but turned it down because of ill health. At any rate, back to 2003, Ken and I enjoyed traveling throughout the state of Vermont, gazing upon verdant farmland, the White Mountains thick with hardwoods. It would be, for us, a grand place to live . . . for about five months out of the year.

During our twelve-day visit we took a shoreline cruise on Lake Champlain, spent time at Fort Ticonderoga and Fort St. Frédéric, both located over the border in New York, and visited Justin Smith Morrill State Historic Site in Strafford, Shelburne Museum, the state house in Montpelier, and the Bennington Museum. I wish the visits I made to every state could be this leisurely and comprehensive.

Vermont is the fourteenth state and celebrated its bicentennial in 1991.

Historical Postcards & Trunk Decals

If you missed earlier My Journey of States posts, please click on a link:
1-Kansas   13. New Jersey 25. Michigan
2-Oklahoma   14. Delaware 26. Wisconsin
3-Texas     15. New York   27. Minnesota
4-Louisiana     16. Connecticut 28. Iowa
5-Missouri 17. Colorado 29. Hawaii
6-Illinois 18. Arkansas   30. Georgia
7-Indiana   19. California 31. S. Carolina
8-Ohio 20. Florida     32. N. Carolina
9-Pennsylvania   21. Mississippi   33. Alabama
10-West VA   22. New Mexico 34. Kentucky
11-Maryland 23. Tennessee   35. Massachusetts
12. Virginia   24. Arizona

NEXT TIME: My Book World, Sally Field's Memoir, In Pieces

A Writer's Wit

1/8/2019

When I was on the bestseller list with the first book, everyone who knows me knows that every week it continued to be on the list was a very dark week for me. Everyone knows that all I wanted was to be off that list.
Dave Eggers
Born on January 8, 1970

D. Eggers

NEXT TIME: My Journey of States-36 Vermont

Impeachment: Not As Easy As It Sounds

1/4/2019

A WRITER'S WIT
Stress is basically a disconnection from the earth, a forgetting of the breath. Stress is an ignorant state. It believes that everything is an emergency. Nothing is that important. Just lie down.
Natalie Goldberg
Born January 4, 1948

N. Goldberg

My Book World

Tribe, Laurence, and Joshua Matz. To
End a Presidency: The Power of
Impeachment. New York, Basic,
2018.

This eminently readable book explicates a complex subject, one worthy of study during a period when the term “impeachment” is bandied about in the media with incredible ease. The authors do a commendable job of, first of all, discussing the laws governing impeachment of a president and how they sprang to life in the first place as part of the US Constitution.

On the other hand, Tribe and Matz help readers to understand that nothing about impeachment is simple. They limn the intricacies of the laws, how the proceedings must begin in the House of Representatives and can conclude only in the Senate. They tell us about how difficult it is to obtain a two-thirds majority vote (under normal times, let alone now with such great partisan divides) in either house to advance impeachment. They explain which offenses are impeachable and which are not and why, that it is not a matter of removing a president from office because he is a boor. He must have committed a crime or misdemeanor. Even with those parameters, it is never a simple matter for Congress to decide.

Ultimately, the authors rule against impeaching our current president, largely because of the disruption it would cause in our society. Under normal circumstances, the executive and judicial branches of the government would help to reign in the abuses of a president. Even now, during times that do not seem normal to those of us of a certain age, the other two branches are doing their job. The House will be governed, beginning in January, 2019, by Democrats, who can begin to call the actions of President 45 into question. Even the Supreme Court, which has now been loaded with conservatives, could surprise the president. The two men whom he seated owe him absolutely nothing. The president cannot remove them from their seats if they should rule against him. And if they do favor him in ways that are questionable, they themselves could be subject to impeachment . . . theoretically. As the authors say in conclusion:

“We must abandon fantasies that the impeachment power will swoop in and save us from destruction. It can’t and it won’t. When our democracy is threatened from within, we must save it ourselves. Maybe impeachment should play a role in that process; maybe it will only make things worse. Either way, reversing the rot in our political system will require creative and heroic efforts throughout American life. And at the heart of those efforts will be the struggle to transcend our deepest divisions in search of common purpose and mutual understanding” (240-1).

“Transcending forces of decay, disinformation, and disunion will not be easy. This is the great national calling of our time—the North Star that must guide decisions about ending, or enduring disastrous presidencies. There is no quick fix for the challenges we face. They are surmountable only if each of us resolves anew that American and democracy are well worth fighting for” (241).

NEXT TIME: My Journey of States-36 Vermont