Blog - www.richardjespers.com

Rosshalde: Story of a Child

5/20/2022

A WRITER'S WIT
A working definition of fathering might be this: fathering is the act of guiding a child to behave in ways that lead to the child's becoming a secure child in full, thus increasing his or her chances of being happy and fruitful as a young adult.
Clyde Edgerton
Author of Walking Across Egypt
Born May 20, 1944

C. Edgerton

My Book World

Hesse, Hermann. Rosshalde. Translated by Ralph Manheim. New York: Bantam, 1956 (1914).

Spoiler: This novel is primarily about the death of a young child, a son named Pierre. But it is also about the death of a family, how a husband and wife drift apart and divide their love between two sons, the elder “belonging” to the wife and Pierre belonging to his father. But there isn’t much belongingness for any of the family members. The book overall is about the end of their life together at the estate called Rosshalde, an expansive property, a mansion, that seems to have a life of its own. An enchanting but sad read.

NEXT FRIDAY: My Book World | J. R. Ackerley's My Dog Tulip

Highsmith's Diaries and Notebooks

5/13/2022

A WRITER'S WIT
Take it from someone who fled the Iron Curtain: I know what happens when you give the Russians a green light.
Madeleine Albright
Author of Fascism: A Warning
Born May 13, 1937

M. Albright

My Book World

Von Planta, Anna, ed. Patricia Highsmith: Her Diaries and Notebooks. With an introduction by Joan Schenkar. New York: Liveright, 2021.

This more than fifty-year compendium of Highsmith’s 8,000 pages of diary and notebook entries is a stunning read—particularly if you savor the voyeuristic practice of reading someone’s private thoughts. Her diary entries are brutally honest about everything from her current girlfriend(s) with whom she is madly in love to resentments toward her mother, estranged father, and stepfather. Though bright enough to graduate from Barnard, she never quite masters the art of achieving a meaningful love relationship; her tone seems the same for fifty years. I can’t understand why this relationship has failed. And yet, I believe she does know why: her profession requires much alone time, which is not compatible with a needy lover.

Her notebooks, on the other hand, are about her current and proposed works, sometimes a poem here and there. She also talks business. About her agent(s), once her sales go international. Her publishers. Friendships, lasting ones at that, with a broad range of writers. Strong female writers (mostly part of a lesbian group of professionals) mentor Highsmith on how to navigate the heady waters of being a single woman sometimes writing about being queer. Early on, when she is young, she has sex and “love” relationships with a few men, but none of them is every satisfying.

What may be most fascinating is to watch how her life and living influence particular books. The Ripley series of five novels has such an authentic, European backdrop because besides being multilingual, Highsmith lives in Europe much of her life. Still, having been born in Fort Worth, Texas, she does return there to visit once her parents move back from New York. Yet she harbors deep resentments against her abusive mother, who lives to be ninety-five (PH nearly perceives it as a punishment), and, because of her own health problems, fails to visit upon her mother’s own funeral. A sad but triumphant ending for a triumphant but oft-times sad and lonely life. If readers have time, it is well worth theirs to read these 1,000 pages, especially if they’re curious about the writer who authored Strangers on a Train and the Ripley series of five novels, a total of thirty-two books.

NEXT FRIDAY: My Book World | Hermann Hesse's Rosshalde.

Latinos Love Kissing Stories: Bésame Mucho

5/6/2022

A WRITER'S WIT
The great tragedy in the new feminist theory in America is the loss of a sense of public commitment . . . . Hungry women are not fed by this, battered women are not sheltered by it, raped women do not find justice in it, gays and lesbians do not achieve legal protections through it.
Martha C. Nussbaum
Author of Women and Human Development: The Capabilities Approach
Born May 6, 1947

M. C. Nussbaum

My Book World

Manrique, Jaime, ed. With Jesse Dorris. Bésame Mucho: New Gay Latino Fiction. New York: Painted Leaf, 1999.

On my shelf for a long time, I finally took this collection down and enjoyed most of the stories very much. Among the best, I believe, are Manrique’s “Señoritas in Love,” “What’s Up, Father Infante?”, a gripping story by Miguel Falquez-Certain, and “Ruby Díaz” by Al Luján. The entire collection blends together a beautiful chorus of gay Latino voices, from South America to New York to California. So much that the non-Latino community has to learn what gay Latino men face with regard to their families, their communities, and their relationship to the Roman Catholic Church. They face immense pressures to conform to cultural norms, even more so than the Anglo population, I would dare say. Kudos to these men for sharing their stories by way of lively and enlightening fiction. It never dates.

NEXT FRIDAY: My Book World | Anna Van Planta, Ed. of Patricia Highsmith: Her Diaries and Notebooks 1941-1995

Meridian of Blood Still flows

4/29/2022

A WRITER'S WIT
Autobiography is probably the most respectable form of lying.
Humphrey Carpenter
Author of J. R. R. Tolkien: A Biography
Born April 29, 1946

H. Carpenter

My Book World

McCarthy, Cormac. Blood Meridian: Or The Evening Redness in the West. New York: Vintage, 1985.

It might be that McCarthy brings to fruition that which Hemingway and Fitzgerald could not—due not only to publishing constraints concerning swear words and graphic violence but also the reins the authors may have held tight on themselves. The makings of complete literary honesty were there via Hemingway’s forthright sentences, at times extended to paragraph length (with little inner punctuation) and Fitzgerald’s fortitude in portraying the brutality of capitalism’s clutches on early twentieth-century America. But in this novel, McCarthy returns to the latter half of the nineteenth century of the West to extend his page-long sentences lyrically to rival the two authors mentioned before. And he does so in a way that somewhat softens the inherent mayhem of this novel.

At first, I had some difficulty in following the plot: that a sixteen-year-old Tennessean (the kid) ventures to the Southwest to see what’s in store for him there. The kid is tough, though, and becomes tougher as time passes. He joins a band of men who seek to scorch the earth of natives and anybody else with dark skin (the N word, due to Twain’s use of it in his books, seems to be used without restraint by these characters). But as the book shifts from one episode of killing to another across this physical and moral wasteland, I sense that the narrative is largely impressionistic. I am reminded of Stephen Crane’s Red Badge of Courage—the wildly episodic nature of war—for that’s what this book is about, the White Man’s war to tame the West and all its human and animal critters.

Other than superficial features, the characters, as such, show little traditional development, but that may be McCarthy’s intent. These killers act as a single body, it would seem. In fact, little tolerance for the individual exists here. You act with the others, or you are fighting for your own life. And as an impressionistic work can be dreamlike in which a figure returns to you dream after dream, these characters keep running into each other, regardless of the miles and days or months between them. They can’t seem to remove themselves, if they should desire to, from this wanton way of life or death. And in most cases, it is the latter that guides them through their days heading toward McCarthy’s oft-cited orange sunset or that blood meridian.

NEXT FRIDAY: My Book World | Jaime Manrique & Jesse Dorris's Bésame Mucho: New Gay Latino Fiction

Kicked Out of Your Country

4/22/2022

A WRITER'S WIT
We knew the world would not be the same. A few people laughed, a few people cried. Most people were silent. I remembered the line from the Hindu scripture, the Bhagavad Gita . . . . “I am come Death, the destroyer of worlds.” I suppose we all thought that, one way or another.
Julius Robert Oppenheimer
Author of Uncommon Sense
Born April 22, 1904

J. R. Oppenheimer

My Book World

Batsha, Nishant. Mother Ocean Father Nation: A Novel. New York: HarperCollins, 2022.

I received this book by entering a goodreads.com giveaway sponsored by the publisher, Ecco (HarperCollins). A galleys edition, this book is scheduled to be released June 2022, so it may be subject to revision depending on its prepublication reception.

The novel is set in a nameless South Pacific Island in the 1980s. Said island is occupied by “Nativists” and “Indians.” When a military coup occurs, putting the Nativists in power, life becomes challenging for the Indians (their ancestors plopped there several generations earlier). The natives claim that Indians have stolen all the jobs, the property that should be theirs. From the Indian perspective, they themselves have worked industriously as farmers and merchants to better their lives, and have gained a certain amount of wealth. One family is split apart, when the only daughter, Bhumi, two years into her university career on the island, must escape to the United States to begin a new life. This leaves her brother, Jaipal, and her parents behind. Their father is an alcoholic who owns his own small grocery, and their mother is a strong but quiet woman nearly worn down by her husband’s abuse. Jaipal’s life is complicated by the fact that he is gay, against which there exists an official stricture. If he is to meet anyone, he gathers with others of his ilk in “hotels” (largely abandoned one must assume) at night with no lights, only their widening irises as they become accustomed to the dark (nice metaphor). Bhumi’s life in northern California is no picnic either. She applies for asylum with the U.S. government but will hear nothing for months and months. In the meantime, to support herself as a would-be student (she audits classes) she works as a nanny for an Indian family. Even so, the woman who hires her is condescending, and the child she must care for is a brat. She ultimately leaves. To tell how the plot is resolved would be to spoil the ending, which is a realistic yet satisfying one.

Nishant Batsha’s writing is commendable, combining excellent plotting in which there is little or no coincidence; most events seem to lead by way of a natural cause and effect to the next event. His characterization is satisfying, he releasing more and more information about characters as time passes. Readers have a sense of what they look like, who they are. He tackles the subjugation of one group by another (hinting of a genocide to come if the last 50,000 Indians do not leave the island when ordered to) with sensitivity and warmth. It provides a certain resonance for our own times, consider what Russia is doing in Ukraine, and what has happened to people of color in our own country for centuries. I wish Mr. Batsha good luck with Mother Ocean Father Nation. It is a new must-read.

NEXT FRIDAY: My Book World | Cormac McCarthy's Novel, Blood Meridian: Or the Evening Redness in the West

'The American' Never Changes

4/15/2022

A WRITER'S WIT
Dogmatizing about punctuation is exactly as foolish as dogmatizing about any other form of communication with the reader. All such forms depend on the kind of thing one is doing and the kind of effect one intends to produce.
Henry James
Author of The American
Born April 15, 1843

H. James

My Book World

James, Henry. The American. With an introduction by R. P. Blackmur. New York: Dell, 1960 (1877).

Sorry to say, but this is the first book of Henry James that I have read. I expect to read others. Set mainly in Europe, the novel concerns the American character, under much scrutiny in the nineteenth century. Briefly, Christopher Newman, thirty-six, takes great advantage of his earned wealth as a canny businessman to travel the world, beginning with Paris. He is offered the opportunity to join a financially failing aristocratic family by marrying a young widow whose first marriage was arranged by her parents. After being smitten with this woman, Newman is then forbidden to marry her by her mother and brother. It may or may not have anything to do with a deep dark family secret. But the rest of the narrative is more or less how Newman comes to terms with not getting what he wants, having his heart broken, as we say.

The book’s language seems fresh, even now, almost 150 years after publication. James reverts to no clichés. His narration is a rich mixture of the American, the British, and French idiom. His characters’ names seem symbolic but not obvious: Newman (from a new country); Mrs. Bread (a servant who spends a lifetime nurturing the woman Newman is to marry); Bellegarde (nice guard, the family “guarding” their wealth, their name, their history). James may depend a bit too much on coincidence, in that often a character who has disappeared for a number of chapters seems to appear out of nowhere, particularly, when Newman leaves Paris for London and there runs into a young woman and her father who are present in the early part of the novel. This incident could occur, but it seems unlikely, yet as readers we buy it by way of the author’s convincing method. Although Newman is brash, he’s brash in his own manner, not being subject to stereotype, and his character does become transformed throughout the novel. By observing the best and worst of European and American cultures, he comes to see himself lodged in a larger context. He accepts the fact that with regard to this one event, losing his fiancée to a convent, he cannot control his life. Wealth means little, an ineffective salve for his eternal ache.

NEXT FRIDAY: My Book World | Nishant Batsha's Novel, Mother Ocean Father Nation

Freya: An Independent Woman

4/8/2022

A WRITER'S WIT
The artist who really creates something creates it forever, but the scholar is at the mercy of expanding knowledge and changing habits of thought.
C. M. Bowra
Author of The Romantic Imagination
Born April 8, 1898

C. M. Bowra

My Book World

Quinn, Anthony. Freya. New York: Europa, 2017.

This novel, full of twists and turns, could perhaps, only have been written by a Brit—someone trained in reading and writing wordsmithing-worthy work. The plotting is superb. Characterization sparkling. Quinn gives readers the proper clues, subtle though they may be, and astute readers store them away and can say (or not), I knew it. I knew it was him. Two young women, the titular Freya and Nancy, meet at Oxford during WWII and develop a lasting friendship. But it is not an easy alliance. They both date the same Oxford boy who eventually marries his second choice of the two, Nancy. Freya realizes he is a scoundrel, but her friend can’t see it, not at first. There is a pattern of betrayal among these three characters, each deception crescendoing into a climax that may blow your bobby socks off. Spoiler: Only one false note seems to prevail and that is Freya, in the end, realizes she loves her friend, not in a platonic manner, but as a lover. This does not come out of nowhere; Quinn does subtly, perhaps too subtly, drop breadcrumb clues along the way, but there seems to be no inner struggle for Freya, no clues to the character herself that she could be a lesbian.

Others might argue that the author does inform. After all, Freya puts career ahead of all; she wishes not to marry (while having lots of sex with men) or have children; she blasts off into her life in any direction she wants with little regard for family or friends. She only has one other physical relationship with a woman, and it is in the context of a drunken orgy in which any woman might have sex with another woman. Again, very subtle. And perhaps it is as it should be. The period is late 1940s to late 1960s, a time of awakening, an explorative era in which women, even adventurous ones like Freya, may not know who they are inside and must be whacked up the side of the head by life itself to understand who they are.

NEXT FRIDAY: My Book World | Henry James's The American

Writing at One Hundred

4/1/2022

A WRITER'S WIT
I think a lot of people of my generation are discomfited by the assertion of neutrality in the mainstream media, this idea that they're the voice of God. I think it's just honest to say, yes, you know where I'm coming from but you can fact-check anything I say.
Rachel Maddow
Author of Bag Man
Born April 1, 1973

R. Maddow

My Book World

Wouk, Herman. Sailor and Fiddler: Reflections of a 100-year-Old Author. New York: Simon, 2016.

The most fascinating aspect of this book may be indeed be Wouk’s age (b. May 27, 1915 and d. May 17, 2019, making him 10 days short of 104). One of the keys to his longevity may be that he never stops writing. In this slim tome, he relates the stories of each one of his books and how they come to be, but along with each one, he also shares where he is at the time. For example, while working on one novel for seven years, he and his wife buy a house in the Caribbean and reside there with their sons in paradise until he is finished. The book is a great way to become acquainted with his oeuvre if one isn’t already.

NEXT FRIDAY: My Book World | *Anthony Quinn's Novel, Freya
(*British author, not the late American actor)

Coppola: True to His Vision

3/25/2022

A WRITER'S WIT
If birds will abandon their young rather than miss the moment to begin a flight of thousands of miles, what migratory signals might our own cells still hold?
Gloria Steinem
Author of My Life on the Road
Born March 25, 1934

G. Steinem

My Book World

Schumacher, Michael. Francis Ford Coppola: A Filmmaker’s Life. New York: Crown, 1999.

If readers are fans of both film and director Coppola, this book is an embarrassment of riches—at least as far as it takes us, through 1998 when the book comes out. One may not realize, for example, how easy the 1970s seem for Coppola, succeeding beyond his wildest dreams with The Godfather and Apocalypse Now. The next twenty years are more arduous, and Coppola loses his credibility at times. He wishes to be more of an artiste, making films that appeal to him but perhaps not the public at large—or the studios. Even when he makes a big-budget, mass-appeal film, he is almost always at loggerheads with studio execs over scripts and, of course, money. He is a creative man, who also finances, for a time, his own studio, and even publishes a literary magazine, Zoetrope: All Story, which still exists today—not to mention a number of other enterprises including a winery. He ends the nineties having made enough money to dig himself out of debt and establish an independent life. Although he continues to make film, it is at his own pleasure. One has to admire that.

NEXT FRIDAY: My Book World | Herman Wouk's Sailor and Fiddler: Reflections of a 100-Year-Old Author

Untold Railroad History

3/11/2022

A WRITER'S WIT:
Bardot, Byron, Hitler, Hemingway, Monroe, Sade: we do not require our heroes to be subtle, just to be big. Then we can depend on someone to make them subtle.
D. J. Enright
Author of The Oxford Book of Death
Born March 11, 1920

D. J. Enright

My Book World

Sedgwick, John. From the River to the Sea: The Untold Story of the Railroad War That Made the West. New York: Avid, 2021.

If you’ve ever driven on an Interstate highway in the western United States—at posted speeds of 80 mph or faster, and people do zoom faster—it can seem as if you’re passing through a Disneyland sort of panorama. Mountains. Red arches. The occasional evergreen—with your AC cranked down low. In John Sedgwick’s book, however, one learns what it was like to traverse that terrain as a railroad builder, including the workers themselves.

Sedgwick traces the lives and work of two men—Strong erecting the Santa Fe and Palmer, the Rio Grande—who make “river to the sea” travel possible beginning in the late 1880s. This journey includes side trips by way of chapters devoted, for example, to the beloved Harvey House hotels, the first chain of its kind to provide bed, beverage, and breakfast along the way. Always, however, Sedgwick returns to the struggle these two men mount against the elements, terrain, and government (state and federal) but mostly against each other, to open up the West to the established civilization in the East. It is quite a ride, and Sedgwick ensures that you do not miss a minute of it.

NEXT FRIDAY: My Book World | Diana Athill's Somewhere Towards the End

Splendid Is the Sun

3/4/2022

A WRITER'S WIT
In many parts of the world, a man's accusing finger always finds a woman. But I think we need women to solve the problems that men create.
Khaled Hosseini
Author of A Thousand Splendid Suns
Born March 4, 1965

K. Hosseini

My Book World

Hosseini, Khaled. A Thousand Splendid Suns. New York: Riverhead, 2007.

Hosseini, author of The Kite Runner, limns this portrait of two Afghanistan women that is both tragic and uplifting. Enemies at first, because they are married to the same abusive man, Mariam and Laila slowly realize their only way through life is to join together as friends. Both women are abused, one as a child, and both after their marriages. All this occurs over decades through the Soviet occupation and then the Taliban. The story ends just as the Americans enter the scene.

Surprises? The landscape. One is tempted to think that the entire country of Afghanistan is as dusty and dry as the movies and news videos that emerge, but Hosseini makes clear to readers that there are wet cycles, that there exist beautiful, mountainous vistas, as well. Another surprise: how misogynistic and cruel some Afghani men are, the women’s husband being a prime example. As the women toil to raise their children (a childless Mariam becomes a grandmother figure), they form a family structure of their own. After both suffering great losses, the story does end on a truly bright note: “But mostly, Mariam is in Laila’s own heart, where she shines with the bursting radiance of a thousand suns” (366). Hosseini possesses a strong understanding of the human condition.

NEXT FRIDAY: John Sedgwick's From the River to the Sea: The Untold Story of the Railroad War That Made the West

Taking Whacks at Lizzie's Legend

2/25/2022

A WRITER'S WIT
You go to school, you get a master's degree, you study Shakespeare and you wind up being famous for plastic glasses.
Sally Jessy Raphael
Host of Sally (1983-2002)
Born February 25, 1935

S. J. Raphael

MY Book World

Robertson, Cara. The Trial of Lizzie Borden: A True Story. New York: Simon, 2019.

If most readers are like me, what they know about one historical figure, Lizzie Borden, can be summed up in the following ditty:

Lizzie Borden took an ax,
Gave her mother forty whacks,
When she saw what she had done,
She gave her father forty-one.

After reading Robertson’s book, I see that there is so much wrong with this rhyming escapade. One, if Lizzie Borden did kill her stepmother and father, Borden was never proven guilty. The actual perpetrator whacked Mrs. Borden only nineteen times. And certainly Mr. Borden did not receive forty-one chops. I had always assumed that Lizzie Borden was convicted and had served time in prison. But no.

This book takes readers through the entire trial process beginning with a detailed description of the murder scene. Briefly, someone axes Mrs. Borden and then an hour and a half later, when Mr. Borden has returned to the house, someone axes him downstairs as he’s napping on a sofa. The police investigators, lacking obvious clues, begin to suspect Lizzie, who remains almost preternaturally calm throughout the initial investigation, neither crying nor showing any sign of agitation, as Robertson writes (33). Andrew Jennings, Lizzie’s counsel, addresses the jury: “’your task is not to unravel the mystery.’ Instead, he said they must ask themselves: ‘Have they [the prosecution] furnished the proof, the proof that the law requires, that Lizzie Andrew Borden did it, and that there is absolutely no opportunity for anybody else?” (208). And throughout the past one hundred years there has existed such a great desire, on the part of some, to solve the mystery.

Near the end, Robertson summarizes these various interpretations that begin in the 1950s. For example, there is “the widely held speculation, which gained currency in the early 1990s, that Lizzie Borden committed the murders after enduring years of sexual abuse by her father [she was thirty-two]. The bedrooms that opened onto each other, the dead mother, the powerless stepmother, the special understanding between father and daughter symbolized by the ‘thin gold band’—all crystalized into a suddenly obvious solution, a solution that seemed to explain not only the identity of the killer but also the very brutality of the crimes” (284).

In any case, Robertson’s thorough research (some eighty pages of Notes) and lightly treading interpretation make for a fascinating read, particularly if you are a true crime fan, as I am. The book abounds with photographs, as well, mostly provided by the Fall River, Massachusetts, Historical Society.

NEXT FRIDAY: My Book World | Khaled Hosseini's A Thousand Splendid Suns

American Dirt is Gold to Some

2/18/2022

A WRITER'S WIT
If there's a book you really want to read, but it hasn't been written yet, then you must write it.
Toni Morrison
Author of Paradise
Born February 18 1931

T. Morrison

My Book World

Cummins, Jeanine. American Dirt. New York: Flatiron, 2020.

This novel, an Oprah Book Club winner, has a lot going for it. One, the novel takes readers to a dangerous place (actually many dangerous places) without having to leave their comfortable seats rooted on American soil. Next, it is well plotted. So much of fiction depends on believable coincidence, and sometimes writers stretch that credulity. But from the very beginning, Cummins lays out the plot perfectly, to the point that you say to yourself, Well, that could happen. Third, the author’s character development is superb. One feels what it would be like to have sixteen members of your family assassinated by a notorious drug cartel, grab your young son, and head out of Mexico to el Norte, seeking American dirt for sanctuary. There are many bad players in this novel, but the miraculous thing is (and so true in life, as well) there are many good characters who help this woman and son to piece together a new life after tragedy. The novel is well worth the time, well worth the tears you will shed. If only our tears could translate into help for these poor migrants who flee their countries for a better life.

NEXT FRIDAY: My Book World | Cara Robertson's The Trial of Lizzie Borden: A True Story

Stories of Madness Everywhere

2/4/2022

A WRITER'S WIT
Aging is not lost youth but a new stage of opportunity and strength.
Betty Friedan
Author of The Feminine Mystique
Born February 4, 1921

B. Friedan

My Book World

Wolitzer, Hilma. Today a Woman Went Mad in the Supermarket: Stories. With a foreword by Elizabeth Strout. New York, Bloomsbury, 2021.

These thirteen delightful stories date from 1966 to 2020, from mid-sixties angst over the “woman’s place” to the best story I’ve yet read about the early days of the Covid pandemic. And yet, in terms of tone (humorous and sardonic) and theme (woman on the verge, but not, because the narrator must keep herself together), the stories all feel as if they could have been written at the same time—so unified is the writing. Wolitzer’s stories are a prose analogue to the perfect poem: they are compressed, metaphors are subtle, and each one brings pleasure that lasts.

NEXT FRIDAY: My Book World | Oprah Winfrey's What Happened to You?

Lincoln: From Coast to Coast

1/28/2022

A WRITER'S WIT
There are days when solitude is a heady wine that intoxicates you with freedom, others when it is a bitter tonic, and still others when it is a poison that makes you beat your head against the wall.
Colette
Author of Claudine in Paris
Born January 28, 1873

Colette

My Book World

Towles, Amor. The Lincoln Highway: a Novel. New York: Viking, 2021.

This charming novel tells of the ten-day adventure of two brothers who head out from Kansas to California to build a new life, following the death of their father and one brother’s release from jail. Yet their plans are thwarted when two fellow inmates hide in the trunk of the warden’s car (and hop out when the warden isn’t looking). Well, from there the adventure heads east instead of west. Perhaps the most captivating character is Billy, the eight-year-old brother who is smarter than any other character in the book but also the most disarming. It is his idea to travel coast to coast from New York to California on the “historical” Lincoln Highway. And without revealing any spoilers, the two brothers do eventually get to do just that—even if that journey doesn’t begin until the very last sentence.

The Lincoln Highway is just as fascinating, though in different ways, as Towles’s previous book, A Gentleman in Moscow. Towles is a master at several things, all adding up to great writing. One, is characterization. Even characters with the smallest parts are developed so that readers know who they are. Second is structure. Towles’s intricate scaffolding keeps readers informed of where they are at all times in the novel’s unraveling, without making it too simple. By using multiple points of view, by way of a character per chapter, he, at times, overlaps the portrayal of certain scenes, from two different points of view—providing readers an interesting “truth.” By the way, the ten parts begin with Part Ten and work toward Part One. All POVs are written in the third person with the exception of one, Duchess’s, which may make him the main narrator though not the central character. And third, Towles’s dialog—represented by way of em dashes instead of quotation marks—harks back to the fiction of an earlier period. I’m not sure why Towles does it, perhaps to do just that, make the early 1950s seem farther back than they really are. Are we to expect Lincoln Highway II? It wouldn’t trouble me at all.

NEXT FRIDAY: My Book World | Hilma Wolitzer's Today a Woman Went Mad in the Supermarket: Stories

Survival Course for Actors

1/21/2022

A WRITER'S WIT
I've just always been fascinated by what our belief can do, and what happens when we misuse that.
M. K. Hobson
Author of The Ladies and the Gentlemen
Born January 21, 1969

M. K. Hobson

My Book World

Fischer, Jenna. The Actor’s Life: A Survival Guide. With a foreword by Steve Carell. Dallas: BenBella, 2017.

I’m not an actor, but I imitated one in my youth, playing a duke in third grade, singing in a high school production of Damn Yankees, and marching down the aisle in college as part of the forest ranger chorus in Little Mary Sunshine. I loved Fischer's book because during the time it took me to read it, I realized I probably didn’t have what it would have taken to become an actor. At the same time, if I had attempted such a thing, I would so have used a book like this one as a guide.

Fischer addresses all the nuts and bolts of starting out: getting head shots done (professional ones, not phone pics), building a resumé, auditioning, even the machinations of how things work on a television or film set. Most of all, Fischer lets readers in on a little secret. Although the money can be great, the real joy of an actor’s life is ACTING. Becoming a person other than yourself. Developing a feel for all of humanity by taking on various roles. I would add that acting may be the most difficult of all the fine arts: memorizing lines (sometimes in a very short timeframe), bringing those lines to life in conjunction with a script and the ensemble, becoming (insofar as possible) that other person, taking direction, leaving your ego at the door, learning ancillary skills like singing, dancing, or fencing. If you wouldn’t do it for free (and millions of actors do), then you probably wouldn’t do it well in order to make a living.

Fisher doesn’t rely on her experiences alone; she peppers the pages with sidebars of advice from other actors: “I vowed I would never do a commercial, nor would I do a soap opera—both of which I did as soon as I left the Acting Company and was starving” (52).—Kevin Kline. And in the last section of the book, Fischer cites her interviews with four working actors, and they give, at length, their take on the profession by way of sharing with readers many more good tips. A must-read for aspiring actors and people who love Jenna Fischer (and I do) alike!

NEXT FRIDAY: My Book World | Amor Towles's The Lincoln Highway: a Novel

Whom Do You Trust?

1/14/2022

A WRITER'S WIT
People don't choose their careers; they are engulfed by them.
John Dos Passos
Author of U.S.A. Trilogy
Born January 14, 1896

J. Dos Passos

My Book World

Choi, Susan. Trust Exercise: A Novel. New York: Holt, 2019.

Boy! (or Girl!), what a ride this read is. Metafiction perhaps at its most confounding, at least for this reader. The first third of the novel seems to be a traditional high school love story gone awry, both David and Sarah soured on, yet still stuck on each other—set in a nontraditional performing arts high school. The setting is all important, as these kids are smart and are striving to become great actors—and are easily manipulated by adults they admire or wish to please. As near as I can tell, the story is set in a city like Houston (imagine primeval swamp with skyscrapers), though the name is never spelled out. Next third of the book changes to the voice of another young woman at that high school, Karen, a superficial friend to Sarah. The author does an odd thing whereby Karen sometimes speaks in first person, and sometimes talks about herself in the third person. Must be a good reason for this. Perhaps Choi is portraying the fracturing of this (by now) woman’s personality. In the third part, readers begin to realize something is off. The story strand they’ve been holding onto is no longer there. It turns out the first third of the book is really “fiction” that “Karen” has written about some real people whom readers now get to become acquainted with in the last third. To say more would create a spoiler, and I’m not going there. While there is much to admire about this award-winning book—its structure and its strong characterizations—it left me wondering if Choi was intent on entertaining herself or her readers. You be the judge.

NEXT FRIDAY: My Book World | Jenna Fischer's The Actor’s Life: A Survival Guide

One's Alma Mater in Literature

1/7/2022

A WRITER'S WIT
Until we consider animal life to be worthy of the consideration and reverence we bestow upon old books and pictures and historic monuments, there will always be the animal refugee living a precarious life on the edge of extermination, dependent for existence on the charity of a few human beings.
Gerald Durrell
Author of My Family and Other Animals
Born January 7, 1925

G. Durrell

My Book World

McCarter, Margaret Hill. A Master’s Degree. With illustrations in color by W. D. Goldbeck. Chicago: McClurg, 1913.

I read this book for two reasons. One, the novel is set in a place modeled after my alma mater, Southwestern College, in Winfield, Kansas. And two, I happened to have a copy I inherited from my grandmother, inscribed with her name and the date, “1915.” Some familiar spots on the landscape do appear in the book: the large “S” of sizable stones that must be whitewashed each year, the Walnut River Valley, Sunrise College substituting for my SC, the actual sunset hill of one hundred feet above ground. Otherwise, the novel is an overly sentimental rendering of one young man’s four years in college. The book is marred by the details McCarter leaves out: how many steps down Sunset hill to the bottom (77), how classes were conducted, where and how students lived, the topography to a greater degree (she does great watercolor washes describing spectacular sunsets). I did, however, get a feel for a certain type of student that both schools, fictional and real, seem to attract: a rough cut outlier, bright enough but unpolished, who arrives at commencement a much-changed person. One who will continue to grow and change throughout life.

NEXT FRIDAY: My Book World | Suson Choi's Trust Exercise

Good Habits, One Atom at A Time

12/17/2021

A WRITER'S WIT
The mediocre teacher tells. The good teacher explains. The superior teacher demonstrates. The great teacher inspires.
William Arthur Ward
Author of Fountains of Faith
Born December 16, 1921

W. A. Ward

My Book World

Clear, James. Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones. New York: Avery, 2018.

A great book for helping a person to form good habits and break old ones. Clear says you want to make your good habits “obvious, attractive, easy, and satisfying” (253), and you want to make your bad habits “invisible, unattractive, hard, and unsatisfying” (253). Clear states all along “This is a continuous process. There is no finish line. There is no permanent solution.”

By way of example, I kept forgetting to take a dosage of over-the-counter digestive at noon until I cut out the brand name and put it in my noon pill container. I kept the reminder there until I made the habit of taking it without an obvious cue. Only a small example, but I believe this book will make a good handbook for forming good habits and abolishing the bad.

Next Post: January 4, 2022 | Next 'My Book World' January 14, 2022 | Margaret Hill McCarter's A Master’s Degree

Is 'Midnight' Too Late?

12/10/2021

A WRITER'S WIT
The intricacies, the problems, the trials and tribulations in relationships inspire me to give words to people's journeys.
Umera Ahmed
Author of Aabe Hayat
Born December 10, 1976

U. Ahmed

My Book World

Schiff, Adam. Midnight in Washington: How We Almost Lost Our Democracy and Still Could. New York: Random, 2021.

If one followed the two impeachment hearings of ex-president Trump, one became quite well acquainted with the rhetorical skills of Congressman Adam Schiff (D-CA), who led that trial. And one will recognize much of the material he includes in this book but also much, much more. One gets an inside view of what he experienced to reach that point where Trump needed to be impeached. He recreates important scenes on the floor in public; he recreates scenes out of view as he confers with Speaker Nancy Pelosi and other congressional leaders. Reading his account fills out one’s view if you only watched it on TV, especially if your viewing was spotty. Most important, however, is the revelation of Adam Schiff’s character. Into his narrative are woven personal anecdotes about family members, congressional staff members, and other personalities. These reveal a wholly human and humane person who would make a great speaker of the house or president, should he desire to run.

NEXT FRIDAY: My Book World | James Clear's Atomic Habits

Cromwell Comes to Life

12/3/2021

A WRITER'S WIT
Writing is very cathartic for me. As a teacher, I hear many students say that writing can be painful and exhausting. It can be, but ultimately I believe that if you push through, the process is healing and exhilarating.
Francesca Lia Block
Author of The Thorn Necklace
Born December 3, 1962

F. L. Block

My Book World

Mantel, Hilary. Wolf Hall: A Novel. Book One of the Thomas Cromwell Trilogy. New York: Picador, 2010.

Quite an enjoyable read, one that combines history and literature alike. I read this one aloud to my partner and was able to hear what a masterful job Mantel does with the language—quite musical. She, more than most writers, makes great use of interior monologue, by which we always know who is thinking what. This retelling of King Henry VIII, Anne Boleyn, and Thomas Cromwell (among a distinguished cast of many) is worthy of all the accolades it has received (winner of England’s Man Booker Prize). Can’t wait to read the other two parts of this distinguished trilogy.

NEXT FRIDAY: My Book World | TBD

Close to 'Road of Unfreedom'

11/26/2021

A WRITER'S WIT:
"People don’t talk much now about the Spanish influenza, but that was a terrible thing, and it struck just at the time of the Great War, just when we were getting involved in it. People came to church wearing masks, if they came at all. They’d sit as far from each other as they could" (41).
From Robinson’s novel Gilead
Marilynne Robinson
Born November 26, 1943

M. Robinson

My Book World

Snyder, Timothy. The Road to Unfreedom: Russia, Europe, America. New York: Duggan, 2018.

A scholarly and erudite book, The Road to Unfreedom is a plea for Western peoples to wake up and smell the borscht burning on the stove. Snyder begins with two phrases: politics of inevitability, “a sense that the future is just more of the present,” and that nothing can be done (7); the other phrase, politics of eternity “places one nation at the center of a cyclical story of victimhood” (8). As Snyder develops his thesis that both Europe and American could be on the way to unfreedom, he repeatedly weaves into the fabric of his text these two terms. Russia has already traveled down this road, accepted its role as victim, that the world is always out to get Russia. If Europe and America do not pay attention to the signs of fascism or authoritarianism present in their own countries, they, too, could wind up like Russia. For the general reader, this book can be tough reading, but I invite anyone wanting to know what might be wrong with our country to take a look at it.

NEXT FRIDAY: My Book World | Hilary Mantel's Wolf Hall: A Novel. Book One of the Thomas Cromwell Trilogy

Jobs for Women on 'Maiden Voyages'

11/19/2021

A WRITER'S WIT
Sloppy language leads to sloppy thought, and sloppy thought to sloppy legislation.
Dick Cavett
Author of Brief Encounters: Conversations, Magic Moments, and Assorted Hijinks
Born November 19, 1936

D. Cavett

My Book World

Evans, Siân. Maiden Voyages: Magnificent Ocean Liners and the women Who Traveled and Worked Aboard Them. New York: St. Martin’s, 2020.

This is an interesting book in which Welsh author Evans focuses on thirteen women (some famous, some not) in the early twentieth century who make careers on the seas. Mostly by way of working on lines such as the White Star and Cunard, these women toil as conductresses, stewardesses, and nurses, sometimes rising to supervisory positions. During an era when women are not encouraged or even allowed to work outside a domestic situation, these women serve as pioneers who earn good salaries and are able to support families back home in the UK, where the man of the household, say, has been lost to war. Of course, their success is hard won, and it is only a beginning, but indeed there must be a thread that connects them to airline hostesses and to female astronauts such as Sally Ride. A quick but meaningful read.

NEXT FRIDAY: My Book World | Timothy Snyder's The Road to Unfreedom: Russia, Europe, America

'On the Beach' Ultimate of Global Warming

11/12/2021

A WRITER'S WIT
I have a color-coded computer spreadsheet that divides things down to chapter fragments. Each character's point-of-view is a different color. The text of the manuscript is color-coded the same way. The last thing I do before submitting the manuscript is turn all those colors back to black.
Neal Shusterman
Author of Thunderhead
Born November 12, 1962

N. Shusterman

My Book World

Shute, Nevil. On the Beach. New York: Morrow, 1957.

This novel, which could have worked as a cautionary tale in its publication year, 1957, can still bring shivers to one’s spine. In this narrative, the worst has already happened, a vague war begun, on accident, between Russia and China, in which nuclear warfare destroys most of the northern hemisphere. Only the Australians and other South Pacific cultures survive . . . for a while. As we know, such high amounts of radiation kill immediately and keep on killing over weeks and months as its fine particles continue to float to earth. The main characters realize intellectually what will happen but continue to live as if death won’t come, racing in a local grand prix, planting a garden one won’t benefit from, collecting presents for one’s children when one “returns” to his family in America. Shute is deft in creating what looks like denial and yet is a way for characters to cope, until the very end. At that time, little red pills of barbiturates have been distributed like penny candy, and we see each one take his or her dosage and end their lives peacefully. We are made to consider, however, what will happen to the earth itself. After a number of years, so Shute believes, the radiation will clear, the earth will be ready for inhabitation again. It shall repopulate itself with some kind of creatures. The novel has one final lesson for those living today. Nuclear war is the ultimate global warming, the ultimate in climate change. Forever. The thought should still give us pause.

NEXT FRIDAY: My Book World | TBD

'Wolf Hunt' a Great Pastiche

10/22/2021

A WRITER'S WIT
If I couldn't get published tomorrow I'd still be writing. It's something to do with feeling so overwhelmed by this experience of life that you have to tell someone about it, and in a way that reorders the experience to make it manageable.
Graham Joyce
Author of The Silent Land
Born October 22, 1954

G. Joyce

MY BOOK WORLD

Brandon, Will. The Wolf Hunt: A Tale of the Texas Badlands. A Derrick Miles Mystery. No City: Gale, 2021.

Full disclosure moment: I am part of the Lubbock, Texas, Ad Hoc writing group of which the author speaks in book’s Acknowledgements page. I mention this fact, not to tout my involvement in the enterprise but to give some context. The author brought bits and pieces of this work in its infancy to our group. Some of it, like all our writing, was rough, a work-in-progress, but always what was generated created great interest on the part of all members. We can’t wait to read more was a common comment. What Brandon has realized here goes far beyond, in my opinion, what might have transpired in less capable hands. This book succeeds in being so many things: a pastiche of the highest order, writing “in the style” of Arthur Conan Doyle’s Hound of the Baskervilles; a bit of a cozy mystery; and a great bit historical novel.

Setting the novel in nineteenth-century Texas but always with an eye to England, where its murder victim hails from, the author creates an admixture of American and British English diction born of a particular period. Historical details give great interest and credit to the work, in which, for example, the narrator, Doctor Hooper, uses one of the first Kodak cameras to great effect. The author’s details on how the camera works not only read with authenticity but are crucial to his helping his partner, Derrick Miles, to solve the mystery.

No point in recreating the plot, if one is acquainted with Doyle’s book. Readers will find its points familiar, yet with their own twists here and there. If you’re a mystery junky, or if you just like well-crafted fiction, I trust you will enjoy Will Brandon’s The Wolf Hunt. Get a copy!

NEXT BLOG: November 9, 2021