Noah, Trevor. Born a Crime: Stories from a
     South African Childhood. New York:
     Spiegel, 2016.
 
Noah, host of Comedy Central’s Daily Show, has written a touching and transformational memoir. In writing honestly of his metamorphosis through the years, he thus transforms the reader. Most Americans, myself included, probably have only a vague idea of what South Africa’s apartheid was really like. Noah makes it crystal clear: blacks, whites, coloreds, the latter having a different definition than it had in the US. Noah was colored: half white and half black. Under the first nine years of his life, his birth was illegal, according to apartheid; his life with his black mother and his white father was illegal. But it wasn’t nonexistent.
 
This joyful book reveals the ways in which he and his mother negotiate their way around Noah’s lack of existence. He tells tales of attending church on Sunday, his mother seeing that he always makes it to three services in three different churches. Noah divulges tales of naughty behavior when he is in his teens and twenties. He even does a short stint in jail but avoids a long prison sentence, all for illegal sales of pirated audio material. But though he is enterprising and makes a good living for the ‘hood, he realizes he will never do any better than that if he doesn’t get out. The book’s climax takes place when a near-fatal fit of violence occurs between his stepfather and mother, itself a miracle of survival. I had hoped to read of Noah’s continuing education, as he becomes a comedian, and now host of an incredibly important source of satire and news. But we will have to wait for his next book, when he will hopefully be as generous as he is in the first and share once again his miraculous story. Can’t wait.

NEXT TIME: New Yorker Fiction

**September 25, 2017, Jonas Hassen Khemiri, “As You Should Have Told It to Me (Sort Of) If We Had Known Each Other Before You Died”: When police storm the door of a man, he, as narrator, assumes that his friends have designed an elaborate practical joke in lieu of bachelor party. Khemiri’s latest book is Everything I Don’t Remember.

NEXT TIME: My Book World

**September 18, Edwidge Danticat, “Sunrise, Sunset”: A Miami Haitian family must accept that their aging mother is suffering from dementia and her daughter from postpartum depression. The author’s most recent book is The Art of Death.
Illustration by Bianca Bagnarelli

NEXT TIME: My Book World

**September 4, 2017, Miranda July, “The Metal Bowl”: A young woman makes a single but popular pornographic video, a momentous event that continues to influence her life seventeen years later. July's most recent novel is The First Bad Man.

NEXT TIME: My Book World

Andreas, Peter. Rebel Mother: My
     Childhood Chasing the Revolution. New
     York: Simon and Schuster, 2017.


This book is one of those that drew me in and would not let me go until I had finished it. I made not a single annotation or underline because the narrative was so compelling that I didn’t wish to stop and write.

Carol Andreas is raised as a Mennonite in North Newton, Kansas, and in the 1950s she marries another Mennonite seven years her elder. From this marriage she gives birth to three sons, one of whom is author, Peter Andreas, the youngest. As the Andreas family lives in suburban Detroit, Michigan, Carol eventually earns a PhD and radicalizes her political thinking. Against her husband’s wishes (he refuses to grant her a divorce), she packs up all three sons and moves to Berkeley, California, the epicenter of 1960s and 1970s radical politics.

As part of her radicalization, Carol Andreas abdicates her traditional role as mother and allows her three sons to make many of their own decisions, for example, whether they want to attend school on a particular day. However, when she decides to move to South America to aid the revolution there, she takes eight-year-old Peter with her—partly to spite her husband, partly because the child is too young to care for himself, but mostly so that she can mold his socio-political views. The other two sons prefer to remain in California and reside in the commune where they’ve all been living. 

The heart of the book is about the years that Carol and Peter spend in three different South American countries. Instead thriving in the warmth of a middle-class Michigan home, Peter lives a rather deprived life. He is subject to the harshest living conditions as his mother does what is necessary to aid others in their political goals. He witnesses her many different boyfriends, sometimes having to sleep in the same room with them as they make love.

In one situation, his hair is infested with head lice. Worse yet, his mother places him in adult situations, “assignments” he accepts because they make him feel grown up. He even participates in his own kidnappings from Michigan schools, after his father has been awarded custody so that he can live with his mother in South America. His allegiances to each parent are probably stretched even tighter than most children of divorce, because his parents represent two different extremes and because both are set on having their way.

However, the narrative illustrates the strength of a love that can develop between parent and child. Carol Andreas makes many mistakes, yet even so, son Peter never stops loving his mother. At one point, as he reaches college, he does realize he will never be like his mother, nor like his father. He must become his own person, and he informs each parent of his desires. If Peter has learned anything from his mother it is that he is responsible for his own life, his own happiness, and as he matures he begins to pursue the one he wants. Today, he is the author of ten books and John Hay Professor of International Studies at Brown University. His childhood must in no small way inform his adult life.

NEXT TIME: New Yorker Fiction 2017