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Harrison's Novellas Are Perfect

7/10/2020

A WRITER'S WIT
Writers get embarrassed sometimes in talking about how much fun writing can be, but drafting is often really enjoyable. Often, you're tumbling in the dark, and you don't know where the story is going to lead.
Karen Russell,
Author of Swamplandia!
Born July 10, 1981

K. Russell

My Book World

Harrison, Jim. The Summer He Didn’t Die. New York: Atlantic Monthly, 2005.

These three novellas, each one striking for its individuality, are immensely satisfying. The longer-than-a-story-but-shorter-than-a-novel format seems to be perfect for each narrative. My favorite character in The Summer He Didn’t Die, the title novella, is Berry, a child who is born with alcohol fetal syndrome. She is mute but indicates by her actions, quick and sprite-like, how she shall act upon the world and its many rules. Most of the action is of her family (excepting her wayward mother) evading Michigan’s children’s protective agency and depositing their lives over the border in Canada so that Berry can live out her life in peace. Republican Wives, hilarious for its verisimilitude (uncannily written for a male writer), takes readers inside the minds of three different women, friends since childhood, who have been hoodwinked for the last time by a man (also a college acquaintance) with whom they have all had affairs (mostly at different times). Tracking tells the story of an author who outlines his literary career and personal life, from feckless yet ardent college boy to a grandpa, finally finished with world travel and content to be near his grown children and grandchildren. The collection is a great testament to the novella form in which it is just the right length to tell each one of these stories.

NEXT FRIDAY: My Book World | Hans Fallada's Every Man Dies Alone

Rule Follower or Skilled Manager?

6/26/2020

A WRITER'S WIT
We always look at the “Fortune 500,” and we say, men in power, but we don't look at the glass cellar as opposed to the glass ceiling and say, men also are the homeless, men are also the ones that are the garbage collectors. Men are also the ones dying in construction sites that aren't properly supervised for safety hazards.
Warren Farrell,
Author of The Boy Crisis
Born June 26, 1943

W. Farrell

My Book World

Murata, Sayaka. Convenience Store Woman. Translated from the Japanese by Ginny Tapley Takemori. New York: Grove, 2018.

A compact book at 163 small pages, this novel is a more substantive read than one would think at first. The simple language that the narrator Keiko uses may lull the reader into thinking this will be a simple story. In a way, it is. This young Japanese woman who works in a convenient store shifts to a flashback about her childhood. There she reveals her odd personality, a certain problem with affect, in which she would like to cook and eat a beautiful little blue bird that has died, much to the horror of her mother. Then in primary school, when no teacher appears to break up a fight at recess, Keiko takes it upon herself to hit one of the boys on the skull with a spade. At that point, after getting into trouble, Keiko decides to become a little rule follower, making her, upon high school graduation, a perfect candidate for convenience store worker.

Keiko is unusually attuned to the store’s needs, both at the macro and micro levels—responding to the store’s needs the way a mother might respond to her children. Remaining single, without much apparent interest in sex, Keiko works part-time and sustains a secularly ascetic existence until she’s thirty-six. Then she meets a man, creating the novel’s conflict, and I won’t reveal the ending because it’s pretty odd and yet satisfying. I do have a question for the author. Keiko is often more skilled in managing the store than her male, mostly younger managers (eight of them in eighteen years). Why does her demonstrated competency (all her colleagues acknowledge her abilities) ever put her in a position to become a manager herself? Is this author Murata’s point, a comment on Japanese culture? Or is she more concerned with portraying people who happen not to fit the mold of ordinary citizens and how society treats such people?

NEXT FRIDAY: My Book World | Tobias Wolff's Novel Old School

'Mules and Men' a Treasure Trove

5/29/2020

A WRITER'S WIT
I loathe heterosexual weddings. The wedding cake, the party, the champagne, the inevitable divorce two years later. It's just a waste of time in the heterosexual world, and in the homosexual world I find it personally beyond tragic that we want to ape this institution that is so clearly a disaster.
Rupert Everett
Born May 29, 1959

R. Everett

My Book World

Hurston, Zora Neale. Mules and Men with a preface by Franz Boas, a foreword by Arnold Rampersad, illustrations by Miguel Covarrubias, and afterword by Henry Louis Gates, Jr. New York: HarperCollins, 1990.

Part I consists of African-American folk tales that Hurston collects in the late 1920s and early 1930s in Florida. She begins in her hometown of Eatonville, primarily African-American. Amazing it is the number of times the word “mule” does appear in these tales, as if the beast is a metaphor for the “beasts” that white people take black men and women to be: though compliant, also stubborn, and intelligent. On the face of it, the tales might reflect a certain ignorance, but I think they simply reflect that slaves had to develop their own language because the whites refused to educate them in their own (if they themselves were versed well enough in English to do so).

Part II is about hoodoo (or voodoo), and Hurston heads for what she calls its capital, New Orleans, Louisiana. These passages are fascinating, as well. All throughout Hurston includes herself as a character. In order to retrieve the information she wants, she must become one of hoodoo’s adherents and spends much time and effort seeking to know its ways. She recreates for readers exact formulae for getting rid of one’s husband, for getting him back if she changes her mind, for many ways of dealing with one’s neighbors. Hurston never judges but fully participates, absorbing its, at times, headiness, as when she dizzies herself from dancing for forty straight minutes as part of a ceremony.

In his afterword Henry Louis Gates (PBS’s Finding Your Roots) identifies Hurston’s proper historical place in American literature. After having achieved a higher education and published seven important books, she is virtually ignored or denounced by leading black male literary figures during the time she should be receiving accolades (among them Richard Wright). This happens, in part, because she identifies herself in a more "conservative," Clarence Thomas-like stance, in which she refuses to be defined by white people. It takes Alice Walker’s landmark 1975 article in Ms. to resurrect Hurston and bring her to the fore of American literary studies. As happens to many whose ideas are published ahead of their time, Hurston’s work languishes for decades amid a poverty of thought. If only she had not been shunned, she might not have died amid a more corporeal sort of poverty at age sixty-nine.

NEXT FRIDAY: My Book World | The Letters of Cole Porter

'Cleanness' a Superb Novel

5/22/2020

A WRITER'S WIT
Let the bullets that rip through my brain smash through every closet door in the nation.
Harvey Milk
Born May 22,1930

H. Milk

My Book World

APOLOGIES to my readers: At the last minute I substituted my profile of Garth Greenwell's book for Alison Smith's. I shall post one of Smith's Name All the Animals in the near future.

Greenwell, Garth. Cleanness. New York: Farrar, 2020.

I didn’t make one annotation on first reading of this novel (and I shall read it again), in part because it held me spellbound and in part because I wanted to experience vicariously the joyride the unnamed narrator (except for Gospodar, the Bulgarian word for Mister) is taking through his young life.

Gospodar (Gospodine to his pupils) teaches accelerated English at a high school in Sofia, Bulgaria, sometime in the last decade, and unravels his story of love and loss. At the same time, our Gospodar employs the powers of travelogue to acquaint readers with a post-Soviet culture still burdened with its corrupt architecture (crumbling worse than the geopolitical realm itself). The novel is part language lesson: Gospodar translates (upon first mention) each Bulgarian word or phrase and in such a way that one is acquainted with the word’s fullness. At one point, a male sex partner Gospodar has met online calls him Bulgarian for bitch. But the narrator doesn’t leave it there, massaging the meaning within the context of the indigenous culture. The novel is part love story, in which the narrator meets a man he only calls R (every character is reduced to a single initial, in some way protecting the identities of his co-characters, almost creating the feel that one is absorbing a roman à clef). I’ve never read such sensual yet meaningful sex scenes (for want of a better term). At one point, the narrator makes love to his lover, R, taking perhaps twenty minutes to kiss every part of the man’s body. When he is finished, his partner is attempting to hide his tears, the fact that perhaps no one has ever loved him so completely. These scenes, though graphic, serve a larger purpose, never feeling pornographic (if there is such a thing) or gratuitous.

Ultimately, the narrator and R end their relationship, because R hails from Lisbon, and cannot see finding a way to earn a living in Bulgaria. In the last major scene of the novel, the narrator parties with a few young men who have graduated from his school the year before. The three of them get very drunk, and the teacher, Gospodar, makes a play for one of the young men. He is horrified by his own behavior yet is willing to give into it at the same time, if enticed or encouraged by the student. He withdraws from the party just before making a fool of himself or endangering his reputation as a responsible adult. Gospodar does this throughout the book, brings himself to some sort of brink, only to pull back after exploring the full impact that the act is about to make (sometimes within a few seconds), thus making the character more like all of us, ready to jump yet waiting to defer to a better angel.

NEXT FRIDAY: My Book World | Zora Neale Hurston's Mules and Men

Hyacinth Blue Is TimeLess

5/15/2020

A WRITER'S WIT
The mind and heart sometimes get another chance, but if anything happens to the poor old human frame, why, it’s just out of luck, that’s all.
Katherine Anne Porter
Born May 15, 1890

K. A. Porter

My Book World

Vreeland, Susan. Girl in Hyacinth Blue. New York: Penguin, 1999.

In contemporary times, a Philadelphia professor calls a colleague (who is an art scholar) into his locked study to reveal what he claims is an original work of the Dutch artist, Vermeer. The colleague argues against such a claim, but the man insists. He is in a bind because his father has confessed that he himself stole it from a Jewish home while he was working for the Nazis in WWII, but he cannot reveal such indicting provenance. Each succeeding chapter takes the reader farther back in history (à la the film The Red Violin) to reveal previous owners, right up to, the reader must assume, Vermeer himself. All owners are fascinated by the painting and yet must depend on its sale to save themselves or their family from financial disaster. The author explores the value of art. Is it entirely intrinsic, or is it monetary, or is it a bit of both? Vreeland manages to explore this unique idea in a poetic manner which is both compressed, yet expansive, a valuable topic for discussion. The novel is a timeless read, and I’m glad a friend recommended it to me long ago and that I finally took the time to read it.

NEXT FRIDAY: My Book World | Alison Smith's Name All the Animals

Mississippi In Depth

5/8/2020

A WRITER'S WIT
Beneath words and logic are emotional connections that largely direct how we use our words and logic.
Jane Roberts
Born May 8, 1929

J. Roberts

My Book World

Walton, Anthony. Mississippi: An American Journey. New York: Viking, 1996.

This combination of “travel writing, history, and memoir,” as blurbed on the back cover is a profound work. Walton, noted poet and author, takes the reader on a multilayer journey. One of those journeys may be the physical. He tells of the move his Mississippian parents make from their home state to Chicago as young adults to establish a better life for their children. One is always aware of the physical: the hot Mississippi summer days, the fields of blindingly white cotton, the cool of air conditioning and iced drinks. Walton takes pains to give us a full history of the state, beginning with the Native Americans who occupy the land for centuries before others arrive and kill or move them off. He doesn’t stop there but gives us a history of the slave, the African-American: lynchings, beatings, the cold war that Whites take up against Blacks after the Civil War. But Walton’s journey of Mississippi, which begins mostly after he is an adult, includes memories of visiting family there, interviewing a broad range of white and black citizens. He describes the “polite” way that citizens treat each other, as long as one observes one’s role. He also describes the fight for the vote, which continues to this day. Included in his personal comments are original poems of note that help to illuminate his narrative. History. Travel. Poetry. He appeals to the broad spectrum of human perception and sensibility. I regret that it took me this long to read a book I bought in 2006, ten years after it was published. Yet Walton’s message is still a vibrant one of truth.

NEXT FRIDAY: My Book World | Garth Greenwell's novel, Cleanness

This Book of Daniel Is Not in the Bible

5/1/2020

A WRITER'S WIT
One reason to fashion a story is to lift a grudge.
Bobbie Ann Mason
Born May 1, 1940

B. Mason

My Book World

Smith, Aaron. The Book of Daniel: Poems. Pittsburgh: U of Pittsburgh, 2019.

This poet's persona clearly has a crush on actor Daniel Craig and cleverly weaves together nearly fifty poems with pop culture in mind. A couple deal directly with our eponymous persona, Daniel, but many cover other icons. In “I Need My O’Hara Frank” he idolizes other poets:

I Need Sharons:

Tate and Olds,
but mostly Olds,

and never, ever
the Rose of.

In “Celebrity,” he, stream-of-conscious style, connects the deaths of various celebs with himself:

Anne Sexton died in 1974, the year I was born.
Thomas James died in 1974 and was born
in Joliet, Illinois, where I was born. He wrote
Letters to a Stranger before he killed himself.
I’ve written three books few people read
and wanted to kill myself. He was 27 like
Joplin Hendrix Morrison Cobain.

In the title poem, the persona levels with readers about Daniel Craig:

I made a Daniel Craig scrapbook
called The Book of Daniel. For years I bought
every magazine with him on the cover. In Interview
he’s stripped to the waist, hopping around on the beach.
Jamie Dornan was in Interview, too: arms behind his
head in a bathtub. I fell in love with Daniel Craig
when he was stalked by a man in Enduring Love--
before he was Bond-hot and too famous.

I rarely read a book of poetry in one sitting. To me, that’s like eating an entire box of chocolates in thirty minutes or less (which I’ve never done but know better than to try). Yet I found myself turning page after page, getting Smith's poetry when often I do not get what a poet wants me to. And when I was finished, it may also be the only book of poetry I turned around and read all the way through again. There.

NEXT FRIDAY: My Book World | Anthony Walton's Mississippi: An American Journey

Gay Farm Boys

4/24/2020

A WRITER'S WIT
I believe no matter how much you research a person's life. No matter how long you spend, the person always remains a mystery. I go by this quote that Mark Twain said about the definition of a biography: a biography is the clothes and buttons of a man or a woman but the real story is in the person's head and that you can never know. I don't think it's possible to get the whole picture, ever.
Patricia Bosworth
Born April 24, 1933
Died April 2, 2020 of COVID-19

P. Bosworth

My Book World

Fellows, Will. Farm Boys: Lives of Gay Men from the Rural Midwest. Madison: U of Wisconsin Press, 1998.

This book has been on my shelf for over twenty years. If I had read it when it was new, it might have seemed fresher. As it is, the men featured here, born between 1907 and 1967, seem stuck in their contemporary argot. I wonder if gay farm boys are still experiencing the same universals, some of which dovetail well with so-called urban gays. Young farm boys seem to have more interest in growing beautiful things like gardens instead of livestock; they enjoy cooking more than being outside. Insofar as it is possible, given small rural school districts, they become involved in the arts and often excel in them. Over and over again, you see gay farm boys say they don’t care for picking up tricks or one-night stands, that they would prefer long-term relationships but that rural life makes that kind openness impossible. The reader cannot imagine the number of these men who have sex with male siblings and other relatives before they begin to engage with and marry women. Perhaps the most prevalent commonality is the harm religion, particularly Catholicism, causes young boys and men as they search for a way to express their sexuality and find a partner with whom they can share a life. Like the urban gay youth, they more often than not experience a sympathetic mother and a distant or hostile father because the gay son doesn’t fall into line. By the end, I almost felt as if I were reading the same four or five profiles over and over again. And yet I know I wasn’t. Every gay man’s story has something in common with others and every story has its differences, its unique qualities, which set that man apart.

What would be interesting now would be for Fellows (or some other courageous writer/scholar with boundless energy) to interview gay farm boys born between 1970 and 1995. Have their experiences been different than the generations before them? How does arranging for sex online compare to picking someone up at a bar or at some Interstate rest room? Are fathers still as intractable about masculinity and what that means? Has the world at large made any dent at all into the sequestered lives of rural Americans? This fascinating book seems to invite an ongoing discussion in which these and other questions are explored.

NEXT FRIDAY: My Book World | Aaron Smith's The Book of Daniel: Poems

I Celebrate National Library Week

4/23/2020

A WRITER'S WIT
Cutting libraries during a recession is like cutting hospitals during a plague.
Eleanor Crumblehulme
Library Assistant, University of British Columbia

E. Crumblehulme

How the Library of Congress Helped Me Organize My Personal Library

In 2010, during a visit to Washington DC, Ken and I visited the Library of Congress. I wasn’t expecting much, just another bureaucratic governmental building of a nondescript nature. But I was surprised and delighted to discover its Beaux-Arts classical façade and elaborate interior. At that time, I began to wonder if I might organize my own library by way of the LC system. After all, by 2020, I owned over 1,300 volumes. Through the years, I had given away books I knew I would never read or read again. I finally gave away some of the assigned texts I had read at Southwestern College (making sure that the TTU Library had a copy in case I ever wanted to revisit those books).

In the summer of 2019, I took a short break from writing, about five hours a day over five weeks in order to catalog my collection. I touched every hardback, examining its dust jacket or blurbs on the back of each paperback to see if I wanted to keep it. I touched each book again as I wrote the determined call number in pencil following the copyright page, touched it again as I labeled the spine, and touched it once more as I made a Word document accession list of my holdings. That would be so that in the future I could find what I wanted when I wanted it, something I had not always been able to do with my previous rather free-form mode of organization. (I also found duplicates of books I’d bought, not recalling that I already possessed a copy.)

The undertaking was an awesome (despite the weakening of that word) task to follow that procedure for every book, then reshelve the entire collection in the correct order. But since then, the job has proven valuable because I can quickly locate or reshelve a book and it has a “permanent” place, as do certain bytes in my laptop, as do certain memories in my brain. My collection is an integrated whole yet one that welcomes a new book by reserving a unique place for it.

How did I locate or generate all those LC call numbers? one might ask. I checked the copyright page of each book, especially if it was published sometime after the late 1980s. Very often the publisher had already acquired an LC number and all I had to do was copy it out. If the book did not have a call number, I consulted the TTU Library online catalog. I would say that I retrieved at least fifty percent of my numbers from there. Last, I discovered that the Library of Congress (duh) also sported its very own online catalog of vast holdings. That source gave me nearly the rest (or often I could “generate” a number similar to a different book by the same author). What about new books? They are often a bigger problem than old ones. Many publishers now seem to rush a book to publication without waiting to receive a call number from LC, and so it must sit on a separate shelf of mine until one day the LC catalog will list its call number. A librarian’s job is never done. Yay. It means one is always acquiring and reading new books.

I’ve enjoyed writing about my lifetime of library experiences this week. I might briefly say that the Lubbock City/County Libraries support one main building and three branches. I’ve used the main Mahon Library from time to time, particularly when reading fiction; my writing group has met in a small room there. If you have a comment or a library experience you would like to share with my readers, please leave it in the Comment section. If you enjoyed any of these posts, please copy the URL and send a link to your friends. Thank you.

TOMORROW: My Book World | Will Fellows's Farm Boys: Lives of Gay Men from the Rural Midwest

Continuing to Celebrate National Library Week

4/22/2020

A WRITER'S WIT
Libraries always remind me that there are good things in this world.
Lauren Ward
Personal Finance Writer

L. Ward

Texas Tech University Library:
1.7 Million Volumes Strong

Texas Tech University Library | Photo by TTU

In 1973-74, I earned my state certification in elementary teaching at Texas Tech University in Lubbock, Texas. The University Library building of contemporary architecture had opened in the fall of 1962, and I was impressed with its sheer size, that the multiple floors of stacks would take a long time to fill, such a liberal amount had been accounted for. At that time, because of my having worked in the Southwestern College Library, one organized by the Library of Congress system, I easily procured a student job at the TTU Library (there is also a Law Library, an Architecture Library, and the Southwest Collection/Special Collections building). I worked exclusively for cataloging, which, at the time occupied the sprawling south wing. Again, I reshelved books and “read” the shelves, but I also worked for the cataloging librarian whenever she had projects for me. Perhaps because I was a bit older than most student workers, she trusted me to hunt down information in large Union Catalogs so that she could develop a call number for certain volumes. Once more, I found the library to be sort of a temple to learning, the heart of the university. Among other duties, however, I also ironed on call number labels to new or recataloged books. I strolled out to the large stand of card catalog cabinets and interfiled cards for those new books. Because of my class schedule, I worked an eight-hour day on Tuesdays and Thursdays. One of the younger librarians in the department wasn’t much older than me, and she would invite me to break with her in the faculty lounge over in the student union building. She advanced my LC training by giving me faster ways to recognize the correct order of books. I worked in the library that summer, and even after I had taught one year, I was given a job during the next summer when the extra money came in handy.

Beginning in 1983, I began working on an MA in English, and the TTU Library once again became a necessary haunt of mine. The books I checked out largely came from the “PQ,” “PR,” or “PS,” sections. Since I retired in 2002, I visit the library infrequently, largely because of access. Oh, I do have circulation privileges as an alumni member. However, if I want to visit the library during the day, I must park off campus (at most a three-block walk) if I can’t garner one of the coveted Visitor spots. If I want to come after hours I can park in the library parking lot free but only after eight p.m. I’ve found the best time for a nonstudent to go is on weekends or during student holidays when the library maintains business hours only. And I learned NOT to go late on a Sunday afternoon because that’s when a lot of students begin thinking about the research paper that’s due Monday. Still, within those parameters, I’ve been able to conduct research projects related to my reading and writing. For example, a few years ago I tackled all works—twenty-four—of author Christopher Isherwood. I was able to check out about half of them from the TTU Library, thus saving me a bit of money. When I study the TTU Web site now, I am astounded at the changes that have taken place over nearly fifty years, for one, the digital experiences students can tap into. It has held onto and continued to add to its traditional core but also added a number of valuable digital sources. In short, the TTU Library is fabulous source for information.

TOMORROW: How the Library of Congress Helped Me Organize My Library

Continuing to Celebrate National Library Week

4/21/2020

A WRITER'S WIT
I have always imagined that Paradise will be a kind of a library.
Jorge Luis Borges
Born 1899. Argentine short-story writer, essayist, poet and translator.

J. Borges

SOUTHWESTERN COLLEGE LIBRARY --
SMALLER DOES NOT MEAN INFERIOR

Reading Room, Southwestern College Library, c1966 | Photo from 1967 Moundbuilder Yearbook

For three years in the late 1960s I worked in the library of my undergraduate school, Southwestern College in Winfield, Kansas. In part, I was trained by a young woman whose husband had just been hired as an instructor. She possessed a quiet, “library” voice, but if you displeased her, she would certainly let you know. She trained me to work circulation, checking in and out books at the front desk, but mostly my work was done in the stacks. The woman taught me that the SC library was catalogued according to the Library of Congress system, and once I learned it, I spent much of my time reshelving books. After a while, I was assigned to “read” the shelves. It was a tedious job in which I checked to make sure that books within an assigned section were arranged in the correct shelf list order. There were signs that asked people NOT to reshelve books, but often I would find books out of place and felt a certain satisfaction in returning them to their proper home. Sometimes the book would be off by a spot or two, a shelf or two, and sometimes it would belong to a shelf on the next floor! Among other things, I may have labeled the spines of new books with call letters. I would inevitably become curious about one and spend a bit of the college’s dime studying its contents. I was often one of the first to check out a book, and I would feel very privileged. Though I was a music major, I sometimes entertained the idea of going to library school or becoming a music librarian after graduation. That's how much I enjoyed my work.

The Deets Library, Southwestern College, Today — Stephen Woodburn, Photos

I was fascinated with the LC system, how it had a category for every subject in the world. As a pupil, off duty, I would roam the stacks, and once I learned what was what, I would browse, searching for what I needed. Just as often as not, this proved as good a method for research than merely studying the card catalog. If, say, I knew where a certain author’s books or a certain subject’s books were housed, I could go there immediately and find what I needed, searching through the books’ indexes or tables of contents. Even though the library contained only 250,000 volumes (I believe), I never seemed to have any problem locating what I needed to write my papers. The stacks also housed carrels where one could study in silence. Most weekday evenings, to avoid dormitory noise, I would head for one of those spots and spend three or four hours before the building closed at ten p.m. The library wasn’t just a place where I worked and studied. It felt like the heartbeat or perhaps the brain center of my education. I worked there until after graduation early into the summer. I soon missed it and the people I had gotten to know there.

TOMORROW: I Celebrate National Library Week | Texas Tech University Library

Continuing to Celebrate National Library Week

4/20/2020

A WRITERS' WIT
Google can bring you back 100,000 answers, a librarian can bring you back the right one.
Neil Gaiman
Born 1960. English author of short fiction, novels, comic books, graphic novels, audio theatre, and films.

N. Gaiman

The Many Wichita Public Libraries

The city of Wichita, Kansas, where I grew up, has always seemed to put libraries at the top of its list of civic responsibilities. One of the first libraries was completed in 1908 where it was housed on the fourth floor of the City Building. It and the next two iterations of the central library are all located on the same block of Main Street (there are now six branch buildings located throughout the city).

I began visiting libraries early. At Wichita’s Longfellow Elementary, where over six hundred students filled a building constructed for fewer pupils than that, there wasn’t much room for a library, but toward the end of my time there, in 1960, I believe two classrooms were combined to form the library.

Still, especially in the summer, it was not enough library for me. My mother would load my siblings and me in the car and take us downtown to the Wichita Carnegie Library (opened 1915), about twenty blocks from our home. Later, I would board a public bus and make the trip by myself. I relished the smell of old books, paper thinned by all those fingers turning pages down the path of the next exciting plot. And in those days I mostly read for plot. I mean, I did fall in love with the characters I read about. I loved the settings the authors created. But mostly, I wanted to know where those characters were going, what they were doing or what they were going to do to solve their myriad problems. I adored climbing the stairs to search for books in the stacks, attempting to read all the books of a favored author before moving on to another.

Students Transfer Books to Wichita Library c1966 | Wichita Photo Archive

In 1965, with one year left before I went away to college, a new library opened across the street on Main. Note the photograph where public high school students create a chain by which they move books from one building to the next. I didn’t get to use that building much, but I appreciated that it was air conditioned and admired the open architecture, which today still maintains a decidedly twentieth-century if not “contemporary” look. In 2003, even though I had not lived in Wichita for decades I emailed a research librarian to help me find information about the old Miller Theater, as I was in the process of writing a fictional piece around the long defunct building. For a modest fee, I received help from an efficient young woman when she mailed me photocopies of material about the Miller. The story was later published in an online journal, Eclectica, as “Tales of the Millerettes.” And just recently, the 1965 library building was replaced by yet another edifice called the Advanced Learning Library, a building I’ve yet to visit.

No matter how small, libraries maintain important places in our lives. They can fill certain voids from which our individual lives may suffer. Today, in honor of National Public Library Week, think about your first library, and what it contributed to your life. Make a donation!

TOMORROW: I Celebrate National Library Week: Southwestern College Library

Educating Ourselves About Implicit Bias

4/17/2020

A WRITER'S WIT
You can't change the past, but you can ruin the present by worrying about the future.
Isak Dinesen
Born April 17, 1885

I. Dinesen

My Book World

Eberhardt, Jennifer L. Biased: Uncovering the Hidden Prejudice That Shapes What We See, Think, and Do. New York: Viking, 2019.

An excellent book for every American to read. Why? Dr. Eberhardt addresses the concept of implicit bias, and she begins with some great examples that lead to a clear definition:

“Whether bad or good, whether justified or unjustified, our beliefs and attitudes can become so strongly associated with the category that they are automatically triggered, affecting our behavior and decision making. So, for example, simply seeing a black person can automatically bring to mind a host of associations that we have picked up from our society: this person is a good athlete, this person doesn’t do well in school, this person is poor, this person dances well, this person lives in a black neighborhood, this person should be feared. The process of making these connections is called bias. It can happen unintentionally. It can happen unconsciously. It can happen effortlessly. And it can happen in a matter of milliseconds. These associations can take hold of us no matter our values, no matter our conscious beliefs, no matter what kind of person we wish to be in the world” (31-2)

Eberhardt doesn’t come to the topic without a personal story of her own. As an African-American she is raised in a middle-class home in Cleveland, Ohio, and attends noted Shaker Heights High School, which leads to a first-class education. On the night before she is to receive her PhD and head the procession as flag bearer, she and a friend are stopped by a white Massachusetts policeman because her Ohio license plate is over six weeks past expiration. I can imagine him saying (to a white person), Did you realize your tag has expired? Oh, you’re about to graduate? Congratulations. Since you’re leaving town, you might want to put that renewal high on your list when you get back to Ohio. I normally issue a warning, but I’m going to let it slide today. This is NOT what happens to Jennifer Eberhardt. She is so shaken by the policeman’s demand that she get out of her car that she refuses. He not only drags her out of the car but slams her slight body on top of it so hard it creates a dent (and not a few aches and pains for her), now in full sight of bystanders and a policeman of a higher rank who claims to see nothing. Fortunately, Eberhardt is allowed to call her dean at Harvard and the woman bails the two students out. But the experience mars the graduation experience for Doctor Eberhardt and renews her resolve to continue studying implicit bias.

And study she has. Eberhardt teaches at Stanford University and is a well-respected scientist in her field. In this finely written book, she combines research (hard statistics) with personal examples (her own plus observations of others). She begins the book speaking about the Oakland, California police department whose leadership is attempting to address bias. She addresses a small auditorium of polite, white officers, most of whom have their arms crossed, body language for Show me. It may be the most difficult lecture she ever gives. In wrapping up her book she speaks once again of the Oakland police, after ten years of training, and she views things from their perspective, demonstrating, I believe, her global understanding of the problem and of human nature. Again, a must-read for all of us.

NEXT FRIDAY: My Book World | Will Fellows's Farm Boys: Lives of Gay Men from the Rural Midwest

A Cautionary Tale That Never Dies

4/10/2020

A WRITER'S WIT
Tourists don't know where they've been, travelers don't know where they're going.
Paul Theroux
Born April 10, 1941

P. Theroux

My Book World

Solzhenitsyn, Aleksandr I. with translation by Thomas P. Whitney. The Gulag Archipelago 1918-1956: An Experiment in Literary Investigation I-II. New York: Harper, 1974.

In some ways I’m embarrassed to say that this book has been on my shelf since 1974—unread. It is a paperback of such vintage that I had to be careful about cracking the ancient glue in the spine or pages would have fallen out. Though the read was a slog—not having a Russian history background—I was able to glean much of its purpose. The writer wishes for people in the West to know that Russian citizens experienced a purge probably as horrendous as what took place in Germany in the 1940s, if not worse. At least a million Soviet citizens held in custody by the Allies at the end of World War II were handed over to officials at the end of the war. This does not include other enemies of the people.

One must remember scads of acronyms in this book, and yet they are based on the Russian words, not the English version, so it is more difficult to recall the connections. For example SMERSH stands for Soviet counterintelligence but means “death to spies.” GPU stands for Russian words meaning State Political Administration. Also difficult to recall for an English reader are people’s names; except for Stalin, most are quite multisyllabic.

Yet there is much the naïve reader can take from this book. Solzhenitsyn speaks bluntly of many things.

“I smiled in pride that I had been arrested not for stealing, nor treason, nor desertion, but because I had discovered through my power of reasoning the evil secrets of Stalin. I smiled at the thought that I wanted, and might still be able, to effect some small remedies and changes in our Russian way of life” (167)

Perhaps Part II, about the prison conditions themselves, is most understandable of all, the most universal. Solzhenitsyn calls the trains that take people to the prisons “ships.” I’m not sure I’ve ever read anything as painfully disgusting as his descriptions of the conditions: men literally sitting on top of one another; few if any toilets so men must soil themselves; at best, a kind of gruel to eat, if anything at all; unbearable cold or heat. Then there are the prisons themselves: again little or no heat; no healthcare; poor food and sanitation. Draconian punishments for the tiniest of (sometimes manufactured) infractions. And the people must bear these sentences, most begin as tenners (ten-years), with great aplomb, hoping they will in one way or another escape the hell they are in (even death would be prefable).

The Russians present to the world such a mixed and puzzling heritage. On the one hand, we treasure great Russian literature and drama, superb music including ballet, fine visual art and more. On the other, Russians, either by way of their isolation from the rest of the world, and its inherent paranoia, have a mean streak in their DNA, whether it is by way of the Czarist leaders, the Soviets, or post-Soviet PutinWorld. They desire to be respected as a substantial part of the world, but simply put, do not know how to play nice. And it seems to be a cycle that is difficult to break.

NEXT FRIDAY: My Book World | Jennifer L. Eberhardt's Biased: Uncovering the Hidden Prejudice That Shapes What We See, Think, and Do

One Citizen's Days Are Numbered

4/3/2020

A WRITER'S WIT
What people see the first family do has an effect. And from a slightly different aspect, I think that family living in the White House is going to have a profound effect on many Americans.
George Stevens, Jr.
Born April 3, 1932

G. Stevens, Jr.

Cenziper, Debbie. Citizen 865: The Hunt for Hitler’s Hidden Soldiers in America. New York: Hachette, 2019.

Cenziper focuses her book on two main groups. First, she tells the story of Polish Jews who, during World War II, become Hitler’s pawns. Hitler is looking to expand Germany’s borders so that his people have more space in which to live, so he annexes Poland. After the war, some of these displaced persons flee to the US, for they have no one or nothing left at home. The other group Cenziper develops is the people who work for the Office of Special Investigations (OSI), one of whom is a fresh new historian, Peter Black. Historians are relentless researchers, so they make a good team along with others, lawyers, in particular.

Their work is to ferret out particular ex-Nazi’s, particularly “Citizen 856,” who later minimize their involvement with killing Jews to US Immigration officials, and thus gain illegal entry into the country—a frightening idea to the legal immigrants living nearly side-by-side their torturers in some cases. The OSI spends decades building cases against this group of Ukrainians and Russians who are recruited and rewarded by the Nazis for carrying out their orders to exterminate about 1.7 people. The OSI’s work is arduous and their results are mixed. Because most of the accused Nazis appeal the decision to be returned to their native countries to face trial there (except in Germany, where officials do NOT want these people back), some of them die before deportation, but a few do have to face justice in their home countries.

Some Americans, like Pat Buchanan, oppose the OSI’s work, want to dispose of the OSI. They believe those mass murderers should be forgiven and forgotten. It is difficult to see how these usually conservative people, can form such a free-and-easy view of what should happen to war criminals—when otherwise they are usually such hawks. Is that really a Christian posture? Maybe someone will write a book about them to figure out why they would hold such a position.

NEXT FRIDAY: My Book World | Aleksandr Solzhenitsyn's The Gulag Archipelago 1918-1956: An Experiment in Literary Investigation I-II

Look at Her!

3/27/2020

A WRITER'S WIT
Quite casually I wander into my plot, poke around with my characters for a while, then amble off, leaving no moral proved and no reader improved.
Thorne Smith
Born March 27, 1892

T. Smith

My Book World

Egan, Jennifer. Look at Me. New York: Doubleday, 2001.

I read Egan’s A Visit from the Goon Squad in 2012 to study how nonlinear plots work and enjoyed it very much. This earlier book, her second novel, is a bit more traditional although she does some very interesting things like presenting the main character’s chapters by way of first person but the rest of the chapters in third person; she also cuts, rotating quickly from one character’s point of view (omnisciently) to the next in one of the final chapters, to sustain suspense and perhaps coalesce their views into one. It would seem that the basic plot is that one Charlotte Swenson, a beautiful young fashion model is involved in a car accident, and the surgeon who puts her face back together does so (and I find this hard to believe) with eighty titanium screws just beneath the skin. Her face is still beautiful, but it is no longer her face. People don’t recognize her. She is invisible.

But Charlotte is not without curiosity, a certain inventiveness, to keep her life interesting after losing her livelihood (her booker can no longer get her any modeling jobs)—including a festive sex life. By her own recognizance she can identify what she calls the shadow self of almost any person with whom she comes in contact. Later in the novel, she encounters a man who will now direct a television special about her accident and recovery, in which she plays herself. Even though outwardly he is somewhat fit and sophisticated, she limns his shadow self as an insecure fat kid, the one lurking just beneath the surface of his life, his skin. Though Charlotte’s character is flawed, she leads us to believe she is an astute judge of character, and we tend to believe her.

As with any fine novel, there is a lot going on here. Egan weaves together the story that Charlotte and two other characters are destined to tell, along with a cast of supporting characters, who, in themselves, are fascinating: for one, Z, a young Middle Eastern would-be terrorist who seems to adapt to America quite well; also, a recently recovered alcoholic detective; a mysterious teacher who is seduced by a young female pupil (one of the three main characters) and has also come from some distant or foreign background (one almost thinks that he and Z could be one, but no, ‘tis not true). Jennifer Egan is one of those novelists who meticulously create plot, who meticulously create believable characters to carry it out, all in the service of larger literary themes which are also captured by a title as apt as Look at Me.

By the way, this is an “Advance Reading Copy” that claims it is “Not for Sale.” However, I paid twelve dollars for it at a used book store, and I wuz robbed. I can now see at least one good reason publishers do not want readers to see this sort of copy sold. It had (I always mark them) a variety of twenty-one typos, averaging more than one per chapter. And those are just the ones I caught.

NEXT FRIDAY: My Book World | Debbie Cenziper's Citizen 865: The Hunt for Hitler’s Hidden Soldiers in America

Four Tough Brothers

3/20/2020

A WRITER'S WIT
What else should our lives be but a continual series of beginnings, of painful settings out into the unknown, pushing off from the edges of consciousness into the mystery of what we have not yet become.
David Malouf
Born March 20, 1934

D. Malouf

My Book World

Dostoevsky, Fyodor. The Brothers Karamazov. Translated by Andrew H. MacAndrew and with an introductory essay by Konstantin Mochulsky. New York: Bantam, 1970.

Another book that sat on my shelf unread, this time since 1986. 936 pages. This was nineteenth-century entertainment: a book that might take readers twenty hours to read. I’m not sure twenty-first century readers believe they have twenty hours to spend on one book. Even the denouement and epilogue take up the last one hundred pages. My mental image of this book was always four brothers kicking their heels up, Cossack style, in great revelry, but, ah, no.

One of the four is said to be illegitimate, Smerdyakov. The eldest of the remaining brothers is Mitya or Dmitry. Next is Vanya or Ivan. And the youngest is Alyosha or Alexei. The Russian literary custom of assigning multiple names to a character broadens his or her dynamic, more so than the Anglo/American Bob and Robert or Jim and James. I’m not sure why. Perhaps the author uses a different name depending on the context.

No need to belabor the plot: Readers become acquainted with all four brothers. Certain conflicts arise between father and sons, particularly father and Dmitry. Father is found dead and one of the sons is accused of his murder. Like all epic novels, the author spends a great deal of leisurely time acquainting readers with each character, even the minor ones, so that one’s curiosity nearly rivals the curiosity one has in waiting to see what happens next in, say, a soap opera or an evening TV series. Only with much more gravitas. I’m certainly glad I spent the time reading this novel with a time-worn theme that surprisingly still reads fresh almost two hundred years after its writing.

NEXT FRIDAY: My Book World | Solzhenitsyn's Gulag Archipeligo

Cap Arcona: A Ship Like No Other

3/13/2020

A WRITER'S WIT
Sometimes I can be walking down the street, or riding a bus, and suddenly I see somebody who reminds me of somebody I know back home, and I close my eyes and find myself thinking of the sea, or the taste of grafted mango, or the smell of saltfish frying, and then I come back to myself and open my eyes and realize where I am.
Caryl Phillips
Born March 13, 1958

C. Phillips

Watson, Robert P. The Nazi Titanic: The Incredible Untold Story of a Doomed Ship in World War II. Boston: Da Capo, 2016.

Even as a child, I was a sucker for disaster reads, particularly those taking place at sea: Titanic, Andrea Doria, and others. Watson seizes upon the fame of the Titanic to make a case for his story about the German ship, Cap Arcona (German for Cape Arcona). Without the Titanic reference in the title, the book might not have much shelf appeal. I’m not sure that there are too many real parallels between the two ships except that they both sank.

Nevertheless, Watson’s book is a fascinating one about the extraordinary history of a German luxury liner that services travelers from the Baltic to South America from 1927 until 1939. At that time the Nazis expropriate the ship and transform it for war purposes. Its most important history comes at the end of its life, in 1945, and I’m not going to spoil the read by giving away the ending. Suffice it to say that the Cap Arconastory is one that has been overlooked, and we have Robert Watson to thank for keeping it and its historical significance alive.

NEXT FRIDAY: My Book World | Dostoevsky's The Brothers Karamazov

A Travesty of American Education

1/31/2020

A WRITER'S WIT
Browsing for books with a mouse and screen is not nearly as joyful an act as wandering the stacks and getting lost in the labyrinthine corridors of knowledge. The best libraries are places of imagination, education and community. The best libraries have mystery to them.
Sam Weller
Born January 31, 1967

S. Weller

My Book World

Kirp, David. The College Dropout Scandal. New York: Oxford, 2019.

Before I left public school teaching in 2002, the district I worked for had implemented, at a low level, a plan to mentor potential dropouts. Kirp’s book argues for the need to have American universities tackle the same problem, citing the fact that, nationwide, colleges and universities support a 40% dropout rate. The rate is even higher among community colleges: 60% of students drop out before completing an associate degree.

Kirp visits a number of universities who have implemented innovative programs to retain more students: Georgia State University, the joint campuses of the University of Central Florida and Valencia College, the University of Texas, and an “elite” school, Amherst College. His research indicates that, in some cases, small adjustments can allow a student to finish a degree. One helpful practice is to provide small grants (not loans) during the last semester or two; it can make the difference of finishing or not. Another is for the institution to provide professional advisors (not professors) whose job it is to keep tabs on students, particularly those at risk of dropping out; students cannot escape contact. The institutions have even provided experiences that help students to think positively about themselves. Some forward-thinking professors use the Internet to provide lecture material to be read on the students’ own time; then they use class time to work more actively together. Other places provide accelerated tutoring to catch students up in, say, math in the period of one semester without having to slow down the student’s advancement through a program.

In essence, Kirp asserts that because of the great expense involved in attending college now, institutions of higher education owe their students something better than the old sink-or-swim or trial-by-fire approaches of the past. They should meet halfway these bright students who have met the entrance qualifications and make sure they have every opportunity to finish their schooling. Although I attended a small, private school (a half a century ago) and found great comfort in attending small classes led by professors who were highly accessible, with the practices mentioned above, I might have succeeded at an even higher level. There were times that I felt like dropping out, and only the military draft, the threat of being sent to Vietnam, kept me in school. I wound up getting a degree in music that I only used tangentially to earn a living until I left the field entirely at age thirty. Professor Kirp’s book is one all college professors and administrators should read and consider. After all, in corporate parlance, students are the “business” of higher education. They should be given every opportunity to succeed.

NEXT FRIDAY: My Book World | Robert P. Watson's The Nazi Titanic

'Home Work" Quite a Ride

1/24/2020

A WRITER'S WIT
As long as I don't write about the government, religion, politics, and other institutions, I am free to print anything.
Pierre Beaumarchais
Born January 24, 1732

P. Beaumarchais

MY BOOK WORLD

Andrews, Julie with Emma Walton Hamilton. Home Work. New York: Hachette, 2019.

Andrews begins the book with a summary of her first memoir, Home, that came out in 2009, which is a good thing. It induces the reader to want to locate a copy (for the details must be juicy), as well as it gives readers a view of what her early life was like before she became famous and moved to Hollywood to work.

Unlike many memoirs which can be of a meandering nature, this one moves quickly from one locale to the next, one creative project to the next, one family crises to the next with little reflection, except by way of journal entries from the time period Andrews is calling to mind. Having said that, I believe Andrews moves from locale to locale because that is the nature of the business she is in. In making a film, she must relocate to where the project is being shot. With regard to each film there are preproduction stories, stories during the shooting, and then stories about when the film or live show opens—the reviews, both good and bad. And I’m sorry, of course, Ms. Andrews does reflect upon the relationships she has with her two husbands, her daughter by the first one, the step children she acquires (happily) from her second husband, her siblings and her Moms and Dads, plus the two daughters that she and Blake Edwards adopt from Vietnam. Julie reflects, but it’s often a hand-wringing followed, most of the time, by things turning out all right.

Still, the memoir has more than a few amusing anecdotes. My favorite involves one with Mike Nichols and Carol Burnett. The three are staying in the same hotel as Julie and Carol prepare for their joint TV special. He wants to meet late at night after his train has been delayed, and the women agree. They get into their pajamas and robes and when they know he’s in the hotel, they wait for him at the elevators. They decide it would be funny if they are kissing when Nichols gets off the elevator:

“At this point, one of the elevators went ‘ping!’ so I whipped Carol across my lap, making it look as if I had her in a full embrace. The doors opened … and the elevator was packed …. Nobody got out, nobody got in. As the doors closed, they collectively leaned toward the center so they could get a better view. Carol and I simply cracked up.
         Suddenly another elevator went ‘ping’; I quickly dipped Carol over my knee again. The doors opened and a lone woman stepped out, glanced at us both, and then hurried on down the hall. By now, we were both weeping with laughter. Carol slid off my knee and crawled behind the sofa to hide.
         ‘What are you doing?’ I asked.
         She couldn’t even reply, she was laughing so hard. With a touch of panic, I noticed that the lady who had just passed us had turned around and was now coming back. Leaning over the sofa, she inquired, ‘Excuse me, are you Carol Burnett?’
         In a strangled voice Carol said, ‘Yes,” Then raising a hand above the sofa to point at me, she added, ‘And this is my friend, Mary Poppins!’” (76)

The elevator pings again, and the two women stage their kiss once again, “and Mike stepped out of the elevator. Without pausing or even breaking a smile, he casually said, ‘Oh, hi, girls,’ and continued down the corridor. Touché! ” (77).

Anyone like me, who has followed the career of Ms. Andrews from Mary Poppins until now, will appreciate the depths to which she mines her soul to share once again with us her life and her talents. It’s quite a ride.

NEXT FRIDAY: My Book World | TBD

An Intellectual Rendered Human

12/6/2019

A WRITER'S WIT
I keep an ongoing list of my fifty favorite books, which I recalibrate whenever I discover a new one that seems to demand a spot there.
Kevin Brockmeier
Born December 6, 1972

K. Brockmeier

My Book World

Moser, Benjamin. Sontag: Her Life and Work. New York: Ecco, 2019.

So many books I would not hear of if I did not watch C-SPAN’s Book-TV on the weekends—and so much cheaper than an expensive subscription to something like Publisher’s Weekly. In hearing Benjamin Moser speak of his years of research on this biography, I knew right away I wanted to read his book. He has undertaken an encyclopedic yet nuanced telling of Susan Sontag’s life, both the good and the bad, and her works both the lauded and the reviled. Moser divides his monumental book into four major parts of many chapters of short to moderate length, allowing the reader to absorb the material instead of being overwhelmed by it. In addition to many varied sources, Moser utilizes much evidence from Sontag’s own voluminous journals.

He begins with important early biography because Susan Sontag’s childhood gels her personality into one that haunts her until the day she dies. Her mother is hardly a nurturing person and helps to germinate Sontag’s many insecurities, including her body, which is eventually consumed by cancer. While though she is a brilliant intellectual and contributes much to a broad understanding of literature as well as world politics, she can be childishly petulant and hold a grudge longer than most. She tries the patience of all the people whom she purports to love. In spite of all her faults, however, Moser paints a sympathetic portrait of his subject because she does seem to be a victim of her own literary success, as well as a victim of her childhood. Moser is able to draw from many sources, including Sontag’s own words, and distill the facts in such a manner that one can understand the legend in terms that are both realistic and reverential—a must-read for fans or those (like me) who would like to know more about the subject.

NEXT FRIDAY: My Book World | TBD

Crime Pays Less Than Writing

11/22/2019

A WRITER'S WIT
Flippancy, the most hopeless form of intellectual vice.
George Gissing
Born November 22, 1857

On this day in 1963, also a Friday, people over a certain age will recall the assassination of John F. Kennedy. How the tragedy still rings down the hall of our history. RJ

G. Gissing

My Book World

Israel, Lee. Can You Ever Forgive Me: Memoirs of a Literary Forger. New York: Simon, 2008.

This slim tome of 129 pages is both amusing and instructive. A woman with a biting wit, Israel writes both apologetically and un about her career as a professional forger. Of course, the author of three previously published books, Israel does not intend to take such a path. She always has earned her living as a writer—having never so much as waited on a table—and believes she always shall. She is shocked when any sign of a new book deal vanishes. As she and her cat become destitute, and, because she is such a fine writer and also a small collector of letters, she believes she can succeed in forging letters of celebrities. Yet, as she expands her business, she realizes she cannot do it alone and signs on a colleague who turns out not to be as tough as she is, nor as smart, and she is arrested. Due to having a competent attorney and a kind judge, her sentence is reduced to community service and a five-year probation. She lives out her life working as a copy editor for a children’s publishing company and dies in 2014. The film starring Melissa McCarthy and Richard E. Grant seems to fulfill the truth of the book.

FUTURE BOOK PROFILES: Benjamin Moser's biography Sontag

A Curious Harper Lee

11/15/2019

A WRITER'S WIT
It is the mystery that lingers, and not the explanation.
Sacheverell Sitwell
Born November 15, 1897

S. Sitwell

My Book World

Cep, Casey. Furious Hours: Murder, Fraud, and the Last Trial of Harper Lee. New York: Knopf, 2019.

This fascinating book unfolds by way of three sections. In the first, Cep brings to life a decades-old Alabama story of insurance fraud in which one Rev. Willie Maxwell begins buying up life insurance policies on relatives and others close to him. If that isn’t unusual enough, then each one of those persons begins to die in car “accidents” or by other strange circumstances. Even stranger, Cep makes clear, is that for some reason law enforcement cannot seem to pin these crimes on the prime suspect: Willie Maxwell. When Maxwell attends the funeral of the last victim, a relative of the deceased pulls out a revolver and kills the minister.

The second section of the book is about the attorney who not only helps the minister stay out of prison for years previous to the murder but who is so skilled that he gets an acquittal for the minister’s murderer. The attorney himself is a colorful figure, a liberal Democrat who throws caution to the wind and runs for office. After he wins, his actions are too liberal for some and he is harassed (in a dangerous KKK style) out of office, never running again. Along the way, he makes friends with author Harper Lee, known for her novel, To Kill a Mockingbird.

The reason the two become acquainted is that Harper Lee is attempting to write a book, à la her friend Truman Capote’s In Cold Blood, about the Reverend (The Reverend also being her working title). After all, when Mockingbird was finished, Lee had little to do, and not yet much money, so Capote hired Lee as his assistant to help him research his book. And what a great assistant she was. Cep makes clear that, in all, Lee offers Capote at least 150 pages of typewritten notes. Her talent is combing the physical landscape for specific details; his has more to do with affect, interviewing the related parties, getting them to open up. Lee spends years apparently applying the same journalistic skills to the Maxwell case, but she ultimately abandons the book, believing she just doesn’t have enough information to make it a great book. Cep’s portrayal of Lee is one that readers may not be familiar with: an alcoholic (she eventually, unlike Capote, gets clean); a millionaire who lives, in some ways, like the poorest among her; someone who writes because she loves it, not because she must make a living from it; her own kind of philanthropist, taking care of people and causes she believes in.

Cep weaves together these three strands into one compelling narrative which contributes to even a larger picture: a last gasp of the Old South and its many, many contradictions. A descendant of a slave who allegedly kills members of his own race. A liberal attorney who attempts to evolve the white race in his home state of Alabama. And a writer, childhood friends with Truman Capote, who may be more Libertarian than Liberal, never really finding her rightful place in the American canon of literature.

NEXT FRIDAY: My Book World | TBD

Of the Reader's Bondage

11/8/2019

Life's under no obligation to give us what we expect.
Margaret Mitchell
Born November 8, 1900

M. Mitchell

My Book World

Maugham, W. Somerset. Of Human Bondage. New York: Doubleday, 1936.

“It sings, it has color. It has rapture. In viewing it one finds nothing to criticize or regret.” —Theodore Dreiser

The blurb above appears on the dust jacket edition of the novel I read. In its foreword, the author explains, in part, why he writes the novel:

“I began once more to be obsessed by the teeming memories of my past life. They came back to me so pressingly, in my sleep, on my walks, at rehearsals, at parties, they became such a burden to me, that I made up my mind there was only one way to be free of them and that was to write them all down in a book” (iv)

My central response to the novel is that, knowing Maugham divorces his wife and lives in a domestic setting with two different men, I believe the book is the perfect portrayal of a closeted homosexual or bisexual male. Like many Englishmen of his period, Philip Carey attends all-boy schools, and Maugham describes some of these young men in lustrous detail, whereas his descriptions of females are not as pointed or glowing. Carey’s relationships with women are fraught with one of two modes. The woman, such as his mother or his aunt, is motherly and nurturing or she, like two women he becomes involved with romantically, are not nurturing. In fact, one, Mildred (portrayed by Bette Davis in the 1934 film), tests the limits of credulity. Yet, when aligned with the profile of a closet homosexual (trying hard to fit into heterosexual life), may be quite accurate. Philip is convinced he loves Mildred and rejoins with her several times after she rejects him, and, except for the final fling, always takes her back no matter how cruel she has been, in one instance, wrecking his apartment and destroying all of his valuables, including paintings he has made or bought. This character knows, even if he has carnal relationships with women, he should not get married. “In Paris he had come by the opinion that marriage was a ridiculous institution of the philistines” (276). When he finishes medical school, he wants to travel, see the world. He only chooses to marry on the last page of the book, when, at last, he has matured and realizes he must settle down.

One other observation about the novel I would make is that, in contrast to how fiction writers have worked for the last fifty years, Maugham tells a great deal more than he shows. He spends many, many pages, sometimes, foreshortening a long period of time or era in Philip’s life. Of course, as a playwright, his dialog is on the mark and believable, and the characters do act out some of their emotions, but many times Maugham takes the short-cut of telling the reader how the characters feel. Yet, I do have to say that Maugham does manage to hold my attention for over five hundred pages, and that is saying a lot.

NEXT FRIDAY: My Book World | TBD

Adverse Childhood Experiences: LifeLong Problems

11/1/2019

A WRITER'S WIT
Feminism isn't simply about being a woman in a position of power. It's battling systemic inequities; it's a social justice movement that believes sexism, racism and classism exist and interconnect, and that they should be consistently challenged.
Jessica Valenti
Born November 1, 1978

J. Valenti

My Book World

Nakazawa, Donna Jackson. Childhood Disrupted: How Your Biography Becomes Your Biology, and How You Can Heal. New York: Simon, 2015.

This important book states its expressed purpose early in the introduction:

“Cutting-edge research tells us that what doesn’t kill you doesn’t necessarily make you stronger. Far more often, the opposite is true: the early chronic unpredictable stressors, losses, and adversities we face as children shape our biology in ways that predetermine our adult health” (xiii)

Author Nakazawa spends the entire book demonstrating how Adverse Childhood Experiences (ACEs) can and often do, depending on the individual, have detrimental effects on a child’s physiology—not just his or her emotional or psychological well-being. In fact, the research she sites shows that such havoc can also damage one’s DNA. And in so doing, that broken DNA can be passed along to one’s children—setting up a chain of continuing abuse by which one damaged adult injures his or her own children and so on. The author makes clear that while ACEs are similar to PTSD, they are not exactly the same. Adverse events happening to the adult brain have a different effect than the ones that happen to the child’s brain, particularly if very young.

There are a number of compelling aspects to Nakazawa’s book. One, she brings to light a large number of case studies to make her point and follows them throughout. You begin to hear about “Kat” in the beginning and you learn in the end how her life improves. Two, the author cites a great deal of cutting-edge research on the topic. For example, studies show that women, by a significant percentage, who consult a doctor concerning their history of ailments are dismissed by male doctors as being flaky or hysterical (common treatment throughout history). And finally, the author devotes an entire section of the book to treatments, because with appropriate care and therapy, the brain, which is plastic, can be retrained. Individuals can and do recover from Adverse Childhood Experiences. I highly recommend this book to be your first if you are exploring the topic.

NEXT FRIDAY: My Book World | TBD