Blog - www.richardjespers.com

HIGHWAYS OF THE SOUTHWEST

9/15/2023

A WRITER'S WIT
One of the luckiest things that can happen to you in life is, I think, to have a happy childhood.
Agatha Christie
Author of Sixty-six Detective Novels
Born September 15, 1890

A. Christie

My Book World

Ventura, Michael. If I Was a Highway: Essays. With a foreword by Dan Flores and photographs by Butch Hancock. Lubbock: Texas Tech UP, 2011.

This journalist originally from New York befriends the Southwest US, from Lubbock, Texas to Los Angeles; and, in turn, the Southwest seems to befriend him. In “A Life of Destinations,” Ventura says: “To be that man who only lives to live. That is my task from now on. It isn’t about writing anymore, or finding a meaning, or changing the world, or getting and keeping love, though all of that is important; but it isn’t about that stuff anymore. The task now is to be that man who only lives to live. For whom life, life, life, is enough” (15). What a great attitude!

As a Lubbockian (a term the author may have coined for no one I know uses it seriously), myself, I particularly liked Ventura’s essay, “Lubbockian Identity,” He begins this way: “Let us consider Lubbock Texas. In 1973, January through September, I lived in Lubbock—not a resident; a drifter, taking my time passing through. The Lubbockians I got to know all were Texans, mostly born and raised in Lubbock. Ethnically, most were some mixture of Anglo-Saxon-Celt, often with Cherokee stirred in a few generations back. Many traced their American ancestry to well before the Civil War” (35). But this delineation is only the beginning of Ventura’s portrayal of Lubbock—a place he likes more than he doesn’t. Will buy copies of this for friends [and I did] who don’t live in Lubbock—just so they know I’m not entirely crazy for living here!

Coming Next:
TUES: A Writer's Wit | Rachel Field
WEDS: A Writer's Wit | Anne Meara
THURS: A Writer's Wit | Mark Levin
FRI: My Book World | Rachel Louise Snyder, Women We Buried, Women We Burned

TRAPPED IN THE ATTIC

9/8/2023

A WRITER'S WIT
Even Tom Sawyer had a girlfriend and to talk about adults without talking about their sex drives is like talking about a window without glass.
Grace Metalious
Author of No Adam in Eden
Born September 8, 1924

G. Metalious

MY BOOK WORLD

Otsuka, Julie. The Buddha in the Attic. Detroit: Gale (Thorndike), 2012 (2011).

In this spare novel told by way of the first person plural, Otsuka reveals the collective story of Japanese women who are duped into coming to the United States to marry handsome men looking nothing like their photographs. Then readers learn of their collective story, as these women and their husbands (and offspring) toil virtually as slaves in a place called J-town on behalf of California agriculture. Otsuka even takes us to the point in history when Japanese-Americans are rounded up and are entrained to detention camps “over the mountains” into states like Nevada, Utah, and Idaho, to sit out World War II as prisoners of war. These people lose everything, and, except for decades later, when their descendants may receive a token amount of $20,000 in reparations, these poor, hardworking people never receive recompense for the misery they were made to suffer because of certain Americans’ racist and provincial attitudes. A tragic story made beautiful by way of the author’s portrayal of this betrayed but noble race.

Coming Next:
TUES: A Writer's Wit | Anna Dostoyevskaya
WEDS: A Writer's Wit | Judith Martin
THURS: A Writer's Wit | Anne Bernays
FRI: My Book World | Michael Ventura, If I Was a Highway

Gun Carnage: Uniquely American

6/9/2023

A WRITER'S WIT
Even if you are a best-seller you feel insecure because it is all so unpredictable.
Patricia Cornwell
Author of Body of Evidence
Born June 9, 1956

P. Cornwell

My Book World

Gabor, Thomas, and Fred Guttenberg. With a foreword by Steve Kerr. American Carnage: Shattering the Myths That Fuel Gun Violence. Coral Gables: Mango, 2023.

This succinct book is a must-read for every person in America. Gabor, a professor in criminology and sociology, and Guttenberg, father of downed Parkland Shooting victim, Jaime, have teamed up to appeal to our better senses about gun violence and gun safety.

First, the authors set the historical record straight. For much of our 247-year history, this country has regulated guns. It has only been during the last two or three decades that organizational leadership (not necessarily their members) of the National Rifle Associate (NRA) have sold Americans a phony bill of goods. Instead of concentrating on the formation of state militias only, certain NRA members have glommed onto the Second Amendment to push their gun-toting agenda.

Second, the NRA has failed to take the historical context into consideration (what so-called originalists claim to love to do when speaking of the Constitution), that the amendment was designed to help communities protect themselves collectively, not to promote individual gun ownership.

Third, the authors tackle, by way of eleven chapters, thirty-seven myths that the NRA et. al. have dreamed up through the years. Just a few of them. Myth 3: America Has and All-Encompassing Gun Culture. Nope. Only three in ten Americans personally own a gun. Myth 6: The Only Consequences of Gun Violence Are Murders.Nope. “Sadly, some victims experience life-altering injuries that have a profound impact on the quality of life. For example, when a person is shot and paralyzed in his twenties, his quality of life will be diminished significantly . . . [w]hen all the above financial costs are taken into account, it has been estimated that the annual cost of gun violence in the US is over $280 billion” (51). Myth 16: The Training Required of Concealed Weapons Permit Holders Prepares Them for Effective Defensive Gun Use. Nope, once again. The authors prove that the carrying of guns can lead to escalation of disputes. Gabor, in an earlier book finds “that ongoing or spontaneous disputes were the most common motives underlying mass shootings” (91). Moreover, “since May 2007, concealed carry permit holders have killed more than two thousand people and committed thirty-seven mass shootings, as well as many other crimes” (91).

Authors Gabor and Guttenberg conclude their book with suggestions for what Americans can do, for we all know it will take an upswelling of such citizenry to join the rest of what the civilized world has already accomplished, and that is to reduce and limit the amount of gun violence. From requiring gun owners to secure guns in their homes to leveraging the corporate world to cease doing business with the gun industry to voting, the eighty to ninety percent of citizens who want change can achieve it.

Coming Next:
TUES: A Writer's Wit | Fanny Burney
WEDS: A Writer's Wit | Jerzy Kosinski
THURS: A Writer's Wit | Amy Clampitt
FRI: My Book World | Colm Tóibín, The Magician

A Castle in Air, Truly

6/2/2023

A WRITER'S WIT
My thoughts went round and round and it occurred to me that if I ever wrote a novel it would be of the “stream of consciousness” type and deal with an hour in the life of a woman at the sink.
Barbara Pym
Author of Quartet in Autumn
Born June 2, 1913

B. Pym

My Book World

Loe, Nancy E. Hearst Castle: An Interpretive History of W. R. Hearst’s San Simeon Estate. Aramark. Santa Barbara: Companion P, 1994.

I first visited Hearst Castle, San Simeon, California, in 1978. The tour was conducted more like an informal swirl through a friend’s home. The lighting was poor, and items seemed casually thrown together. The second time I visited the park, in 1997, it had been acquired by the state of California and a visit to the new museum was divided into separate tours. My partner and I were so fascinated that we took all four, two in the morning and two in the afternoon. We became so well acquainted with the docent that we later had drinks . . . that is not true . . . I wish. He was a handsome blond man. Anyway, by that time, the entire property had been curated and updated so that it looked more as it would have in its heyday, the 1920s and 1930s.

Loe’s book, which I bought on that latter trip, has remained on my shelf until now, but it is no less interesting. The content is as much about the original owner, William Randolph Hearst, newspaper magnate, and his architect partner, the renowned Julia Morgan, as it is about the property itself. In fact, the book seems more about Morgan, an early feminist and a rare woman architect at that time. Hearst may have liked her in part because she was able to create almost every feature he wanted, even if it meant destroying a newly built basement wall to widen his bowling alley to three lanes from two—a whimsy that he scarcely utilized in his lifetime. But he also respected Morgan’s opinion and taste, because she was usually correct in her judgment. I still find the idea fascinating that a mere mortal could make his every wish come true (except that wish to live forever). What it must do to one’s psyche to get one’s way ninety-nine percent of the time.

To some eyes, the castle is a mishmash (or is it now mashup?) of every major historical architectural period and every major culture in the world. To others it represents the hubris of the ultrawealthy. To me it sings of the creativity of two people rich with ideas and nearly unlimited resources. Late in life, Hearst would be forced to sell off certain assets in order to take care of his $126 million dollar debt. Now that’s living! And yet he would still hold onto his Casa Grande, as he so fondly called it, for a bit longer.
Nice work if you can get it!

Coming Next:
TUES: A Writer's Wit | Marian Wright Edelman
WEDS: A Writer's Wit | Gwendolyn Brooks
THURS: A Writer's Wit | Frank Lloyd Wright
FRI: My Book World | Gabor and Guttenberg, American Carnage: Shattering the Myths That Fuel Gun Violence (School Safety, Violence in Society)

New Thinking about Boys and Men

4/28/2023

A WRITER'S WIT
In Monroeville, well, they’re Southern people, and if they know you are working at home they think nothing of walking right in for coffee. But they wouldn't dream of interrupting you on the golf course.
Harper Lee
Author of To Kill a Mockingbird
Born April 28, 1926

H. Lee

My Book World

Reeves, Richard V. Of Boys and Men: Why the Modern Male Is Struggling, Why It Matters, and What to Do about It. Washington: Brookings, 2022.

Reeves’s thesis may be that while the liberation of women in the last fifty years has been a much-needed, even transformative, change in our society, men and boys have been left behind in their liberation or growth. He believes, for example, that boys should be red-shirted, in other words, begin school a year later. Many parents already do this when they see their sons are not ready. An added benefit is that when the boys reach their teen years, they’re in a class of young women whose maturity more closely matches their own. Reeves also includes in his research how black boys and men differ yet from white males and other ethnic groups in their experiences—thus expanding his work.

To solve the employment problem of boys and men he advocates more sophisticated tech programs to train boys (as well as girls) for tech jobs that are sorely needed, perhaps entire high schools, not just a single department. He suggests that we as a society make it acceptable for men to train for more HEAL professions (health, education, administration, and literacy), in the same way women and girls have increased their presence in STEM professions (science, technology, engineering, and mathematics). In the manner that women have made headway in achieving fifty percent occupation of STEM jobs and professions that used to be closed to women, men and boys should be encouraged and supported financially to enter HEAL professions. He cites research that suggests many boys perform better when they are tutored by male teachers.

There are those who will see this book as overlooking women and girls, but Reeves insists that that is not so. An apparent feminist in thought and deed (a somewhat stay-at-home-dad), he believes that progress should continue for women and girls. It’s just that he believes men, because of societal changes occurring in the last half-century, should be allowed to grow in areas that they weren’t previously. And he offers an entire chapter on how these new roles for men may be accomplished. The task will take considerable resources, both financial and human, but if we don’t begin by considering the ideas put forth by our scholars, where else can we begin, and how do we expect to progress as a civilization?

Coming Next:
TUES: A Writer's Wit | Margaret Hill McCarter
WEDS: A Writer's Wit | Reza Aslan
THURS: A Writer's Wit | Anna Olson
FRI: My Book World | Andrew Sean Greer, Less Is Lost

That Girl, Plural

3/31/2023

A WRITER'S WIT
How did I know I was gay? When I slept with her, I had me on my mind. When I slept with him, I had him on my mind.
Jon-Henri Damski
American Essayist and Columnist
Born March 31, 1937

J. Damski

My Book World

Lehman, Elizabeth J. Those Girls: Single Women in Sixties and Seventies Popular Culture. Lawrence: U Press of Kansas, 2011.

Lehman centers her book around five topics: 1) how cinema treats women in the early 1960s; 2) how young women navigate leaving home in the late 1960s; 3) single women in the early 1970s sitcoms; 4) working women in 1970s action series; and last, single women dealing with sexual aggression in 1970s film. All throughout, Lehman draws from 1960s and 1970s film and television shows to explore these topics of popular culture. For example, she draws on character Mary Richards of The Mary Tyler Moore Show to demonstrate how, with careful tinkering by writers and directors, Mary walks a fine line between keeping her sex life on the down low and yet confronting her boss about why she is paid less than the man who has preceded her as producer of the news. But though the author’s analysis may seem like a TV Guide description at times, she uses television and film to demonstrate how US women transition from the world of their mothers and grandmothers to the mid-century world of marked change for the lives of women. In the latter part, she utilizes a book/film like Looking for Mr. Goodbar to explore how women seeking an active sex life messes with the heads of young men raised like their fathers, how such men can turn violent because they’re no longer in charge of such a negotiation. An interesting read for younger people to see how far (or not) American culture has advanced during the early twenty-first century.

Coming Next:
TUES: A Writer's Wit | Marguerite Duras
WEDS: A Writer's Wit | Charles Cumming
THURS: A Writer's Wit | Margarita Simonyan
FRI: My Book World | Jeffrey Eugenides's The Marriage Plot

Woman of Many Mansions

3/24/2023

A WRITER'S WIT
The barb in the arrow of childhood suffering is this: its intense loneliness, its intense ignorance.
Olive Schreiner
Author of Woman and Labour
Born March 24, 1855

O. Schreiner

My Book World

Dedman, Bill and Paul Clark Newell, Junior. Empty Mansions: The Mysterious Life of Huguette Clark and the Spending of a Great American Fortune. New York: Ballantine, 2013.

W. A. Grant builds a mining empire in the late nineteenth and early twentieth centuries, leaving his heirs quite wealthy. The youngest daughter by his second wife, Huguette Clark, makes good use of her inheritance in any number of ways. She schools herself about the things she loves: Japanese art, painting, and more. Though she commits some errors, such as marrying and then having the union annulled in a very short time, she is a prudent woman. She may be plagued, however, with one of the maladies of inherited wealth, which is a certain guilt at receiving so much for having done so little to “earn” it. As a result she seems quite generous with those she loves and trusts, almost to a fault. All someone must do is drop a hint about being short of money for some project or an upcoming bill, and she grabs her checkbook.
With that kind of naivete, she winds up trusting a crook as her money manager. In the end he bilks her out of millions, or attempts to. After Huguette dies at the age of 104, nineteen mostly distant relatives go to court to contest Huguette’s will, which leaves much of her money to those who have worked for her for years. But after it is all done, the judge awards most of her fortune to the nineteen relatives, many of whom never even meet the woman or haven’t seen her or tried to see her since they were children.
The main thrust of the book, in any case, is that W. A. Grant and his daughter (later) have as many as five large mansions built, and she never, except as a child, ever lives in any of them. She spends most of her adult life in a 5,000-square-foot apartment on Fifth Avenue across from New York’s Central Park. Instead of selling those mansions early on, however, she maintains each one of them, whether in Santa Barbara, California, or in the New York City area. Each one is fully staffed for many decades even though no one from the family, and Huguette in particular, ever abides in them. The strangest thing about her living situation is that at some point her health becomes so bad that she must go to the hospital. Once she is there, she rather likes the company and attention she receives every day, so instead of installing a nursing staff back in her Fifth Avenue apartment, she virtually moves into Doctors’ Hospital. And there she spends much of her last twenty years of life, thus expanding the motif of empty mansions. In the end, she hasn’t lived in any of them. Her story is perhaps a cautionary tale about the hazards of inheriting a large fortune. Is it really yours? And can you ever share enough of it to assuage your guilt that you might not deserve it?

Coming Next:
TUES: A Writer's Wit | Bennett Madison
WEDS: A Writer's Wit | Lara Logan
THURS: A Writer's Wit | Anna Sewell
FRI: My Book World | Elizabeth J. Lehman's Those Girls: Single Women in Sixties and Seventies Popular Culture

A Writer's Wit: Matt Taibbi

3/2/2023

The moral angle to the foreclosure crisis—and, of course, in capitalism we're not supposed to be concerned with the moral stuff, but let's mention it anyway—shows a culture that is slowly giving in to a futuristic nightmare ideology of computerized greed and unchecked financial violence.
Matt Taibbi
Author of The Divide
Born March 2, 1970

M. Taibbi

Coming Next:
FRI: My Book World | Jhumpa Lahiri's Unaccustomed Earth
TUES: A Writer's Wit | Elizabeth Moon
WEDS: A Writer's Wit | Jeffrey Eugenides
THURS: A Writer's Wit | Vita Sackville-West

Krouse Tells 'Everything' and More

1/20/2023

A WRITER'S WIT
Free societies are societies in which the right of dissent is protected.
Natan Sharansky
Author of Never Alone: Prison, Politics, and My People
Born January 20, 1948

N. Sharansky

My Book World

Krouse, Erika. Tell Me Everything: The Story of a Private Investigation. New York: Flatiron, 2022.

Krouse, a fine novelist and short story writer (I became acquainted with her work in The New Yorker), turns to nonfiction in this book. She lives in Colorado where she secures a job as a private investigator for an attorney who is attempting to litigate against the town’s university (you don’t have to comb your memory for long to realize she’s talking about the University of Colorado). In her developing career—she informs her boss during her interview that she is not a PI—she learns to interview victims of sexual violence at the hands of the university’s potential recruits, contemporary football players, and coaching staff (at least by way of their complicity). It is a case that continues for six years until it is “resolved” (you’ll have to read the book to see what that means).

Throughout this narrative, Krouse weaves in her own story of sexual abuse. Seems as a child, the man living with her mother, known to readers as X, begins abusing her at age four and continues for a number of years. This abuse colors all her relationships, of course, with both men and women. At a certain age, she refuses to be in the same room with X, a stance her mother does not approve. In fact, at one point, her mother “disowns” her for a fairly flimsy excuse concerning Krouse’s wedding details. Oh, and into the narrative is also woven her relationship with a sensitive guy, who turns out to be the man she marries. Krouse must learn to live without her biological family (her brother the only one who deigns to speak to her, usually on the down low), and so she forms a new one with her husband and a number of other close friends.

The case? The university sustains huge losses because of the scandal, and many people at the top are let go, very gingerly, because the university doesn’t need any more litigation or loss of income. For example, the head football coach is fired, but the university must pay out his contract for several million. Erika Krouse continues to work for the attorney, but the cases seem like light-lifting compared to the sexual assault case. She enjoys having acquired the skills she has learned: research, interviewing, counseling (insomuch as she can) to win over informants and witnesses. A very fine book about a horrible subject, one our society has yet to deal with in a uniform fashion. Women and girls deserve NOT to be assaulted in any manner by any male. Period.

Coming Next:
TUES: A Writer's Wit | Vicki Baum
WEDS: A Writer's Wit | Somerset Maugham
THURS: A Writer's Wit | Mary Mapes Dodge
FRI: My Book World | Shy: The Alarmingly Outspoken Memoirs of Mary Rodgers

'Evidence of Love': An Old Story

1/13/2023

A WRITER'S WIT
If you record the world honestly, there's no way people can stop being funny. A lot of fiction writing doesn't get that idea, as if to acknowledge it would trivialize the story or trivialize human nature, when in fact human nature is reduced and falsified if the comic aspects are not included.
Lorrie Moore
Author of Anagrams
Born January 13, 1957

L. Moore

My Book World

Bloom, John and Jim Atkinson. Evidence of Love. Austin: Texas Monthly, 1983.

This true-crime book holds a particular interest for me because I attended college with the two principals, Betty Pomeroy Gore and Allan Gore. I stood next to Allan in the a cappella choir, and Betty was born and raised in the small Kansas town where my grandparents lived. Betty and Allan married five months before my fiancée and I did, so I have some affinity for their story. On June 13, 1980, when we are all in our early thirties, Betty Gore is murdered apparently with a three-foot ax. The last person to see her alive, other than her infant daughter, is her friend Candy Montgomery. Only they aren’t exactly friends any longer. According to trial records, when Candy drops by to see about the Gore’s older daughter spending the night at the Montgomery house and picking up the child’s swimsuit, Betty asks Candy if she is having an affair with her husband, Allan. Candy says no, but when Betty asks her if she had an affair with him, Candy confirms it.

The word “yes” begins their long and bizarre story. The two women talk quietly about it, Candy proclaiming that the affair has been over for eight months. This does not satisfy Betty. She leaves the room and comes back from the utility room with a big ax. Somehow the following fracas winds up in that little room. Candy claims that Betty says, “I have to kill you,” and raises the ax. Candy’s head and foot both receive “minor” injuries, but worse, something in Candy’s subconsciousness is unleashed, a rage, and, instead of getting out of that place with her life, she finds herself in a life-and-death struggle for the ax. And when she wrangles it away, she (in echoes of Lizzie Borden) gives her friend over forty whacks—most of them while the victim’s heart is still beating.

The story is fascinating, not just because I knew the Gores on a degree of separation of, say, a faded one, but it is universal to many fallen church people. All these people are good Christians, active in their local communities, and still something heinous like this can happen. After evading the police for weeks, Candy is finally confronted and charged with the murder. Her trial, in North Texas’s Collin County adjacent to Dallas, is a circus of media hounds, theatrical lawyers, and one recalcitrant and tyrannical judge.

By the way, I read this book the first time it came out. Made not a mark in it. Just read it straight through to get the facts, ma’am, just the facts. This reading, I believe I felt a much stronger empathy for young parents who are dissatisfied with their apparently happy marriages, a better understanding that life is not always black and white. Though the story is over forty years old, it remains a cautionary tale for bored suburban housewives who think that a brief affair might bring them a bit of excitement to their dull lives. And perhaps it is a lesson already learned, for more women than ever are a part of the workforce, lead mostly satisfying lives of work and family—as much as any man. In any case, it is a story I shall not soon forget.

Coming Next:
TUES: A Writer's Wit | David Ebershoff
WEDS: A Writer's Wit | Binyavanga Wainaina
THURS: A Writer's Wit | Patricia Highsmith
FRI: My Book World | Erika Krouse's Tell Me Everything

Vietnam: 'Bright Shining Lie'

10/28/2022

A WRITER'S WIT
Anyone who has been to an English public school will always feel comparatively at home in prison. It is the people brought up in the gay intimacy of the slums . . . who find prison so soul destroying.
Evelyn Waugh
Author of Brideshead Revisited
Born October 28, 1903

E. Waugh

My Book World

Sheehan, Neil. A Bright Shining Lie: John Paul Vann and America in Vietnam. New York: Random, 1988.

One might wonder how the story of a single man might also tell the complete story of a war that that man participates in. Yet that is precisely what the late journalist and author Neil Sheehan does in his award-winning book, A Bright Shining Lie: John Paul Vann and America in Vietnam. John Paul Vann might be a larger-than-life character if indeed he were a larger-than-life person. He is not. And Sheehan takes great pains to explain to readers Vann’s poverty-stricken childhood, one in which Vann (his adopted name) is born out of wedlock and would rather take the name of his stepfather than the name of the father who brings shame upon him (although he does become acquainted with the man later). Vann begins his wannabee life by earning a good education. He is always about self-improvement as far as his career is concerned and seeks more degrees even while working full time. At a personal level, Van remains a mess for the remainder of his life. His early poverty, the rejection of him by his mother, always plays a role in his judgment.

John Paul Vann commits a crime he ultimately gets away with (he does no jail time) because his wife testifies on his behalf and because he teaches himself to beat the military’s polygraph machine—another blemish on his larger-than-life image. Yet the existence of this trial dogs him as he attempts to climb the military ladder of success via the back door (certainly not West point). Vann places career before his wife and children. He allows his voracious sexual appetite (as many as three acts of coitus a day in his forties) commands him to do whatever necessary to satisfy it: lie, cheat, manipulate. He all but divorces his wife (and children) to accommodate his promiscuity, keeping secret from each other the lives of his Vietnamese lover and (illegal) wife.

Yet all the while Vann possesses an honest and accurate perception of the Vietnam War beginning early on in the 1950s. He perceives that the U.S. military complex, since its recent victories with World War II, develops an arrogance that keeps its leadership from assessing the Vietnam War honestly. Army leaders refuse to learn anything about Vietnam: its centuries-long battles to fight off (successfully) foreign invaders. It refuses to realize that South Vietnam government is weak and corrupt and as such never fights the North with full force. It refuses to realize that the Vietnam people are one and that often the enemy looks like the ally and vice-versa.

The Battle of Ap Bac, in 1962, is one in which everything that can go wrong does go wrong—the American Army losing hundreds of lives in spite of its military “superiority.” The Viet Cong (North Vietnam Communists) capture abandoned U.S. equipment, expensive weaponry, and use them against the South supported by the U.S. military. Miliary leaders fail to realize Vietnam is one country, that it cannot be divided as North Korea was. The people pass back and forth over the imagined line of the 38th Parallel undetected. Vann ultimately believes that how Vietnam determines its future ought to be up to its people, a struggle that, even if it turns to Communism, is not the business of the United States. There is no such thing as the so-called Domino Theory. The lives and money being spent for nearly two decades are a wasted expense, to say the least.

And yet, Vann, up until the very last of his career, continues to believe that with his superior leadership, the war can be won—even after the Tet Offensive and other failures. In June 1972, unable to obtain the service of his usual helicopter pilot, Vann makes an ill-advised night flight in fog with an inexperienced twenty-six-year-old pilot and all occupants crash to their deaths, Vann believing until the end that he has won the war. It will not end, of course, for several more years, in 1975, when the U.S. finally admits defeat and vacates the decimated country.

Coming Next:
TUES: A Writer's Wit | Jessica Valenti
WEDS: A Writer's Wit | Thomas Mallon
THURS: A Writer's Wit | Walker Evans
FRI: My Book World | Lone Star Short Stories: Two Books

Ackerley's 'Hindoo Holiday'

10/21/2022

A WRITER'S WIT
All reduction of people to objects, all imposition of labels and patterns to which they must conform, all segregation can lead only to destruction.
Maureen Duffy
Author of The Microcosm
Born October 21, 1933

M. Duffy

My Book World

Ackerley, Joe Randolph. Hindoo Holiday: An Indian Journal. With an introduction by Eliot Weinberger. New York: NYRB, 2000 (1932).

As a young man in his thirties, Ackerley visits India for a protracted amount of time. This book is essentially his diary of what takes place. As out as he can be for his time, Ackerley has no problem stating his admiration for a handsome man. He is not, however, a typical British tourist. He lives the life, hiring a young man to tutor him in the language. The man turns out to be more of a pest, always conniving to extract money or favors from Ackerley, like a pesky dog begging for scraps. But Ackerley learns enough to get by. He also learns the intricacies of the Hindu religion, finding, as with Christians, that some believers practice it with a certain flexibility or laxity. A still entertaining book these many decades later.

Coming Next:
TUES: A Writer's Wit | Anne Tyler
WEDS: A Writer's Wit | Gelek Rimpoche
THURS: A Writer's Wit | Fran Lebowitz
FRI: My Book World | Neil Sheehan's A Bright Shining Lie: John Paul Van and America in Vietnam

'Demon Inside' Is Old Story

10/14/2022

A WRITER'S WIT
In order to go on living one must try to escape the death involved in perfectionism.
Hannah Arendt
Author of
Born October 14, 1906

H. Arendt

My Book World

Wedgwood, Barbara. The Demon Inside. New York: Simon, 1993.

A sad but true story. Made sadder by the fact that I attended graduate school with the two principals: Walker Railey and Margaret “Peggy” Nicolai Railey. My young wife (at the time) and I entertained them in our efficiency apartment on the campus of Southern Methodist University. I was both a seminarian where I met Walker, as well as a student of graduate music, where I studied with the same organ professor as Peggy who was enrolled in the master of music program. The couple were about to be married, effervescent and fun to be with. After I left seminary, withdrawing before I graduated, I never saw them again. I only heard of them when their story hit the national news. I had left the church and divorced my wife, leaving the seminary life far behind. They were figures I no longer seemed to know.

I was aware of this book when it came out, but I was not interested in reading it at the time. Somewhat like learning about the Clutter family in the news (I grew up in Kansas), I had grown tired of hearing about whether Walker Railey had strangled his wife of ten years or not. In that she didn’t die as a result of the attempt but remained an invalid for more than twenty-five years, dying at the age of sixty-three, she remained frozen in time for me: a pretty, intelligent and gifted musician. Witty and with a mind of her own.

I read Wedgwood’s book with a wary eye when I noted in her foreword that she was a Dallasite who had grown up in the city’s First Methodist Church located downtown. Even though she’d left the area to pursue a more global career and life, I wondered how objective she might be. She also knew or seemed to know of many of the principals in the story: other Methodist ministers and spouses, Methodist bishops, and the like. But for the most part, I was impressed with her fanaticism for detail, almost too much at times (offering much more than a thumbnail sketch of minor characters, for example). All the dialogue, she claims, is lifted from “sworn testimony, quotations from newspapers and magazines or the recollections of two observers of a scene or one of the participants in a dialogue” (xi). She allows for the mistaken or distorted memories of people when recalling even such a traumatic event as this one.

But one element is missing. Facts. Walker Railey consistently refused to speak with law enforcement, except briefly, all the while claiming he was innocent. And, of course, Peggy Railey could no longer speak for herself—nothing more than a drooling ghoul the strangler had created the night of the attack. One time, early in her time at the Dallas hospital, she “woke” momentarily from her coma, ostensibly upon hearing the voice of her husband standing at the foot of her bed, and seemed startled. The older child, Ryan, five, had suffered some injury, the attacker apparently pushing him away from the scene, but he was too young ever to positively identify the violent intruder. Those events may be as close as the public ever gets to knowing the truth. A strange and lurid case made markedly so because it takes place within the context of one of the country’s largest churches of one Protestantism’s most established denominations. As the title suggests, the demon remains within, within the realm of its own story, perhaps never to be set free.

Coming Next:
TUES: A Writer's Wit | Wendy Wasserstein
WEDS: A Writer's Wit | Dan Flores
THURS: A Writer's Wit | John Dewey
FRI: My Book World | J. R. Ackerley's Hindoo Holiday

Sedaris: Always a Carnival

9/23/2022

A WRITER'S WIT
Propaganda is that branch of lying which often deceives your friends without ever deceiving your enemies.
Walter Lippmann
Author of America Tomorrow: Creating the Great Society
Born September 23, 1889

W. Lippmann

My Book World

Sedaris, David. A Carnival of Snackery: Diaries (2003-2020). New York: Little, 2021.

Much like Sedaris’s first journal, this one contains a mixture of “Dear Diary” items along with jokes people tell him, along with long anecdotes about people he knows, along with a certain political polemic (which I love), and more, like overheard conversations in public places. If I were teaching creative writing, I would lift portions of both of Sedaris’s diaries to demonstrate how writers can mine their own diaries for topics or scenarios for other works.

In the early part of his first diary, Sedaris is a poor writer. In this one, he is somewhat more solvent and becoming more so all the time. Now, the man is so busy with readings and lectures, he’s always on a plane, and the airport world alone must offer up some of his richest observations. His dated entries from all around the world show a man who is interested in people, what makes them tick, what makes them say the things they do. Not that he always understands, but he is curious enough to record some of the ridiculous, confounding, or even wise things they say to him. Overheard conversations. How his day has gone, if he’s at home in one of two or three dwellings he owns in England or France. How the day has gone for his husband, Hugh. Jokes. Yes, plenty of jokes people take pride in telling him at one of his readings as he is signing books.

“A guy finds a genie who grants him three wishes, adding that everything the man gets, his wife will get double. ‘Great,’ the guy says, and he wishes for a big house. Then he wishes for a car. Finally, he says, ‘Okay, now I want you to beat me half to death” (211).

“It’s night, and a cop stops a car a couple of priests are riding in. ‘I’m looking for two child molesters,’ he says.
The priests think for a moment. ‘We’ll do it!’ they say” (445).

Sedaris’s title is derived from this tidbit dated March 23, 2013, London: Frank and Scott went to an Indian restaurant the other night and took a picture of the menu, which offered what is called “a carnival of snackery” (289). Indeed, that’s what this book is, and the delightful thing is it doesn’t cost you one calorie to consume!

Coming Next:
TUES: A Writer's Wit | Myrtle Reed
WEDS: A Writer's Wit | Elmer Rice
THURS: A Writer's Wit | Elizabeth Gaskell
FRI: My Book World | Jennifer Egan's The Candy House

'Homesickness' Yields Great Stories

9/2/2022

A WRITER'S WIT
A “good” family, it seems, is one that used to be better.
Cleveland Amory
Author of The Best Cat Ever
Born September 2, 1917

C. Amory

My Book World

Barrett, Colin. Homesickness: Stories. New York: Grove, 2022.

This collection contains ten phenomenal stories, mostly set in Ireland. From one about a man who shoots someone in self-defense to a forty-pager about a professional soccer (futbol) player deciding what to do with his life once his career is over, these stories are vibrant with life. What do I mean? They reveal real people in real situations, often ending quietly, with barely a whimper—like most events in our own lives. Yet we recall such situations over and over again with great delight.

Coming Next:
9/20 TUES: AWW | Elise Broach
9/21 WEDS: AWW | Janet Burroway
9/22 THURS: AWW | David Riesman
9/23 FRI: My Book World | David Sedaris's A Carnival of Snackery: Diaries (2003-2020)

Her Name Forever

7/15/2022

A WRITER'S WIT
Fearlessness is like a muscle. I know from my own life that the more I exercise it the more natural it becomes to not let my fears run me.
Arianna Huffington
Author of On Becoming Fearless...in Love, Work, and Life
Born July 15, 1950

My Book World

Pellegrino, Charles. Her Name, Titanic: The Untold Story of the Sinking and Finding of the Unsinkable Ship. New York: McGraw, 1988.

I’ve been a fan of the Titanic’s story since I was a child. I read every magazine article, every book I could find on the subject—even as an adult I collected books. I watched every film, fiction or documentary. This book, though dated now in some ways, does combine two strands: 1) the eyewitness details left behind by those who were there to witness the sinking: passengers, crew members, children—always the more interesting narrative, to me. Pellegrino also unveils the thread of how oceanographer Robert Ballard locates the Titanic’s remains and visits them in a, for the time (1987), innovative “submarine” equipped with cameras.

The most astounding part of Ballard’s story seems to be that he is so overcome with emotion on seeing the pristine quality of certain artifacts left behind—china, passenger shoes, and other memorabilia—that he has no desire to lift any of it for souvenirs. Rather, he disguises the exact GPS location from journalists and the world, so that the site might remain what it has been since it all came to rest in the icy North Atlantic floor in 1912, and that is a place of memorial. Of course, other parties do locate the ship and make a commercial venture of it, but Ballard’s stance must be the higher ground, in a manner of speaking.

Coming Next:
TUES: AWW | Ethan Canin
WEDS: AWW | Cormac McCarthy
THURS: AWW | Sarah Waters
NEXT FRI: My Book World | Ellen Summerfield's Bite-Sized Poems: An Anthology

Young Gay Man Is 'Railroaded'

6/24/2022

A WRITER'S WIT
Hold yourself responsible for a higher standard than anybody expects of you. Never excuse yourself.
Henry Ward Beecher
Author of Proverbs from Plymouth Pulpit
Born June 24, 1813

H. W. Beecher

My Book World

Woodruff with His Horse

Crawford, Phillip, Jr. Railroaded: The Homophobic Prosecution of Brandon Woodruff for His Parents’ Murders. Kindle: CreateSpace, 2018.

Full disclosure: I won this Kindle version of Crawford’s book by way of a goodreads.com giveaway. I am providing this review because I do believe it is a narrative worth reading.

This brief book is reminiscent of absorbing feature articles I’ve read in Texas Monthly—stories of true crime set in the Lone Star State. As a gay man who has lived in Texas for over fifty years, I felt drawn to this case I’d never heard of before. Woodruff is a nineteen-year-old boy charged with murdering his parents in their home. Crawford displays a fine grasp of the tenuous legal situation for gays in Texas, and he sets up the facts of the case for readers to see that Brandon Woodruff is wrongly prosecuted and convicted. At the very least the teen should be given a fair trial.

Throughout the book Crawford makes clear, among others, certain facts. A Texas Ranger from Austin is assigned the case, rather than a local or regional official. This Ranger conducts a smear campaign against Brandon because of his participation in a gay social life and for appearing in legitimate pornographic movies, “evidence” that has nothing to do with the case but which prejudices the jury. The Ranger also fails to take advantage of information that does exist, for one, cell phone records that would indicate Brandon is not anywhere near the location at the time of the murders. By such evidence alone, he could not possibly have committed the murders. While some guilty parties never show any emotion when hearing the news of loved one’s murders, reliable witnesses testify that Brandon loves his parents, particularly his father, who has a sympathetic view of his son’s homosexuality—and he is beset with grief from the beginning. Brandon’s sister, who is more temperamentally bent toward anger and violence against their parents than Brandon, is never fully investigated. What about her whereabouts on the night of the murder? Her phone records? A party or parties who might have committed the murders on her behalf? One suspect, an ex-friend of Brandon’s who is vehemently homophobic, lies to Ranger Collins, and Collins conveniently never puts the ex-buddy on the stand at the trial. The Texas Ranger takes the easy way out all around, and Brandon Woodruff, now nearing age thirty-six, still remains in prison, a long life-term ahead of him.

If readers want to help Brandon Woodruff’s cause, they can go to the website freebrandon.org to donate and/or sign a petition to be sent to the Texas Court of Criminal Appeals. This is a wrong that must be righted and soon. Thanks to Phillip Crawford, Jr. for documenting this case in such a decisive manner.

NEXT FRIDAY: My Book World | Lynne Olson's Last Hope Island: Britain, Occupied Europe, and the Brotherhood That Helped Turn the Tide of War

Author Loves His Tulip

5/27/2022

A WRITER'S WIT
Nothing is intrinsically valuable; the value of everything is attributed to it, assigned to it from outside the thing itself, by people.
John Barth
Author of Lost in the Funhouse
Born May 27, 1930

J. Barth

My Book World

Ackerley, Joe Randolph. My Dog Tulip. With an introduction by Elizabeth Marshall Thomas. New York: NYRB, 1999 (1965).

A man in his sixties when he writes this book, Ackerley tells the story of his beloved Alsatian or German Shepherd, Tulip. I began the book thinking Tulip’s story would be broader in context, but I was wrong. A large middle section involves Ackerley’s attempts to mate Tulip properly with another Alsatian. In minute detail, and in a way that only the British can do, he writes delicately about an indelicate subject: Tulip’s female parts and how they operate every time she is on heat (a term he deems crude but still uses). A swelling this, and dripping that. But overall, the book is an unsentimental portrait of what according to Ackerley is an extraordinary Alsatian bitch whom he loves very much.

NEXT FRIDAY: My Book World | Nancy Turner's These Is My Words

Rosshalde: Story of a Child

5/20/2022

A WRITER'S WIT
A working definition of fathering might be this: fathering is the act of guiding a child to behave in ways that lead to the child's becoming a secure child in full, thus increasing his or her chances of being happy and fruitful as a young adult.
Clyde Edgerton
Author of Walking Across Egypt
Born May 20, 1944

C. Edgerton

My Book World

Hesse, Hermann. Rosshalde. Translated by Ralph Manheim. New York: Bantam, 1956 (1914).

Spoiler: This novel is primarily about the death of a young child, a son named Pierre. But it is also about the death of a family, how a husband and wife drift apart and divide their love between two sons, the elder “belonging” to the wife and Pierre belonging to his father. But there isn’t much belongingness for any of the family members. The book overall is about the end of their life together at the estate called Rosshalde, an expansive property, a mansion, that seems to have a life of its own. An enchanting but sad read.

NEXT FRIDAY: My Book World | J. R. Ackerley's My Dog Tulip

Highsmith's Diaries and Notebooks

5/13/2022

A WRITER'S WIT
Take it from someone who fled the Iron Curtain: I know what happens when you give the Russians a green light.
Madeleine Albright
Author of Fascism: A Warning
Born May 13, 1937

M. Albright

My Book World

Von Planta, Anna, ed. Patricia Highsmith: Her Diaries and Notebooks. With an introduction by Joan Schenkar. New York: Liveright, 2021.

This more than fifty-year compendium of Highsmith’s 8,000 pages of diary and notebook entries is a stunning read—particularly if you savor the voyeuristic practice of reading someone’s private thoughts. Her diary entries are brutally honest about everything from her current girlfriend(s) with whom she is madly in love to resentments toward her mother, estranged father, and stepfather. Though bright enough to graduate from Barnard, she never quite masters the art of achieving a meaningful love relationship; her tone seems the same for fifty years. I can’t understand why this relationship has failed. And yet, I believe she does know why: her profession requires much alone time, which is not compatible with a needy lover.

Her notebooks, on the other hand, are about her current and proposed works, sometimes a poem here and there. She also talks business. About her agent(s), once her sales go international. Her publishers. Friendships, lasting ones at that, with a broad range of writers. Strong female writers (mostly part of a lesbian group of professionals) mentor Highsmith on how to navigate the heady waters of being a single woman sometimes writing about being queer. Early on, when she is young, she has sex and “love” relationships with a few men, but none of them is every satisfying.

What may be most fascinating is to watch how her life and living influence particular books. The Ripley series of five novels has such an authentic, European backdrop because besides being multilingual, Highsmith lives in Europe much of her life. Still, having been born in Fort Worth, Texas, she does return there to visit once her parents move back from New York. Yet she harbors deep resentments against her abusive mother, who lives to be ninety-five (PH nearly perceives it as a punishment), and, because of her own health problems, fails to visit upon her mother’s own funeral. A sad but triumphant ending for a triumphant but oft-times sad and lonely life. If readers have time, it is well worth theirs to read these 1,000 pages, especially if they’re curious about the writer who authored Strangers on a Train and the Ripley series of five novels, a total of thirty-two books.

NEXT FRIDAY: My Book World | Hermann Hesse's Rosshalde.

Writing at One Hundred

4/1/2022

A WRITER'S WIT
I think a lot of people of my generation are discomfited by the assertion of neutrality in the mainstream media, this idea that they're the voice of God. I think it's just honest to say, yes, you know where I'm coming from but you can fact-check anything I say.
Rachel Maddow
Author of Bag Man
Born April 1, 1973

R. Maddow

My Book World

Wouk, Herman. Sailor and Fiddler: Reflections of a 100-year-Old Author. New York: Simon, 2016.

The most fascinating aspect of this book may be indeed be Wouk’s age (b. May 27, 1915 and d. May 17, 2019, making him 10 days short of 104). One of the keys to his longevity may be that he never stops writing. In this slim tome, he relates the stories of each one of his books and how they come to be, but along with each one, he also shares where he is at the time. For example, while working on one novel for seven years, he and his wife buy a house in the Caribbean and reside there with their sons in paradise until he is finished. The book is a great way to become acquainted with his oeuvre if one isn’t already.

NEXT FRIDAY: My Book World | *Anthony Quinn's Novel, Freya
(*British author, not the late American actor)

Coppola: True to His Vision

3/25/2022

A WRITER'S WIT
If birds will abandon their young rather than miss the moment to begin a flight of thousands of miles, what migratory signals might our own cells still hold?
Gloria Steinem
Author of My Life on the Road
Born March 25, 1934

G. Steinem

My Book World

Schumacher, Michael. Francis Ford Coppola: A Filmmaker’s Life. New York: Crown, 1999.

If readers are fans of both film and director Coppola, this book is an embarrassment of riches—at least as far as it takes us, through 1998 when the book comes out. One may not realize, for example, how easy the 1970s seem for Coppola, succeeding beyond his wildest dreams with The Godfather and Apocalypse Now. The next twenty years are more arduous, and Coppola loses his credibility at times. He wishes to be more of an artiste, making films that appeal to him but perhaps not the public at large—or the studios. Even when he makes a big-budget, mass-appeal film, he is almost always at loggerheads with studio execs over scripts and, of course, money. He is a creative man, who also finances, for a time, his own studio, and even publishes a literary magazine, Zoetrope: All Story, which still exists today—not to mention a number of other enterprises including a winery. He ends the nineties having made enough money to dig himself out of debt and establish an independent life. Although he continues to make film, it is at his own pleasure. One has to admire that.

NEXT FRIDAY: My Book World | Herman Wouk's Sailor and Fiddler: Reflections of a 100-Year-Old Author

How We Live, How We Die

3/18/2022

A WRITER'S WIT
I have never been convinced there's anything inherently wrong in having fun.
George Plimpton
Author of Paper Lion
Born March 18, 1927

G. Plimpton

My Book World

Athill, Diana. Somewhere Towards the End: A Memoir. New York: Norton, 2009.

Diana Athill lived to be 101. She published this book at age ninety, ninety-one. An editor for a long time, she writes here and writes convincingly of her life, not only her old age but her younger life as well: her loves and losses, her miscarriage near menopause, her decision very early on that she doesn’t much care for children (though she mourns the child she loses, demonstrating a complexity of her own character). Somewhere towards the end of this thin tome, Athill states,

So an individual life is interesting enough to merit examination, and my own is the only one I really know (as Jean Rhys, faced with this same worry, always used to say), and if it is to be examined, it should be examined as honestly as is possible within the examiner’s inevitable limitations. To do it otherwise is pointless—and also makes very boring reading, as witness many autobiographies by celebrities of one sort or another” (181).

Athill’s longevity may, in part, be due to an active life, one in which she continues to learn how to do new things—not well or professionally, perhaps—but something novel nonetheless. One among many lessons we all might learn from her as we all slouch toward that same ending.

NEXT FRIDAY: My Book World | Michael Shumacher's Francis Ford Coppola: A Filmmaker’s Life

Untold Railroad History

3/11/2022

A WRITER'S WIT:
Bardot, Byron, Hitler, Hemingway, Monroe, Sade: we do not require our heroes to be subtle, just to be big. Then we can depend on someone to make them subtle.
D. J. Enright
Author of The Oxford Book of Death
Born March 11, 1920

D. J. Enright

My Book World

Sedgwick, John. From the River to the Sea: The Untold Story of the Railroad War That Made the West. New York: Avid, 2021.

If you’ve ever driven on an Interstate highway in the western United States—at posted speeds of 80 mph or faster, and people do zoom faster—it can seem as if you’re passing through a Disneyland sort of panorama. Mountains. Red arches. The occasional evergreen—with your AC cranked down low. In John Sedgwick’s book, however, one learns what it was like to traverse that terrain as a railroad builder, including the workers themselves.

Sedgwick traces the lives and work of two men—Strong erecting the Santa Fe and Palmer, the Rio Grande—who make “river to the sea” travel possible beginning in the late 1880s. This journey includes side trips by way of chapters devoted, for example, to the beloved Harvey House hotels, the first chain of its kind to provide bed, beverage, and breakfast along the way. Always, however, Sedgwick returns to the struggle these two men mount against the elements, terrain, and government (state and federal) but mostly against each other, to open up the West to the established civilization in the East. It is quite a ride, and Sedgwick ensures that you do not miss a minute of it.

NEXT FRIDAY: My Book World | Diana Athill's Somewhere Towards the End

Taking Whacks at Lizzie's Legend

2/25/2022

A WRITER'S WIT
You go to school, you get a master's degree, you study Shakespeare and you wind up being famous for plastic glasses.
Sally Jessy Raphael
Host of Sally (1983-2002)
Born February 25, 1935

S. J. Raphael

MY Book World

Robertson, Cara. The Trial of Lizzie Borden: A True Story. New York: Simon, 2019.

If most readers are like me, what they know about one historical figure, Lizzie Borden, can be summed up in the following ditty:

Lizzie Borden took an ax,
Gave her mother forty whacks,
When she saw what she had done,
She gave her father forty-one.

After reading Robertson’s book, I see that there is so much wrong with this rhyming escapade. One, if Lizzie Borden did kill her stepmother and father, Borden was never proven guilty. The actual perpetrator whacked Mrs. Borden only nineteen times. And certainly Mr. Borden did not receive forty-one chops. I had always assumed that Lizzie Borden was convicted and had served time in prison. But no.

This book takes readers through the entire trial process beginning with a detailed description of the murder scene. Briefly, someone axes Mrs. Borden and then an hour and a half later, when Mr. Borden has returned to the house, someone axes him downstairs as he’s napping on a sofa. The police investigators, lacking obvious clues, begin to suspect Lizzie, who remains almost preternaturally calm throughout the initial investigation, neither crying nor showing any sign of agitation, as Robertson writes (33). Andrew Jennings, Lizzie’s counsel, addresses the jury: “’your task is not to unravel the mystery.’ Instead, he said they must ask themselves: ‘Have they [the prosecution] furnished the proof, the proof that the law requires, that Lizzie Andrew Borden did it, and that there is absolutely no opportunity for anybody else?” (208). And throughout the past one hundred years there has existed such a great desire, on the part of some, to solve the mystery.

Near the end, Robertson summarizes these various interpretations that begin in the 1950s. For example, there is “the widely held speculation, which gained currency in the early 1990s, that Lizzie Borden committed the murders after enduring years of sexual abuse by her father [she was thirty-two]. The bedrooms that opened onto each other, the dead mother, the powerless stepmother, the special understanding between father and daughter symbolized by the ‘thin gold band’—all crystalized into a suddenly obvious solution, a solution that seemed to explain not only the identity of the killer but also the very brutality of the crimes” (284).

In any case, Robertson’s thorough research (some eighty pages of Notes) and lightly treading interpretation make for a fascinating read, particularly if you are a true crime fan, as I am. The book abounds with photographs, as well, mostly provided by the Fall River, Massachusetts, Historical Society.

NEXT FRIDAY: My Book World | Khaled Hosseini's A Thousand Splendid Suns