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WRITER'S WIT: KATHERINE PATTERSON

10/31/2023

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It is always sad to write about prejudice, but sometimes when we see it being played out in the lives of fictional characters, we can recognize it in our own lives.
​Katherine Paterson
Author of ​Bridge to Terabithia
​October 31, 1932
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K. Patterson
Coming Next:
WEDS: A Writer's Wit | Stephen Crane

THURS: A Writer's Wit | Lois McMaster Bujold
FRI: My Book World | Ottessa Moshfegh, McGlue
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QUEEN OF THE SINGING WORLD

10/27/2023

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A WRITER'S WIT
The difference between mad people and sane people . . . is that sane people have variety when they talk-story. Mad people have only one story that they talk over and over.
​Maxine Hong Kingston
​Author of ​Tripmaster Monkey
​Born October 27, 1940
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M. H. Kingston

MY BOOK WORLD

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Chee, Alexander. The Queen of the Night. Boston: Houghton, 2016.

If there is any performance greater than a tour de force, I don’t know what it would be called, but this novel would surely fall under such a category. I’ve not been this stupefied by a contemporary novel for a long time. And so much to say about it!
 
This novel begins briefly in America, and it ends softly there. Lilliet (although she deftly goes by many names, as needed) is orphaned in her teens and flees the Midwest for New York City. There she (of course) is taken advantage of by men and for a short time earns money selling herself. But she manages to secure a job with a circus (in part by lying about her abilities) sailing for Europe. Her aim: to connect with her late mother’s relatives in Lucerne, Switzerland. In Paris, however, she makes an adequate living but then because of her singular voice becomes a singer: And again a prostitute. Then a lady in waiting. Then she is trained as an opera singer by an expert. She is wooed by a prince, a famous tenor, a young composer. She backtracks at times, vacating the world of opera, because her voice (determined by experts to be a falcon, a darker-toned soprano) is fragile. Throughout, one wonders how she remains disease- and pregnancy-free, a thought that crosses her own mind:
 
I somehow had been spared both marriage and children thus far, mostly as a condition of my class, but not entirely. I had been spared worse, as well—the clap, tuberculosis, smallpox, wasting—until now, I had given it little thought. Your health, when you have it, is invisible to you. I only thought of myself as lucky and that this was my only luck. But was I lucky? Or did I have a spiteful womb?” (336).
 
This self-reflection occurs more than halfway through the book, and Lilliet proceeds to remain marriage- and child-free (by her own desires, in spite of being in love with the composer). It is a comfortable and fortunate condition for her, and it is the author’s way of setting her up to experience an extraordinary freedom for a woman living in the middle of 19th-century France.
 
And it must be said that Lilliet is a true performer, not a poseur of some kind:
 
I studied Carmen as if I were in school again. I started a new notebook, like the one I kept for each of the roles in my repertoire. I always began learning my music by copying out the lyrics by hand, and I marked the music above them. My mornings before rehearsal were spent with a pencil and the blank pages of a journal that came with me to the rehearsal, where I made notes, writing down thoughts the director and the conductor gave as well. I translated the libretto in order to understand, as much as possible, what I sang and what, if anything, might come of it” (478).
            
Whew! And yet, Lilliet knows, as a woman, what her lot in life is:
 
In this world, some time long ago, far past anyone’s remembering, women as a kind had done something so terrible, so awful, so fantastically cruel that they and their daughters and their daughters’ daughters were forever beyond forgiveness until the end of time” (538). 
 
This thought ties to her very last act in the novel, one I shall not divulge, for it is key to understanding Lilliet and her plight, her ultimate place on earth, as she returns to the US and once again joins the circus (her operatic voice is ruined), Barnum’s circus. She has arrived back where she began what seems a lifetime ago.

Coming Next:
TUES: A Writer's Wit | Katherine Patterson

WEDS: A Writer's Wit | Stephen Crane
THURS: A Writer's Wit | Lois McMaster Bujold
FRI: My Book World | Ottessa Moshfegh, McGlue

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A WRITER'S WIT: HILLARY RODHAM CLINTON

10/26/2023

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Women are the largest untapped reservoir of talent in the world.
​Hillary Rodham Clinton 
Author of  ​The Book of Gutsy Women | Co-Author,  Chelsea Clinton
​Born October 26, 1947
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H. Clinton
Coming Next:
FRI: My Book World | Alexander Chee, ​The Queen of the Night

TUES: A Writer's Wit | Katherine Patterson
WEDS: A Writer's Wit | Stephen Crane
THURS: A Writer's Wit | Lois McMaster Bujold
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A WRITER'S WIT: ANNE TYLER

10/25/2023

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I was standing in the schoolyard waiting for a child when another mother came up to me.  
​     “Have you found work yet?” she asked. “Or are you still just writing?”
​Anne Tyler
Author of ​French Braid: A Novel
​Born October 25, 1941
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A. Tyler
Coming Next:
THURS: A Writer's Wit | Hillary Rodham Clinton
FRI: My Book World | Alexander Chee, The Queen of the Night
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A WRITER'S WIT: MOSS HART

10/24/2023

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Boredom is the keynote of poverty . . . for where there is no money there is no change of any kind,  not of scene or of routine.
​Moss Hart,  Playwright
Author of The Man Who Came to Dinner
​Born October 24, 1904
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M. Hart
Coming Next:
WEDS: A Writer's Wit | Anne Tyler

THURS: A Writer's Wit | Hillary Rodham Clinton
FRI: My Book World | Alexander Chee, The Queen of the Night
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DON'T DRESS BOYS IN BLUE

10/20/2023

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A WRITER'S WIT
[T]he only rule . . . I know, [for writers] is that they write and they write some more and then they write still more and they keep on writing . . . . 
​Frederic Dannay [Ellery Queen]
Author of Ellery Queen Mysteries
​Born October 20, 1905
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F. Dannay [E. Queen]

MY BOOK WORLD 

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Johnson, George M. All Boys Aren’t Blue: A Memoir-Manifesto. New York: Farrar, 2020.

All I can say is I wish this young adult book had been around when I was in high school—back in the middle of the last century. Yet it is odd that this man, thirty-eight years my junior, goes through many of the traumas I do in my youth: trying to maintain two psyches, one private and one public; two lives, one inner and one outer. I most love the details of Johnson’s college life, in which he joins a fraternity (of long-distinguished African-American lineage), half of whom are also gay, and the other half are OK with his orientation. He limns a very sensitive picture of his first time with another guy, one experience as a top and one as a bottom. The descriptions are real, even erotic, but not in themselves titillating. We also are privileged to read of his loving middle-class family life in New Jersey. This book should be available by way of multiple copies in every high school in America. Sadly, we live in a time when public libraries are being besieged by book burners, I mean, book banners, who serve to remove such tomes from our students’ shelves. I plan to buy copies and make sure they’re available in my city’s public libraries—or perhaps the little free libraries that pop up in towns. Maybe we all can do our part.

Coming Next:
TUES: A Writer's Wit | Moss Hart

WEDS: A Writer's Wit | Anne Tyler
THURS: A Writer's Wit | Hillary Clinton
FRI: My Book World | Alexander Chee, The Queen of the Night

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A WRITER'S WIT: DAN FLORES

10/19/2023

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Why did we so consistently look at the West through the sights of a rifle?
​Dan Flores
Author of Horizontal Yellow: Nature and History in the Near Southwest

​Born October 19, 1948
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D. Flores
FRI: My Book World | George M. Johnson, ​All Boys Aren't Blue
TUES: A Writer's Wit | Moss Hart
WEDS: A Writer's Wit | Anne Tyler
THURS: A Writer's Wit | Hillary Clinton
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A WRITER'S WIT: WENDY WASSERSTEIN

10/18/2023

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Being a grownup means assuming responsibility for yourself, for your children, and—here's the big curve—for your parents.
​Wendy Wasserstein,  American Playwright
Author of ​The Heidi Chronicles
​Born October 18, 1950
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W. Wasserstein
Coming Next:
THURS: A Writer's Wit | Dan Flores
FRI: My Book World | George M. Johnson, All Boys Aren't Blue
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A WRITER'S WIT: ELINOR GLYN

10/17/2023

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Welcome to Hollywood, a land just off the coast of planet Earth. I am never quite certain if I am visiting the zoo, or if I'm one of the animals in a cage.
​Elinor Glyn
Author of ​Beyond the Rocks
​Born October 17, 1864
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E. Glyn
Coming Next:
WEDS: A Writer's Wit | Wendy Wasserstein

THURS: A Writer's Wit | Dan Flores
FRI: My Book World | George M. Johnson, All Boys Aren't Blue
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CLEAR SKIES AT CLOUDCROFT

10/9/2023

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A WRITER'S WIT
I think younger readers connect so readily to animal characters because they share a certain vulnerability, particularly when it comes to adult humans, who can be a rather unpredictable lot.
​K. A. Applegate
Author of ​The One and Only Ruby
​Born October 9, 1956
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K. Applegate

VISITING CLOUDCROFT SINCE 1972

In the three years since the beginning of the pandemic, Ken and I have been out of town only once, so our recent three days in Cloudcroft, New Mexico, made for quite a milestone. A five-hour drive (as we do it) from Lubbock, Cloudcroft is a quiet village with its historic Lodge (1899) and famed golf course—perhaps the highest course (9,000 feet) in the U.S. We've been coming to this village since the 1970s, but this was the first time we stayed on a VRBO property. We quite enjoyed the privacy and solitude that a single dwelling could offer (for the same price as a motel room you'd take along the highway). Yet we could not stay away from the Lodge entirely, dining at Rebecca's restaurant each evening. Below are some photos we'd like to share—all taken and processed on iPhone 13.
1) Video: Aspens About to Turn
2) Video: Golfer and Ponies Play Through
Coming Next:
​TUES Oct. 17: A Writer's Wit | Elinor Glyn

WEDS Oct. 18: A Writer's Wit | Wendy Wasserstein
THURS Oct. 19: A Writer's Wit | Dan Flores
FRI: My Book World | George M. Johson, All Boys Aren't Blue
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DEMON COPPERHEAD: TODAY'S DAVID COPPERFIELD

10/6/2023

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A WRITER'S WIT
We do not judge great art. It judges us.
​Caroline Gordon
Author of ​None Shall Look Back
Born October 6, 1895
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C. Gordon

MY BOOK WORLD

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Kingsolver, Barbara. Demon Copperhead: A Novel. New York: HarperCollins, 2022.

At first, I feel that the lad’s name, Demon Copperhead, seems a bit contrived—perhaps trying too hard to BE David Copperfield—as Kingsolver is forthcoming about her boilerplate use of Dickens’s beloved book. But as the pages fly by, his name takes on an earned significance. Eventually Demon Copperhead will become the name of his comic book character—artist Demon has a natural talent that a sensitive teacher nurtures along the way. Kingsolver’s novel is about a twenty-first century orphan, one who loses his father before he is born and loses his mother as a child to her drug addictions. Not just any “drugs.” And it is not an easy life, as Demon proclaims.
 
“Addiction is not for the lazy. The life has no ends of hazards, deadly ambushes lying in wait, and that’s just the drugs, not even discussing the people. If I was a fuckhead, I was one that knew how to apply himself . . . I’d only ever lived one way, by devoting myself completely” (426).
 
Kingsolver also beats the hell out of Purdue Pharmacy in this narrative, how the corporation invades Appalachia and actually targets poor people. Aching people who are injured in mines, aching athletes (like Demon)—anybody in pain. The afflicted line up at a pill mill in their local strip mall where a real doctor prescribes real Oxycontin (for a price). Then the person may use it all or peddle it (or part of it) in the parking lot. Persons can score Fentanyl, too. The whole ball of druggy wax. Demon loses his live-in girlfriend to drugs. Demon himself gets hooked, as a star (for a short time) high school football player with a painful knee injury. Kingsolver concludes the saga with a proper Dickensian “happy ending,” at least happier than it might have been had he wound up dead, that is.
 
The novel is a rough read, emotionally. I seldom cry when reading aloud (to my partner in the evenings), but several times, Kingsolver crept up on me, and I found the simplicity of her language and her understanding of humanity uncanny. When Demon is fostered by the coach, Demon offers, to the housekeeper, to do his own laundry, his own cooking.
 
“She laughed and said not to be putting her out of her job. She said mine was just to be a little boy. Weird. I’d not had that job before” (224). This passage put me flat on the floor. Evocative for adults who’ve given up part or all of their childhood.
 
If you can withstand all the bad shit that happens to mostly loveable characters (experiencing a sad story vicariously is always easier than doing it for real), the book is quite a rewarding read.

Coming Next:
No Posts, October 10-13
​TUES Oct. 17: A Writer's Wit | Elinor Glyn

WEDS Oct. 18: A Writer's Wit | Wendy Wasserstein
THURS Oct. 19: A Writer's Wit | Dan Flores
FRI: My Book World | George M. Johson, All Boys Aren't Blue

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A WRITER'S WIT: DENIS DIDEROT

10/5/2023

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Pithy sentences are like sharp nails which force truth upon our memory.
​Denis Diderot
Author of ​Memoirs of a Nun
​Born October 5, 1713
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D. Diderot
Coming Next:
FRI: My Book World | Barbara Kingsolver, ​Demon Copperhead: A Novel

NO POSTS October 10-13, 2023
TUES Oct 17: A Writer's Wit | Elinor Glyn

WEDS Oct 18: A Writer's Wit | Wendy Wasserstein
THURS Oct 19: A Writer's Wit | Dan Flores
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A WRITER'S WIT: HEIDI HAYES JACOBS

10/4/2023

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As educators, we are only as effective as what we know. If we have no working knowledge of what students studied in previous years, how can we build on their learning? If we have no insight into the curriculum in later grades, how can we prepare learners for future classes?
​Heidi Hayes Jacobs
Author of 
Streamlining the Curriculum: Using the Storyboard Approach to Frame Compelling Learning Journeys
Born October 4, 1948
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H. Hayes Jacobs
Coming Next:
THURS: A Writer's Wit | Denis Diderot
FRI: My Book World | Barbara Kingsolver, ​Demon Copperhead: A Novel
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A WRITER'S WIT: GORE VIDAL

10/3/2023

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As societies grow decadent, the language grows decadent, too. Words are used to disguise, not to illuminate, action: you liberate a city by destroying it. Words are to confuse, so that at election time people will solemnly vote against their own interests.
​Gore Vidal
Author of ​Myra Breckinridge
​Born October 3, 1925
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G. Vidal
Coming Next:
WEDS: A Writer's Wit | Heidi Hayes Jacobs

THURS: A Writer's Wit | Denis Diderot
FRI: My Book World | Barbara Kingsolver, Demon Copperhead: A Novel
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    AUTHOR
    Richard Jespers is a writer living in Lubbock, Texas, USA.

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