FRIDAY: My Book World | Nancy Turner's These Is My Words
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My Book World Ackerley, Joe Randolph. My Dog Tulip. With an introduction by Elizabeth Marshall Thomas. New York: NYRB, 1999 (1965).
A man in his sixties when he writes this book, Ackerley tells the story of his beloved Alsatian or German Shepherd, Tulip. I began the book thinking Tulip’s story would be broader in context, but I was wrong. A large middle section involves Ackerley’s attempts to mate Tulip properly with another Alsatian. In minute detail, and in a way that only the British can do, he writes delicately about an indelicate subject: Tulip’s female parts and how they operate every time she is on heat (a term he deems crude but still uses). A swelling this, and dripping that. But overall, the book is an unsentimental portrait of what according to Ackerley is an extraordinary Alsatian bitch whom he loves very much. NEXT FRIDAY: My Book World | Nancy Turner's These Is My Words
TOMORROW: My Book World | J. R. Ackerley's My Dog Tulip
FRIDAY: My Book World | J. R. Ackerley's My Dog Tulip
FRIDAY: My Book World | J. R. Ackerley's My Dog Tulip
My Book World Hesse, Hermann. Rosshalde. Translated by Ralph Manheim. New York: Bantam, 1956 (1914).
Spoiler: This novel is primarily about the death of a young child, a son named Pierre. But it is also about the death of a family, how a husband and wife drift apart and divide their love between two sons, the elder “belonging” to the wife and Pierre belonging to his father. But there isn’t much belongingness for any of the family members. The book overall is about the end of their life together at the estate called Rosshalde, an expansive property, a mansion, that seems to have a life of its own. An enchanting but sad read. NEXT FRIDAY: My Book World | J. R. Ackerley's My Dog Tulip
TOMORROW: My Book World | Hermann Hesse's Rosshalde
FRIDAY: My Book World | Hermann Hesse's Rosshalde
FRIDAY: My Book World | Hermann Hesse's Rosshalde
My Book WorldVon Planta, Anna, ed. Patricia Highsmith: Her Diaries and Notebooks. With an introduction by Joan Schenkar. New York: Liveright, 2021.
This more than fifty-year compendium of Highsmith’s 8,000 pages of diary and notebook entries is a stunning read—particularly if you savor the voyeuristic practice of reading someone’s private thoughts. Her diary entries are brutally honest about everything from her current girlfriend(s) with whom she is madly in love to resentments toward her mother, estranged father, and stepfather. Though bright enough to graduate from Barnard, she never quite masters the art of achieving a meaningful love relationship; her tone seems the same for fifty years. I can’t understand why this relationship has failed. And yet, I believe she does know why: her profession requires much alone time, which is not compatible with a needy lover. Her notebooks, on the other hand, are about her current and proposed works, sometimes a poem here and there. She also talks business. About her agent(s), once her sales go international. Her publishers. Friendships, lasting ones at that, with a broad range of writers. Strong female writers (mostly part of a lesbian group of professionals) mentor Highsmith on how to navigate the heady waters of being a single woman sometimes writing about being queer. Early on, when she is young, she has sex and “love” relationships with a few men, but none of them is every satisfying. What may be most fascinating is to watch how her life and living influence particular books. The Ripley series of five novels has such an authentic, European backdrop because besides being multilingual, Highsmith lives in Europe much of her life. Still, having been born in Fort Worth, Texas, she does return there to visit once her parents move back from New York. Yet she harbors deep resentments against her abusive mother, who lives to be ninety-five (PH nearly perceives it as a punishment), and, because of her own health problems, fails to visit upon her mother’s own funeral. A sad but triumphant ending for a triumphant but oft-times sad and lonely life. If readers have time, it is well worth theirs to read these 1,000 pages, especially if they’re curious about the writer who authored Strangers on a Train and the Ripley series of five novels, a total of thirty-two books. NEXT FRIDAY: My Book World | Hermann Hesse's Rosshalde.
TOMORROW: My Book World | Anna Van Planta, Ed. of Patricia Highsmith: Her Diaries and Notebooks 1941-1995
NEXT FRIDAY: My Book World | Anna Van Planta, Ed. of Patricia Highsmith: Her Diaries and Notebooks 1941-1995
FRIDAY: My Book World | Anna Van Planta, Ed. of Patricia Highsmith: Her Diaries and Notebooks 1941-1995
My Book World Manrique, Jaime, ed. With Jesse Dorris. Bésame Mucho: New Gay Latino Fiction. New York: Painted Leaf, 1999.
On my shelf for a long time, I finally took this collection down and enjoyed most of the stories very much. Among the best, I believe, are Manrique’s “Señoritas in Love,” “What’s Up, Father Infante?”, a gripping story by Miguel Falquez-Certain, and “Ruby Díaz” by Al Luján. The entire collection blends together a beautiful chorus of gay Latino voices, from South America to New York to California. So much that the non-Latino community has to learn what gay Latino men face with regard to their families, their communities, and their relationship to the Roman Catholic Church. They face immense pressures to conform to cultural norms, even more so than the Anglo population, I would dare say. Kudos to these men for sharing their stories by way of lively and enlightening fiction. It never dates. NEXT FRIDAY: My Book World | Anna Van Planta, Ed. of Patricia Highsmith: Her Diaries and Notebooks 1941-1995
TOMORROW: My Book World | Bésame Mucho: New Gay Latino Fiction
FRIDAY: My Book World | Bésame Mucho: New Gay Latino Fiction
FRIDAY: My Book World | Bésame Mucho: New Gay Latino Fiction
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AUTHOR
Richard Jespers is a writer living in Lubbock, Texas, USA. See my profile at Author Central:
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September 2024
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