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Coming Next:
WEDS: AWW | Eldridge Cleaver THURS: AWW | Jesse Kellerman FRI: My Book World | Colin Barrett's Homesickness: Stories
My Book World Clark, Heather. Red Comet: The Short Life and Blazing Art of Sylvia Plath. New York: Knopf, 2020.
This impressive biography of the famed poet may be the most comprehensive literary biography I’ve ever read. Clark, who took more than ten years to write this book, utilizes a broad range of sources, including Sylvia Plath’s diaries, letters (some never before seen), journals, and poems. Clark also includes the story of Plath’s famous poet husband, Ted Hughes. It would be like telling the story of one conjoined twin without including the other; that is how inextricably woven their lives are, right up to Plath’s infamous suicide, in 1963. The acknowledgement page and Clark’s notes section are filled with other sources, she having visited England to conduct research as well as interviews, and having combed U.S. libraries from coast to coast. The book reads more like a novel, achieving a fiction-like narrative arc. We learn of Plath’s early childhood, the loss of her father, her dominating but generous mother. We learn of Plath’s education, particularly her four years at the prestigious Smith College. We learn of her creepy attempt at suicide, almost succeeding, when her near-dead body is discovered in a crawl space beneath the family home, her electroshock therapy at a draconian institution in Massachusetts. We cross the Atlantic where Plath continues her education at Cambridge University, where she meets her match intellectually as well as future husband, Ted Hughes. This narrative continues to build as we learn of her struggle to cope with a male dominated literary life in London. She is alternately elated and deflated as some of her work is accepted with accolades and “her best work” rejected by the likes of the New Yorker as well as prestigious English journals. It would have been a mistake for her to eschew her British education because the Brits seem, at times, more open to her raw style than the Americans. We live through the Plath-Hughes tempestuous marriage and become acquainted with their two children. Plath’s death comes with fifty pages to go. It is the climax, all right, but it is not the end of Plath’s story. All throughout the biography Clark intersperses lines from Plath’s and Hughes’s work to demonstrate not only biographical elements but fascinating literary observations, as well. But even Plath’s death is deconstructed in such a way that we may understand it differently from earlier biographies (Anne Stevenson’s “famously negative” one, for example). With twenty-twenty hindsight, we see that Plath’s suicide (as many are) is mere minutes away from being another failed attempt. Plath is always, in the damp English climate and because she runs herself ragged, having bouts of a cold or the flu. As a result she takes a number of OTC medications, as well as a merry-go-round of prescription drugs, including antidepressants, sedatives to sleep, other drugs to wake her up so she can work—all of these interacting horribly as a perfect storm to help end her life (some experts understand that those particular antidepressants may have intensified her depression before finally kicking in). And it isn’t as if she doesn’t try to live. She consults doctors and psychiatrists galore. She corresponds with an American psychiatrist across the Atlantic. She fights like hell to stay out of British psychiatric wards because she is terrified she will be subject to shock therapy again, which she believes, has altered her brain and her life forever. For fans or nonfans alike this biography is a must-read. It generously takes all we knew about Plath before, all the research that has come earlier, and adds or even convincingly contradicts a great deal of the old. I can’t see any biographer attempting to top it for a long time to come. Indeed, the book may finally put her story to rest alongside her grave atop a lonely spot near where her husband grew up at Heptonstall—a simple granite marker worn down now by nearly sixty years of inclement weather. Coming Next: TUES: AWW | Mary Shelley WEDS: AWW | Eldridge Cleaver THURS: AWW | Jesse Kellerman FRI: My Book World | Colin Barrett's Homesickness: Stories
Coming Next:
THURS: AWW | Nadine Stair FRIDAY: My Book World | Heather Clark's Red Comet: The Short Life and Blazing Art of Sylvia Plath
Coming Next:
WEDS: AWW | Howard Zinn THURS: AWW | Nadine Stair FRI: My Book World | Heather Clark's Red Comet: The Short Life and Blazing Art of Sylvia Plath
My Book WorldSparks, Muriel. The Prime of Miss Jean Brodie. New York: HarperPerennial, 1999 (1961).
If one has seen only the movie version of this book, a fine work in its own right that premiered in 1969 with the inimitable Maggie Smith starring in the main role, one might be lulled into thinking the book to be quite similar. One would be wrong. This short novel set in 1930s Edinburgh, Scotland, impresses me as being an extended prose poem about an intelligent and nonconformist teacher who is yet rather naïve. Brodie eschews the prescribed school curriculum to lecture her female pupils concerning a wide variety of cultural and artistic topics, and yet when she also embraces the likes of fascist leaders such as Mussolini and Hitler, she reflects either a certain naivete or an intellectual dullness. The word “prime” or phrases containing that word appears more than thirty times throughout these brief pages; the phrase “crème de la crème” more than five. Both have a rather fatuous ring to them, “prime” referencing Miss Brodie’s heightened sense of her own refinement and knowledge, and “crème de la crème” indicating the girls she has rather commandeered to follow her—not just for the year they are in her class but for their entire lifetimes: they are the “Brodie set.” Spark’s structure is an omnisciently meandering one in which she may speak of one child in her adult future, one dying prematurely, another becoming a nun. Very lightly Sparks inserts that the year is 1931 or 1937 or that Ms. Brodie is now forty-three. One knows where one is at all times as if the novel were a sort of hologram. Young Sandy is the only pupil who sees through Jean Brodie’s ways, and early on readers learn that she will bring Brodie down. In the last scene of the film, a wounded Brodie who has been released from her teaching position because of Sandy’s actions screams the word “Assassin!” after her beloved Sandy, but the book ends rather quietly when readers visit Sandy upon her adult position in a nunnery. When asked about her childhood influences, she simply says, “There was a Miss Jean Brodie in her prime” (137). Coming Next: TUES: AWW | Erin Foster WEDS: AWW | Howard Zinn THURS: AWW | Nadine Stair FRI: My Book World | Heather Clark's Red Comet: The Short Life and Blazing Career of Sylvia Plath
TOMORROW: My Book World | Muriel Sparks's The Prime of Miss Jean Brodie
TUES: AWW | Erin Foster WEDS: AWW | Howard Zinn THURS: AWW | Nadine Stair
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THURS: AWW | Nicole Krauss FRIDAY: My Book World |Muriel Sparks's The Prime of Miss Jean Brodie
WEDS: AWW | Herta Müller
THURS: AWW | Nicole Krauss FRI: My Book World | Muriel Sparks's The Prime of Miss Jean Brodie
My Book World Stuart, Douglas. Young Mungo: A Novel. New York: Grove, 2022.
Think about the worst things that happen to you before you turn sixteen. None of the disasters most people experience are as bad as what young Mungo faces in his squalid life in Glasgow, Scotland. And as readers, we live it with him, the mother who both loves and neglects Mungo, the bright sister who has a chance to escape the “housing estate” where they all live in a certain squalor, the bully older brother who tries to toughen up Mungo so that he can survive this life without a father. The mother, whose intentions are not entirely clear, because she is often drunk, sends young Mungo on a weekend trip with two known sex offenders, one old and one in his twenties. This is the strand of the story that perhaps grabs our attention most. In alternating chapters, author Stuart seamlessly weaves this story with Mungo’s falling in love with a neighbor boy his age. The scenes in which they engage are some of the most authentic I believe I’ve ever read concerning adolescent love. Mungo is Protestant, and his friend James is Catholic. Their differences threaten to tear them apart at several points. Mungo’s appellation is no accident. He is named after Saint Mungo, and he is often called to the front of a classroom to read aloud about the myths of Saint Mungo. His favorite myth is the one in which Saint Mungo brings a robin back to life. It is this motif that is reflected later on in young Mungo’s own story, but I’ll let readers discover it for themselves as they devour this important novel about who the weak and the strong really are. Coming Next: TUES: AWW | Ted Hughes WEDS: AWW | Herta Müller THURS: AWW | Nicole Krauss FRI: My Book World | Muriel Spark's The Prime of Miss Jean Brodie
Coming Next:
TOMORROW: My Book World | Douglas Stuart's Young Mungo TUES: AWW | Ted Hughes WEDS: AWW | Herta Müller THURS: AWW | Nicole Krauss
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WEDS: AWW | Suzanne Collins THURS: AWW | Alex Haley FRI: My Book World |Douglas Stuart's Young Mungo
 Price, Reynolds. The Promise of Rest. New York: Scribner, 1995.
Price has created what, at times, seems like a tedious novel. And frankly, in one sense it is. The story of a young man suffering a slow death, from AIDS, is both tedious and yet breathlessly fleeting. Millions of lovers (in the parlance of that era) and family members (those who didn’t shrink from caring) in real life have experienced the same tedium that Price re-creates here, and yet once you begin the journey of Wade’s slow demise, you don’t want to leave him behind. Even though this story is over twenty-five years old, it seems transcendent, timeless. Wade’s mother and father who’ve separated. His lover, Wyatt, who kills himself. Wyatt’s sister, Ivory, her quiet yet affirming love for Wade. All of Wade’s aunts and uncles. Secrets! Oh, my, this novel is loaded with them, none of which I shall divulge, but all of them are woven together to create a narrative marking an era that has never really ended—merely shunted aside. Coming Next: TUES: AWW | Philip Larkin WEDS: AWW | Suzanne Collins THURS: AWW | Alex Haley FRI: My Book World | Douglas Stuart's Young Mungo
Coming Next:
TOMORROW: My Book World | R. Price's The Promise of Rest TUES: AWW | Philip Larken WEDS: AWW | Suzanne Collins THURS: AWW | Alex Haley
Coming Next:
WEDS: AWW | Steven Millhauser THURS: AWW | Helen Thomas FRI: My Book World | Reynolds Price's The Promise of Rest |
AUTHOR
Richard Jespers is a writer living in Lubbock, Texas, USA. See my profile at Author Central:
http://amazon.com/author/rjespers Archives
January 2023
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