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A Writer's Wit: Christopher Priest

6/30/2020

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If I could make Panther tough, mysterious, wily, and often at odds with his Avengers comrades, that was a character I'd find interesting.
​​Christopher Priest, Author of ​The Black Panther
Born June 30, 1961
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C. Priest
FRIDAY: My Book World | Tobias Wolff's Novel Old School
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Rule Follower or Skilled Manager?

6/26/2020

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A WRITER'S WIT
We always look at the “Fortune 500,” and we say, men in power, but we don't look at the glass cellar as opposed to the glass ceiling and say, men also are the homeless, men are also the ones that are the garbage collectors. Men are also the ones dying in construction sites that aren't properly supervised for safety hazards.
​Warren Farrell,
​
Author of The Boy Crisis
​Born June 26, 1943
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W. Farrell

My Book World

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Murata, Sayaka. Convenience Store Woman. Translated from the Japanese by Ginny Tapley Takemori. New York: Grove, 2018.

​A compact book at 163 small pages, this novel is a more substantive read than one would think at first. The simple language that the narrator Keiko uses may lull the reader into thinking this will be a simple story. In a way, it is. This young Japanese woman who works in a convenient store shifts to a flashback about her childhood. There she reveals her odd personality, a certain problem with affect, in which she would like to cook and eat a beautiful little blue bird that has died, much to the horror of her mother. Then in primary school, when no teacher appears to break up a fight at recess, Keiko takes it upon herself to hit one of the boys on the skull with a spade. At that point, after getting into trouble, Keiko decides to become a little rule follower, making her, upon high school graduation, a perfect candidate for convenience store worker.

Keiko is unusually attuned to the store’s needs, both at the macro and micro levels—responding to the store’s needs the way a mother might respond to her children. Remaining single, without much apparent interest in sex, Keiko works part-time and sustains a secularly ascetic existence until she’s thirty-six. Then she meets a man, creating the novel’s conflict, and I won’t reveal the ending because it’s pretty odd and yet satisfying. I do have a question for the author. Keiko is often more skilled in managing the store than her male, mostly younger managers (eight of them in eighteen years). Why does her demonstrated competency (all her colleagues acknowledge her abilities) ever put her in a position to become a manager herself? Is this author Murata’s point, a comment on Japanese culture? Or is she more concerned with portraying people who happen not to fit the mold of ordinary citizens and how society treats such people? 

NEXT FRIDAY: My Book World | Tobias Wolff's Novel Old School

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A Writer's Wit: Larry Kramer

6/25/2020

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I came from Yale, where you get an extracurricular degree in self-importance because you went there. When AIDS happened, I was treated like an outcast. And I don't like that feeling.
​Larry Kramer, Author of Faggots
Born June 25, 1935
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L. Kramer
TOMORROW: My Book World | Sayaka Murata's Novel Convenience Store Woman
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A Writer's Wit: Mercedes Lackey

6/24/2020

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I try to use all of my senses when describing a setting, and try to think of everything that would impact a character in any given scene.
​Mercedes Lackey, ​Author of Arrows of the Queen
Born June 24, 1950
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M. Lackey
FRIDAY: My Book World | Sayaka Murata's Novel Convenience Store Woman
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A Writer's Wit: Richard Bach

6/23/2020

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Don't be dismayed by good-byes. A farewell is necessary before you can meet again. And meeting again, after moments or lifetimes, is certain for those who are friends.
​Richard Bach, Author of Jonathan Livingston Seagull
Born June 23, 1936
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R. Bach
FRIDAY: My Book World | Sayaka Murata's Novel Convenience Store Woman.
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Tolstoy's War with Art

6/19/2020

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A WRITER'S WIT
Memory is funny. Once you hit a vein the problem is not how to remember but how to control the flow.
​Tobias Wolff,
​Author of The Night in Question
Born June 19, 1945
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T. Wolff

My Book World

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Tolstoy, Leo N. What Is Art? Translated from the Russian by Almyer Maude [sic] with an introduction by Vincent Tomas. Indianapolis: Sams, 1960 (1896).
​
I was assigned to read this book for a half-credit, pass-fail humanities class in college. There is little indication that I actually did so (a few underlined passages in Chapter Two). It seems like a challenging read for eighteen-year-olds who’ve had little exposure to argumentation or (unless they have studied art as children) art. In general, to summarize an often unclear thesis, Tolstoy seems to believe that art is a feeling that the artist would like to infect the watcher, listener, reader with.

He believes that high art is so only because it is heralded by the upper classes. Tolstoy goes on and on about how bad Beethoven’s Ninth Symphony is, in part because Beethoven was deaf, and how could the composer possibly compose if he couldn’t hear? And besides, Beethoven is attempting to combine two arts: music and chorus (based on another’s lyric). Tolstoy abhors contemporary opera, Wagner in particular, again because it combines visual art, drama, music, singing, and more. When he uses the invective “filthy” to describe it, it seems he has a prejudice he can’t explain. In fact, he leaves a lot unexplained by way of sometimes poor or faulty logic, and by using terms he has defined to his own satisfaction. He asserts that beauty is not art. He asserts that the basis of art must be religious, i.e. Christian (I think).

However, Tolstoy does make a prescient remark when he argues that art (music, drawing, creative writing and more) should be taught to all children so that they may create art for all their lives, in order to enrich their lives and the lives of the people they love. That seems to be the most positive assertion that he makes, and, because many American school districts have abandoned the teaching of art, the result being a certain poverty, I believe he is right. The rest of this work seems like a highly subjective opinion he took fifteen years to develop; if he’d tried hard he probably could have done it in four or less.

NEXT FRIDAY: My Book World | Sayaka Murata's Convenience Store Woman

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A Writer's Wit: Sylvia Field Porter

6/18/2020

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One of the soundest rules I try to remember when making forecasts in the field of economics is that whatever is to happen is happening already.
​Sylvia Field Porter,
​Author of Sylvia Porter's Money Book
Born June 18, 1913
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S. F. Porter
TOMORROW: My Book World | Leo N. Tolstoy's What Is Art?
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A Writer's Wit: Kerry Greenwood

6/17/2020

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I don't steal stories. If I'm a plagiarist, so is Hitchcock. And Tolkien. And Shakespeare.
​Kerry Greenwood, Author of Murder in the Dark
Born June 17, 1954
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K. Greenwood
FRIDAY: My Book World | Leo N. Tolstoy's What is Art?
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A Writer's Wit: Andy Weir

6/16/2020

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A story in your head isn't a story. It's just a daydream until you actually write it down. So write it down.
​Andy Weir, Author of The Martian
Born June 16, 1972
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A. Weir
FRIDAY: My Book World | Leo N. Tolstoy's What Is Art?
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Alison Smith Memoir Always Timely

6/12/2020

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A WRITER'S WIT
Well, isn't Bohemia a place where everyone is as good as everyone else—and must not a waiter be a little less than a waiter to be a good Bohemian?
​Djuna Barnes
Born June 12, 1892
Author of Nightwood
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D. Barnes

My Book World

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Smith, Alison. Name All the Animals. New York: Scribner, 2004.

If I had had the time, I would have read Name All the Animals in one sitting. In this memoir, the author begins benignly by sharing with readers in great detail how close she and her brother Roy are at ages nine and twelve, respectively, so close that their mother names them Alroy. Together, they explore an abandoned house in their neighborhood. And then, in a similar way to how it must shock the narrator and her parents, it shocks the reader to learn of Roy’s death at eighteen. The rest of the book covers several years following in which Alison finishes high school. She demonstrates how her family, good Catholics, avoid all the questions that should be asked and tackled. Alison develops an inner and outer world of her own making, all in aid of forgetting and yet commemorating her brother. In failing to grieve, however, she cuts herself off from most people until she meets one she can’t resist. Smith tells this harrowing story without sentiment but with all due regard for the truth. She structures it in such a manner that readers discover along with her how she must grow up, how she must proceed without Roy in her life.

NEXT FRIDAY: My Book World | Leo N. Tolstoy's What Is Art?
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A Writer's Wit: Allan Gurganus

6/11/2020

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I rise at six. Strong coffee helps me face the paper edition of The New York Times. It daily challenges my own capacity for faking anything deranged enough to sound true. I work till two p.m., unless I am in the throes of finishing something. I rewrite to be reread.
​Allan Gurganus
Born June 11, 1947
​Author of White People
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A. Gurganus
TOMORROW: My Book World | Alison Smith's Name All the Animals
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A Writer's Wit: Saul Bellow

6/10/2020

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A great deal of intelligence can be invested in ignorance when the need for illusion is deep.
​Saul Bellow
June 10, 1915
​Author of Herzog, Winner of National Book Award
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S. Bellow
FRIDAY: My Book World | Alison Smith's Name All the Animals
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A Writer's Wit: Patricia Cornwell

6/9/2020

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I believe the root of all evil is abuse of power.
​Patricia Cornwell
Born June 9, 1956
Author of Depraved Heart
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P. Cornwell
FRIDAY: My Book World | Alison Smith's Name All the Animals
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Cole Porter Letters Reveal a Vibrant Life

6/5/2020

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A WRITER'S WIT
The poem, the song, the picture, is only water drawn from the well of the people, and it should be given back to them in a cup of beauty so that they may drink—and in drinking understand themselves.
​Federico García Lorca, Spanish Poet
Born June 5, 1898
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F. García Lorca

My Book World

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​Eisen, Cliff and The Letters of Cole Porter. New Haven: Yale, 2019. 

If you are a fan of Cole Porter and his music, you will probably enjoy this collection of letters. Though some of them refer to his bisexuality, most of them pertain to his many professional and personal connections. Such communications illustrate many characteristics about Mr. Porter. One, he is a consummate professional, in spite of his propensity to play and play hard during vacations and between gigs on Broadway or Hollywood. He answers every bit of mail himself, except when he occasionally calls on his secretary to take care of something. He is a team player, important for anyone working in a collaborative arena like the theatre. Second, he is also fierce but polite about not doing anything musically that would (in his opinion) ruin a show. At the same time, when overpowered by those above him, he sometimes gives in, particularly, it seems, when the issue does not matter that much to him.

​In a business that can be crass and cold at times, Porter is also very caring and thoughtful of everyone he comes in contact with. He sends thank you notes for the smallest favors, and, because he often runs short of money before he makes it big, he is generous with cash gifts and loans later in life. Third, his wit and sharp tongue are unmatched with regard to the social whirl of the 1930s through the 1950s. Though he wouldn’t dream of hurting anyone publicly, he does not mind getting off a zinger or two during a personal letter to a dear friend. Perhaps most interesting is how Porter shares some of his methods for songwriting:

In a related matter, of what compels him to accept a job or assignment, he says:
 
“My sole inspiration is a telephone call from a producer. If Feuer and Martin phoned me today and asked me to write a new song for a spot, I’d just begin thinking. First, I think of the idea and then I fit it to a title. Then I go to work on the melody, spotting the title at certain moments in the melody, and then I write the lyric—the end first—that way, it has a strong finish . . . I do the lyrics like I’d do a crossword puzzle. I try to give myself a meter which will make the lyric as easy as possible to write without being banal. On top of the meter, I try to pick for my rhyme words of which there is a long list with the same ending” (499).
A friend who travels with Porter in 1955 relates this story: “We were not stopped very long at the border. On the Spanish side, one of the soldiers came out with Cole’s passport in his hand, looked in the car, and said, ‘Cole Porter . . . Begin the Beguine!’ and kissed his fingers to the air, and began to sing the song. Cole’s music is known everywhere we go—even in the remote spots” (507).

​I think that just about says it all about Cole Porter, his music, and how many fans he still has in the world!
NEXT FRIDAY: My Book World | Alison Smith's Name All the Animals
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A Writer's Wit

6/4/2020

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This mindless tolerance, which places observable scientific facts, subject to proof, on the same level as unprovable supernatural fantasy, has played a major role in the resurgence of both anti-intellectualism and anti-rationalism.
​Susan Jacoby,
​Author of 
The Age of American Unreason
Born June 4, 1945
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S. Jacoby
TOMORROW: My Book World | Letters of Cole Porter
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A Writer's Wit

6/3/2020

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Perfectionism is a dangerous state of mind in an imperfect world.
​Robert Hillyer, Poet
Born June 3, 1895

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R. Hillyer
FRIDAY: My Book World | Letters of Cole Porter
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A Writer's Wit

6/2/2020

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The desire for self-improvement is vital. There is no point in pushing children; they need to be the ones who want to learn new skills.
​Tony Buzan, Inventor of Mind Mapping
Born June 2, 1942
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T. Buzan
FRIDAY: My Book World | The Letters of Cole Porter
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    Richard Jespers is a writer living in Lubbock, Texas, USA.

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