A WRITER'S WIT
To err is human, but the contrition felt for the crime distinguishes the virtuous from the wicked.
Vittorio Alfieri
Born January 16, 1749
Untitled: Part 2
If you read Part 1 last week, scroll on down to Part 2. Otherwise, you can catch up by starting here.
1. It’s your second day, Ariella Pines, and since you made it through your first, you show up early and make the coffee. You remove the pouch of rich cinnamon mocha from a box, dump its contents in the basket with a brown paper filter, and pour water in the tank. The maker begins to sputter, and feeble brown liquid trickles into the carafe. In a few minutes the aroma is enough to gag you, but it’s what she likes, Eloise Markham, owner and manager of Markham Finer Toyotas. MFT reads the silver logo they slap on the back of every vehicle on the lot, next to that solid oval emblem.
It wasn’t your idea to work here, but since you were dismissed from a job you’d held for twenty years, you took what you could find. Yes, Ms. Markham took pity on your soulful female face, as you poured out your heart to her. Though you didn’t cry, she handed you a tissue as you told her how the school district let you go because you dared to teach a certain book—not because you were a poor teacher, not because you approached one of your more approachable male students or even slapped someone silly for talking during your lecture. No, it was because you chose to teach a book about a young girl who gets pregnant and has it terminated. On your last day, you saw a total of nine mothers-to-be among your one hundred and fifty pupils—squirming in their seats, wondering why no one had told them their rights about participating in such a process. By sixth period, when you got to the part of the book where the young heroine is lying spread eagle in the stirrups and her parents barge into the procedure room (it’s not an operation), the principal dismissed your last class and ordered you to his office. For an hour you screamed at him. From your cell phone, you called a union representative, who dispatched posthaste an attorney before the last bell. All to no avail. You were canned. Over and out. With all those years under your belt, you’re only now eligible for a pension. But you will have to wait another twenty years to actually draw the funds, because you know no other school district will ever hire you. Should you withdraw the retirement money, or start over in a different career? It’s a conundrum; you’ve never known anything but teaching.
Markham Finer Toyotas is located at the edge of the city on one of those monster lots. A luxurious, low-slung showroom of four thousand square feet is attached to a larger warehousey building where mechanics keep Markham Finer Toyotas in shape and meet all the finer Toyota requirements for routine service. It’s not like any dealership you’ve ever seen before. To begin with, the people in sales must meet challenging quotas, or it’s buh-bye, take the highway. Eddie Klaas has been at it the longest, so he’s sort of assigned the silver-haired set, although he could sell a Toyota to just about anyone. The walls of Eddie’s little glass cubicle are lined with Plexiglas Salesman of the Year awards, going all the way back to the eighties. Yesterday you listened in on his pitches, which are very warm and genuine. No high pressure. He offers some kind of discount right off the bat, to let the customer know he’s not trying to take them for everything they’ve got. Very disarming.
After savvy customers realize they’re getting all the options for free, they also realize Eddie’s got them where he wants them. If they’re really savvy, they’ll deal for a Toyota on the last day of the quarter, when sales personnel have to file quota reports. They can take Eddie down to where he makes five hundred dollars a car, and if he feels like it, he’ll let them have it for that. Sweet. Eddie’s sixty-eight, with long silver hair he keeps slicked back. He has a bit of a paunch, too, but he enters the dealership each morning with great purpose, as if he were going to teach War and Peace (your all-time favorite novel), when at most, all he’ll be doing is selling one of those huge Sequoias.
In a free moment, you think ahead to what a dealership might look like in a hundred years. Little women in individualized hovercraft will be offering you hits of cinnamon coffee that you snort instead of drink, because by then the species will have evolved to plump little piggies with tiny mouths and big limp ears from all the iPod listening, all that truncated cell phone banter (yo, dude, sup)––not to mention enlarged thumbs from, well, you know. It’s frightening to think about, so you move on to your next chore. You recall the brief encounter with Mrs. Markham the day before.
“Ariella,” Markham said. “I want you to check on the rest rooms.”
“What?”
It wasn’t your idea to work here, but since you were dismissed from a job you’d held for twenty years, you took what you could find. Yes, Ms. Markham took pity on your soulful female face, as you poured out your heart to her. Though you didn’t cry, she handed you a tissue as you told her how the school district let you go because you dared to teach a certain book—not because you were a poor teacher, not because you approached one of your more approachable male students or even slapped someone silly for talking during your lecture. No, it was because you chose to teach a book about a young girl who gets pregnant and has it terminated. On your last day, you saw a total of nine mothers-to-be among your one hundred and fifty pupils—squirming in their seats, wondering why no one had told them their rights about participating in such a process. By sixth period, when you got to the part of the book where the young heroine is lying spread eagle in the stirrups and her parents barge into the procedure room (it’s not an operation), the principal dismissed your last class and ordered you to his office. For an hour you screamed at him. From your cell phone, you called a union representative, who dispatched posthaste an attorney before the last bell. All to no avail. You were canned. Over and out. With all those years under your belt, you’re only now eligible for a pension. But you will have to wait another twenty years to actually draw the funds, because you know no other school district will ever hire you. Should you withdraw the retirement money, or start over in a different career? It’s a conundrum; you’ve never known anything but teaching.
Markham Finer Toyotas is located at the edge of the city on one of those monster lots. A luxurious, low-slung showroom of four thousand square feet is attached to a larger warehousey building where mechanics keep Markham Finer Toyotas in shape and meet all the finer Toyota requirements for routine service. It’s not like any dealership you’ve ever seen before. To begin with, the people in sales must meet challenging quotas, or it’s buh-bye, take the highway. Eddie Klaas has been at it the longest, so he’s sort of assigned the silver-haired set, although he could sell a Toyota to just about anyone. The walls of Eddie’s little glass cubicle are lined with Plexiglas Salesman of the Year awards, going all the way back to the eighties. Yesterday you listened in on his pitches, which are very warm and genuine. No high pressure. He offers some kind of discount right off the bat, to let the customer know he’s not trying to take them for everything they’ve got. Very disarming.
After savvy customers realize they’re getting all the options for free, they also realize Eddie’s got them where he wants them. If they’re really savvy, they’ll deal for a Toyota on the last day of the quarter, when sales personnel have to file quota reports. They can take Eddie down to where he makes five hundred dollars a car, and if he feels like it, he’ll let them have it for that. Sweet. Eddie’s sixty-eight, with long silver hair he keeps slicked back. He has a bit of a paunch, too, but he enters the dealership each morning with great purpose, as if he were going to teach War and Peace (your all-time favorite novel), when at most, all he’ll be doing is selling one of those huge Sequoias.
In a free moment, you think ahead to what a dealership might look like in a hundred years. Little women in individualized hovercraft will be offering you hits of cinnamon coffee that you snort instead of drink, because by then the species will have evolved to plump little piggies with tiny mouths and big limp ears from all the iPod listening, all that truncated cell phone banter (yo, dude, sup)––not to mention enlarged thumbs from, well, you know. It’s frightening to think about, so you move on to your next chore. You recall the brief encounter with Mrs. Markham the day before.
“Ariella,” Markham said. “I want you to check on the rest rooms.”
“What?”
2. The men’s and women’s rooms are side-by-side, of course, set off very symmetrically from the service area, another pair in the sales area (and ne’er the twain shall meet). You stick your hand in and flip on the women’s light first. The fluorescents flutter into existence and begin to buzz in a monotone that will sear your brain for the next few minutes. The cleaning service has spiffed up the room. All you have to do is make sure the stalls have TP and that the dispensers are filled with pink liquid soap. Yes, the custodians are supposed to do it, but sometimes they forget. You unlock a closet in the hall and find a box of packets of pink liquid soap. (Never lend this key to anyone, Markham tells you. Lie and tell them you don’t have one.) You fritz with the dispenser until it opens and you slide the packet into place, making sure it actually dispenses soap into your hand—gobs of it, it seems. You take a roll of toilet paper and put it in the disabled stall, which you could lease it as a studio apartment. In the hall you knock on the men’s door, just in case. Not even Eddie-the-Eager-Beaver is here yet, so you enter and check it out. Just as spiffy as the women’s, but wait. One of the fluorescents is flickering wickedly. You hesitate, but then you realize you must make a good impression, be a go-getter. So you fetch a ladder from a different hall closet (yet another key) and set it up. You withdraw one of the long cylindrical fixtures out of a box and find your way up the ladder. You ease the old one out—you used to do this in your classroom because if you asked the custodians to change it, they would just look at you and laugh—and lay it carefully on the floor. You step up and gingerly install the new one (sometimes they can pop or even explode). It click click clicks on and warms the room with its added luminescence. Your head bumps loose one of the panels of the drop-down ceiling, and you note something funny up in this ether. You’d expected to see the flimsy crisscross network of metal that holds those squares of sound-absorbing material, but instead you see what looks like a very deliberate system of tunnels. You grunt, disregarding your new pantsuit, and pull yourself up into the nearest tunnel, crawl a bit, and look down. You notice that, through a charcoal black square of plastic that must appear to be a ceiling tile to the casual observer below, you can see into every stall of both restrooms. You crawl further out over the sales area. There you can peer into every office cubicle. Same for the business office, the service offices, the service waiting room. Not only that, but you observe that there are cameras set up to view parts of the entire dealership.
This set-up seems very un-Toyota. You crawl back to the men’s rest room and grope your way down the ladder. You replace the ceiling tile, just as you begin to hear rustling of skirts and the click of heels against the floor in the hall (and those are just the men, har har). Yes, very un-Toyota. Why, you just have to look at the finished product. Such honest and clean lines. Such fine workmanship.
FRIDAY: NEW YORKER FICTION 2014
NEXT THURSDAY: READ PART 3 OF MY UNTITLED STORY
This set-up seems very un-Toyota. You crawl back to the men’s rest room and grope your way down the ladder. You replace the ceiling tile, just as you begin to hear rustling of skirts and the click of heels against the floor in the hall (and those are just the men, har har). Yes, very un-Toyota. Why, you just have to look at the finished product. Such honest and clean lines. Such fine workmanship.
FRIDAY: NEW YORKER FICTION 2014
NEXT THURSDAY: READ PART 3 OF MY UNTITLED STORY
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